Chris Marker and Pierre Lhomme's LE JOLI MAI (The Lovely Month of May) is a portrait of Paris and Parisians during May 1962;the first springtime of peace after the ceasefire with Algeria ...
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This documentary tells the story of film director Aleksandr Medvedkin, throughout his life a sincere believer in communism, whose films were repeatedly banned in the Soviet Union. Modern ... See full summary »
The French computer programmer Laura inherits the task of making a computer game of the Battle of Okinawa during World War II. She searches the internet for information on the battle, and ... See full summary »
Paris 2002. Yellow cats appears on the walls. Chris Marker is looking for these mysterious cats and captures with his camera the political and international events of these last two years (war in Iraq...).
While filming the Olympics, a filmmaker encounters a Japanese girl. Manchurian born and French educated, she's an intriguing anomaly. He films her around Tokyo, as she speaks of Japan, being Japanese and her unique perspective on life.
1967, one year before may '68. The strike at the Rhodiaceta textile plant in Besançon sounds like the rehearsal of the rising to come. Indeed for the first time ever, the workers' claims ... See full summary »
Chris Marker and Pierre Lhomme's LE JOLI MAI (The Lovely Month of May) is a portrait of Paris and Parisians during May 1962;the first springtime of peace after the ceasefire with Algeria and the first time in 23 years that France was not involved in any war.Written by
Among personalities viewed in the streets of Paris, this documentary shows directors Jean-Luc Godard (driving his car), Alain Resnais (as a pedestrian) , Jean Rouch (taking a drink in a bar). See more »
Historical look at Paris in May, 1962. Chris Marker questions a variety of Parisians the month the Algerian War ended on a plethora of topics ranging from racism to dancing. Images are accompanied by commentary, providing statistics ("14 people died of suicide, 10 male, 4 female"), and philosophical musings ("maybe the truth is not only the end, but also the means"). Marker also employs humor when a scene of men discussing technology and leisure is juxtaposed with pictures of cats, while obviously undermining their rambling it also offers more possibilities for interpretation. The freewheeling camera work and insistent questioning create a cachet of curiosity.
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