Jason and the Argonauts (1963) User Reviews

Lots of Stop-Motion Fun!

[gftbiloxi · 8/10 · 30 July 2005]

Fans of Ray Harryhausen's stop motion animation process will have a field day with JASON AND THE ARGONAUTS, which Harryhausen considered his best work. And certainly Harryhausen's special effects are the highlight of this film, which is generally based on the ancient Greek myth of Jason's search for the golden fleece.

The film as a whole is very much like a superior sword-and-sandal epic of the 1950s and 1960s, very colorful and over-run with manly men and beautiful dancing girls. A bit slow to start, once the story line is established the pace leaps forward--and we are treated to some of Harryhausen's most enjoyable creations, including Talos, the bronze statue; two of the most evil looking harpies you can imagine; a really nasty hydra; and Harryhausen's most famous (and his own personal favorite) bit of work: an attack by skeleton warriors.

In the wake of computer generated graphics, Harryhausen's work may strike some as dated, but this is actually part of its charm, for we will never see its like on screen again; it has a certain visual appeal not found in contemporary films, and Harryhausen's creations always have remarkable personality. On the downside, however, some of the film's other techniques have not aged as well, and the use of rearview projection is extremely noticeable (and often annoying) to the modern eye. Still, even those who aren't overly enthusiastic about these types of special effects will find the film an excellent choice as a "family night" film. As for Harryhausen fans--the film is a must-see, must-own, and must-watch as often as possible! Gary F. Taylor, aka GFT, Amazon Reviewer

Good old fashioned fun!

[Boba_Fett1138 · 8/10 · 4 September 2005]

As entertainment this movie is perfect. The movie is a fun adventurous one, with lots of spectacular moments and fights. From a technical point of view this movie is even a masterpiece. The stop-motion scene's created by special effects pioneer Ray Harryhausen is simply brilliant and makes this movie one of the most influential and important one's, when it comes to special effects. But also the movie uses clever camera tricks and some well made miniatures. Yes, of course the effects all look out dated now but they still surprisingly, look convincing enough and at times they are even still simply breathtaking and spectacular to look at. Especially of course the legendary, fantastic end fight against the skeleton warriors.

The story is like good entertainment should be; Adventurous, exciting and simple to follow. The movie truly is none stop fun entertainment to watch with lots of spectacular moments with the legendary skeleton fight as the ultimate highlight. You don't have to be a fan of 'classic' movies in order to enjoy this movie, everyone should be able to appreciate this movie and be entertained by it, especially when you are a fan of ancient Greek tales.

Something that is not praised enough of this movie is the musical score by Bernard Herrmann.

The movie is not exactly filled with impressive and memorable actors. As many movies as I have seen in my life, I don't think I have ever seen any actors from this movie in any other movie, with the exception of course of Honor Blackman who will always be remembered for playing the Bond girl Pussy Galore in "Goldfinger". But this movie clearly isn't a character-adventure movie, it's a special effect adventure movie. The special effects are really the most important element of the movie. So for the fans of special effects this is especially most definitely a must see.

A movie that should be fun and enjoyable to everyone, of all ages.

8/10

http://bobafett1138.blogspot.com/

A Fine Fine Movie

[masercot · 8/10 · 29 December 2004]

What do I like about this movie...besides Harryhausin's special effects? Besides the frenetic battle with the skeletons and the seemingly hopeless fight against the statue of Talos? I like the way the people are presented, I suppose...

Heracles is presented, not as a young ripped body builder, but as one would expect a middle-aged strong man to be: Formidable, a little grey and a little swaggering. Argos, the ship builder, is tan and fat, as one would expect the veteran of many sea voyages to be. The crew looks like what one would expect a crew of ancient greeks to look like.

The acting is not spectacular, but sincere. No one looks embarrassed to be in this movie. It is tight with great special effects...wonderful for children...

And, I must mention Hera, normally portrayed as a matronly and vindictive woman, is here presented as a beautiful and helpful goddess by Honor Blackman, no less. Although many of you may be more familiar with her as Pussy Galore from Goldfinger...

Harryhausen's Masterpiece?

[ecarle · 7 November 2003]

Possibly. His first "Sinbad" film in 1958 had one moving skeleton for the hero to fight; this one has a whole platoon of them, each part painstakingly moved one tiny distance at a time personally by Harryhausen through stop-motion techniques. The seven-headed Hydra is another technical marvel. There are some other nifty creatures for Jason and his crew to battle, but for me, the most impressive of them all turns up first: the gigantic Talos, the Man of Bronze.

I was a kid when this came out, and I don't think I'll ever forget that moment when the huge, crouched statue came to life, turned his head towards the two men below him (his bronze head screeching with the tear of metal), climbed off of his pedestal, and proceeded to chase Jason and his men. Talos was giant like Godzilla, but as single-minded as the Terminator: all he wants to do is track Jason's crew down until he kills them all. This gave me nightmares. Bernard Herrmann's score is one of his best, making music to match Harryhausen's images. (Herrmann was coming off of other Harryhausen's, plus Hitchcock's "Vertigo," "North by Northwest" and "Psycho," and knew how to thrill you.)

Tom Hanks, who was also a kid when this came out, has said: "Everybody thinks that 'Citizen Kane' was the greatest movie ever made. But if you were young in 1963, you know the real answer is: 'Jason and the Argonauts.'"

Fascinating...

[rainking_es · 8/10 · 13 March 2006]

The fascinating odyssey of Jason in search of the Golden Fleece. This is an adventure movie in the old style, with no pretensions, no pomposity... The genius and pioneer of the special effects Ray Harryhaussen gave us a handful of superhuman creatures who make things quite difficult for the brave Jason.

Some may think this special effects or the movie itself are obsolete. OK, now read this: the movie was made 43 years ago, Harryhaussen made them without computers or digital effects... so, show some respect!! In short: the movie is just fantastic.

*My rate: 8/10

A Special Effects Master of its Time

[jcholguin · 10/10 · 25 February 2003]

Back in 1963 I was only 7 at the time, but I can still remember going to the Tower Theater in Downtown Los Angeles and being totally awed with the effects created by Ray Harryhausen. In today's world it may seem below standard compared to computer effects, but for those of us growing up in that time period, the Harryhausen style of special effects will continue to bring back warm memories of those years. With computer graphics, you see it and like it the first time you see it, but then many movies of today have the same and it becomes moot. Jason and the Argonaunts was one of those few movies at the time along with the Sinbad saga that lives on in your heart. The pace of the film is perfectly put together along with the many creatures, 7-headed hydra, huge fish-man, huge metal man and skeletons fighting is what makes it a classic which lives on in the hearts of those growing up in the sixties.

Never ever gets old, magical movie with a big mythical heart.

[hitchcockthelegend · 9/10 · 15 October 2008]

To regain his rightful place as the King of Thessaly, Jason must traverse deadly seas to the land of Colchis where a Golden Fleece of magical powers is housed. Assembling a crew of the toughest men around, and aided by the Goddess Hera, Jason and his Argonauts set sail unbeknown that perils await at every port.

Directed by Don Chaffrey and featuring some of stop motion genius Ray Harryhausen's best work, Jason And The Argonauts is still entertaining families over 50 years since its original release. For sure it's got a "B" movie heart, and no film in this genre is without a high cheese quota, but it's technically one of the genres best and for daring do shenanigans it has no peers. The gorgeous Meditteranean photography courtesy of Wilkie Cooper (Dynamation 90) goes hand in hand with the boisterously mythical score from Bernard Hermann, while Chaffrey's direction of the human aspects is solid and safe in preparation for Harryhausen's magic to move in and take over.

The cast may not cover themselves in glory, and yes at times some of them are a touch wooden, with only Honor Blackman (Hera) and Nigel Green (Hercules) seemingly able to grasp the sense of fun that is meant to be had. But really it's a minor itch, for when you have a big quest adventure containing harpies, a hydra, a giant bronze statue intent on destroying all, clashing rocks, angry gods and a brilliant Harryhausen skeleton army - well it's all good really isn't it! 9/10

"Computer effects"? Hahahahahaha!

[grasshopper_xla · 10/10 · 29 September 2006]

The reviewer who complained that this excellent, classic film has bad "computer effects" was being so sadly hilarious that I have stomach cramps from laughing and almost fell out of my chair. I seriously wish that people who reviewed movies would:

1. Watch the ENTIRE movie with intent from start to finish (otherwise, PLEASE do not bother with a review - as, what's the point?) Please also take notes and refer back to them instead of making stuff up off the top of your head as so many on here do.

2. PLEASE do your research prior to any review. For example, do not refer to effects as CGI when they are manually and painstakingly (with love) done by stop motion PHYSICAL camera work.

It would also be wonderful if such reviews were deleted because of their overall invalid nature, or at least in a cue for voting for possible deletion.

This movie, of course, uses MANUAL stop motion animation, and is one of my favorite movies of all time. Today's children who have had their heads crammed with cheap looking plastic CGI will often have a different view, I'm sure.

10/10 without question.

Excellent Fantasy Film.

[inspt71-1 · 18 October 2004]

Jason and The Argonauts is a great film to watch and escape reality. This is one of those movies that you know is not real but you just enjoy it and have fun watching it. I think this film is underrated because it was not given one Oscar nomination. I think this film should have been nominated for Best Art Direction and Set Decoration, Cinematography, Bernard Herrmann's Original Score and Film Editing. When I first saw this movie on Turner Classic Movies one night, I was only excited to see the Skeleton Fight at the end which took Ray Harryhausen and special effects crew three months to create that entire sequence. This is a Great movie and I encourage all of "The Lord of The Rings" fans to watch this and see a great masterpiece of classic fantasy and old fashioned special effects. **** out of ****!

Wonderful adventure about the legendary Greek hero who sails to Colchis to find the Golden Fleece

[ma-cortes · 7/10 · 13 June 2012]

Hero Jason leads a team of intrepid adventurers in a perilous quest for the legendary Golden Fleece which has amazing healing powers. Jason sails on the Argo-ship to the land of Colchis seeking for the golden fleece in this mythological romp . This is one of the best sword and sandals film from the history , retelling the legend of Jason in search of the famous fleece for uncharted sea . The film deals with the myth Jason (Todd Armstrong), son of king of Thesaly , the young prince has had his heritage usurped by his nasty uncle Pelias (Douglas Wilmer) who has taken the throne . He travels in search for the fabled Golden fleece located in the Colchis where is guarded by seven-headed hydra . It's based on a poem of Greek poet named Apolonio of Rodas titled ¨The Argonautika¨ (250 B.C) . In order to achieve his throne, Jason must retrieve the magical calf housed from distant land of Colchis and bring it toward city of Iolco . Jason assembles a motley , brave crew formed by a valiant band as Hercules (Nigel Green) , Polydeuces (Crawford) , the traitor Acastus (Gary Raymond) ,Castor and others ; meanwhile , evil Pelias has usurped the kingdom and taken his throne . Jason successfully leads his crew of would-be heroes throughout a series of outstanding adventures . The Argo crew are under the protection of Hera (Honor Blackman) , queen of the gods . They're confronted by a heinous giant bronze named Talos at an island and many other dangers . Jason saves Medea (Nancy Kovack) , priestess of Hecate (who later to be revenged Jason , killing their sons) from waters and both of them go to Colchis . They sail unharmed along sea storm , suffering thirsty , famine and incredible adventures , encountering giant monsters , multitudes of mythological monsters and weird creatures .

This exciting picture contains lots of action, magic , fast-moving , thrills , impressive fights against monsters and lots of fun . It is an exciting fantasy-adventure full of special effects created by means of stop-motion technique by the magician Ray Harryhausen , the Dynamation man . The previous Ray Harryhausen films were generally shown as part of a double feature in "B" theatres , Columbia and the producer Charles H Schneer were able to book this film as a single feature in many "A" theatres in the United States. This time the large list of monsters result to be the following : a huge moving sculpture of Talos , as they battle against harpies , a venomous creature as hydra, and an animated terrifying skeleton army, all brought to life by the special effects masterfully created by the maestro wizardry Ray Harryhausen who regards this as his best film. In the ¨7th voyage of Sinbad¨ , Ray designed a sword-battling skeleton , here we see a whole army of them for Jason and his crew to fight at the ending of the film . It took Ray Harryhausen four months to produce the skeleton scene, a massive amount of time for a scene which lasts, at the most, three minutes . The runtime is adequate with various incidents and sub-plots . Harryhausen works his animation magic around a passable-developed screenplay and engaging acting by the entire performers . The cast is enjoyable with effective but unknown main actors , though important secondary Brit actors as Laurence Naismith (Argo), Niall McGinnis (Zeus) , Honor Blackman (Hera) , Michael Gwinn (Hermes) , Jack Gwillin (Aetes) . As usual in Sword and Sandal films here appears the choreographic girls dancing and lots of action with several adventures including spectacular fights , storms , witchery, and some good effects .

This elaborate recounting was well directed by Don Chaffey although with little relation with the poem by Apolonio of Rodas . The film contains an evocative and powerful musical score by Bernard Herrmann conducting the Royal Philharmonic Orchestra . Colorful and spectacular cinematography by the great Wilkie Cooper . Fun for the whole family though it tends toward the ponderous at times but for the most part , it's a marvelous and entertaining movie . Other adaptations about this classic story are the following : ¨Giant of Tessaly¨ by Riccardo Freda with Ronald Carey and Massimo Giroti , ¨Hercules¨ by Pietro Francisci with Steve Reeves , Sylva Koscina and for TV ¨Jason and the Argonauts¨(2000) by Nick Willing with Jason London , Frank Langella and Olivia Williams .

Pure Magic.

[screenman · 8/10 · 12 August 2008]

A passing of 45 years has barely diminished the tremendous imagination and ingenuity of this movie.

Ray Harryhausen is the man of the moment here, and his stop-go animation of miniatures has never encountered serious competition. Each work is a perfect miracle of painstaking attention to detail. The giant guardian statue of Kalos is particularly well suited to his technique. Stop-go motion makes his laboured, robotic activity seem all the more realistic. Combined with other special-effects of the day like mirror filming, the interplay between Ray's monstrous creations and the human actors are truly amazing for their age. One particular scene that depicts Kalos's lower leg and heavy foot-fall observed close-up and from behind, has a suspicious similarity to that of a certain Tyrannosaurus from Jurassic Park. I wonder if Mr Spielberg has been plagiarising again - or 'paying homage' as he prefers to call it.

Arguably Jason's battle with the animated skeletons is the highpoint of Ray's work. Each skeleton is seen in minutely observed close-up, sometimes full-figure foreground, and even en-masse in middle distance. That the whole sequence - or series of sequences - were created frame by frame, click after click, whilst the live actors intimately choreograph their own play against them is a piece of pure magic.

But whether it's skeletons, a giant hydra, or flying harpies, Ray and the special-effects boys will provide you with entertainment to both marvel and smile at.

Sound effects are also very imaginative for their time. Both they and the theme music are aptly suited to the drama they represent. Likewise lighting and colour, sets and costumes, all live up to standards set by the best sword 'n' sandals epics.

Acting, however, is a mixed bag. Honor Blackman and Nial McGinnis make fine gods and have some excellent dialogue. However, Todd Armstrong (as Jason) and one or two members of his crew look and act like handsome also-rans, reminiscent of extras in spaghetti westerns who feature only to make up the numbers and die when required. Occasionally their voices seem dubbed.

However, a few wooden actors shouldn't put anyone off. With a stirring story to tell, and with all of the exotic legendary beauties and beasties brought so wonderfully to life, this movie still has the power to enthral each rising generation of young kids, even as it did mine.

Although stop-go animation is now obsolescent in the context of any 'serious' fantasy, having been superseded by CGI; Nick Park has demonstrated that it still has a part to play in entertainment, and that it can still win fans and even Oscars.

Jason and the Argonauts

[jcolyer1229 · 8/10 · 4 March 2009]

I took three years of Latin in high school and got into astronomy in the early 1960s. I was well-acquainted with the Greek myths. This is the story of Jason and how he sailed on the ship Argo to bring back the Golden Fleece. The Argonauts include Hercules, Castor and Pollux and Argus, who built the ship. The goddess Hera protects Jason and his crew as they encounter their adventures. There are bronze Talos, Harpies, Clashing Rocks and fighting skeletons. In the the end, Jason gets the Fleece. He also gets the girl, Medea. Medea is played by Nancy Kovak, and she does a seductive dance. The animation is by Ray Harryhausen who would later do Clash of the Titans. The two films are similar. I was 17 in 1963, and could have easily seen Jason and the Argonauts at the time of its release. Believe it or not, it was 2009 before I watched it. For escapism and pure fun, it is unbeatable.

Harryhausen does it again!

[Bynovekka1 · 15 September 2001]

Five years after his classic arabian fantasy 7th voyage of Sinbad, Ray Harryhausen tried his hand at greek mythology with similarly impressive results.

The story is interesting enough. Concerning Jason's voyage to claim the mystical golden fleece from the far side of the world and use its power to free his homeland from an evil ruler and his cruel offspring.

With the aid of his heavenly benefactor, the queen of the olympian gods, Hera, Jason assembles the greatest warriors of ancient greek society to capture the prize.

The downside of 'Jason' is the fact that the human stars of the film are far less engaging than those dipicted in Sinbad. In fact, the main actors are rather stilted. Todd Armstrong as Jason for example is as wooden as a sagging birch tree. But who cares. Harryhausen's stop motion wizardy is even more stunning than in Sinbad.

Among the more intridging visual whammys are a seven headed hydra. A small army of skeleton warriors. A two hundred foot tall titan warrior made of bronze. And a pair of winged demon harpies.

Like 'Sinbad', 'Jason' somehow failed to be noticed at oscar time. Its astounding special effects weren't even nominated. Meanwhile the effects oscar that year went to the rather pedestrian Cleopatra. Apparently, Ray Harryhausen's monsters are no match match for the shapely charms of Elizabeth Taylor. As the a great man once said......"It was beauty that killed the beast."

Classic Film With Outstanding Special Effects

[hans101067 · 7 December 2000]

It's really rather hard to believe that this picture received mediocre reviews when it first came out.It appears that most now regard it as a classic,and in certain circles,it has achieved cult status.True,Armstrong's Jason is a rather bland character,and could use some foibles and quirks to become more realistic and human,but this could be lodged against the writers.Kovacks as Medea certainly does look marvelous,but shows none of the inner torment of the character of classic mythology.(On the other hand,this movie was made for kids,and we don't need to introduce them to Eurypides' virago just yet.)An outstanding cast of well-trained British actors provides sterling support.Naismith personifies loyalty and good-natured common sense;Troughton is remarkable as a tortured sinner who is brave and hasn't lost his sense of humor;Green is probably the most realistic Hercules ever developed;And Gwilliam is the personification of outraged hospitality and necromantic malevolence.Wilmer has a good time doing a Rathbonesque villain.The special effects are first rate,given the state of the art at the time,and Blackman and MacGinnis develop wonderful portraits of the deities.They have a genuine relationship,and appear to be a man and wife.The plot has more depth than most films of this genre,and is lots of fun,besides.

My uncle was "Jason", the movie meant alot to him

[vsturkey · 27 May 2000]

I decided to contribute my comments when I read another commentator who mentioned that the leads were dubbed... this fact dealt a crushing blow to "Todd Armstrong" from which he sort of never really recovered.

As I was told, he showed up at the gala premiere and nobody had told him he had been dubbed over. What a horrible shock, in public, on one's 'night of glory'!

He had a highish voice, but one that was extremely expressive - a fine instrument. The dubbed voice is very low and flat. I can't tell you how I'd love to see the film with his voice restored!

Making movies, like any creativity, is full of compromises, some of them beyond one's control. "Todd" still loved the movie - it was filmed in southern Italy - he had a great time doing it. He was always a very, very handsome and strong man, and his physical presence shines through still.

It is really a memorable, powerful film! After seeing it I dreamt my favorite kitten had been slaughtered by the other kittens in the litter, who had become sword-wielding skeleton kittens!

I hope you all enjoy it and don't get too worked up about inaccuracies with the original story (as someone here has).

Because its overall professionalism and the magnificent special effects, this movie will live on despite being technologically outdated.

Can anybody speak to the possibility of finding the original actor's voice track? What's to be done? Thanks!

One of the semi-classic mythological fantasy with some splendid stop-frame animation...

[Nazi_Fighter_David · 8/10 · 3 November 2002]

In its dealings with ancient civilizations, the cinema has largely fought shy of their mythology and preferred to look for inspiration in their history...

Among the exceptions is, surprisingly, a British movie, Don Chaffey's lively 'Jason and the Argonauts'... Although this is let down by its visualization of Olympus (the dwelling place of the gods), with the immortals using the swimming pool like a gigantic television set for looking in on human intrigues, it has seized on mythology as a new format for the monster movie... The special effects - from iron man to an army of skeletons - are nicely conceived, and it's just amazing how believable the movements of Ray Harryhausen's creatures are...

Chaffey is also responsible for one of the cinema's few excursions into the Pre-historic, the second version (by Hammer) of 'One Million Years B.C.,' which has rather less going for it than 'Jason and the Argonauts' because of the boredom inherent in having characters who can converse only in grunts...

'Jason and the Argonauts' is a truly family fantasy-adventure film, directed with wit and excitement... Beverley Cross's fine script is both imaginative and literate, and Bernard Herrmann's score is stirring...

The word "Argonaut" comes from a tale sung of the strongest and bravest band of heroes ever assembled in Greek Mythology... This myth chronicles Jason's quest for the 'gift of the gods,' and the restoration of his family's throne...

There is an interesting theme that runs through the entire motion picture: man must manage alone without the help of the gods whether they exist or not...

In times past, fate ruled men's lives completely... The gods often amused themselves with the puny mortal men below... Fate is still an important factor in Jason's time (He has been prophesied to overthrow King Pelias...), but man chooses his own life's course... Jason lost his believe in the gods, and Zeus questions what has taken the place of man's faith in the gods... Jason replies: "The hearts of men. "

Jason rejects Zeus' offer to supply him with 'a ship and a crew,' and assembles dozen of Greece's greatest heroes, including the legendary Hercules... Nevertheless he accepts Hera's pledge to help him with the information and advice...

Jason has learned that prayers to the gods are not always answered... "The gods are best served by those who want their help least," Zeus alibis... When humans obtain the help of the gods, they know they must push forward... For instance, when Triton holds the quaking mountains, the Argonauts still must navigate their ship away from the dangerous rocks that continue to fall...

Jason dared to speak of the end of the gods, and challenges Zeus when he eliminates Talos, who guards Zeus' treasures... And when the Argonauts imprison the evil harpies whom Zeus sent to torment a desperate sinner, Zeus admits: "If I were to punish every blasphemy, I would soon loose all loyalty and respect."

Of the gods, Jason says, "In time all men will have to do without them." Such words alarm Zeus, and he recognizes as much to Hera, whom he considers "almost human" for staying with him despite such weakness... But the gods still have enough power to do their will... At the picture's end Zeus tells Hera that he will allow Jason and his pretty Medea to enjoy 'each other,' but he adds, "I have not yet finished with Jason... Let us continue with the game another day."

Todd Armstrong is the young and hot blooded Jason who schemes to seize the Golden Fleece from King Aeetes, and saves Pelias from drowning one day, losing his sandal in the river...

Nancy Kovack is Medea, the provocative high priestess of Colchis who is charmed with love for Jason and aid him in his quest...

Gary Raymond is Acastus, the son of Pelias sent to disrupt the voyage by causing dissension in the crew...

Niall MacGinnis is Zeus who decides to challenge Jason and the Argonauts with many trials...

Honor Blackman is the cunning Hera, the queen of the gods, who outmaneuvered Zeus, and intervened on several occasions to facilitate Jason's tasks... Hera wishes to destroy Pelias because he was treacherous and her temple was profane...

Michael Gwynn is Hermes who transports Jason to Olympus to speak with the gods...

Jack Gwillim is King Aeetes who collects the hydra's teeth from its seven heads, and confronts Jason high on a cliff...

John Cairney is the clever Hylas who uses his intelligence to beat Hercules in a test of skill...

Douglas Wilmer is the nefarious Pelias, who plots a devious plan to send Jason on an impossible quest, in a faraway land, to fetch the magical Golden Fleece...

Nigel Green is Hercules, the bravest and strongest warrior who vows to search the Isle of Bronze until he finds his friend Hylos...

Patrick Troughton is the old and weak Phineas cursed with an insatiable appetite and the flying harpies left enough putrid morsels for him to survive his torment...

'Jason and the Argonauts' is a tale of love and betrayal, friendship and fortune... It is nearly 40 years old but it still holds up as one of the semi-classic mythological fantasy which provides a framework for some splendid stop-frame animation...

Ray Harryhausen at his very best

[chris_gaskin123 · 23 June 2004]

This was one of those films I always remember seeing as a child and I never forgot those skeletons which I think is Ray Harryhausen's best work.

Greek hero Jason takes a party by ship to search for the Golden Fleece, but have to encounter several dangers on the way. This starts when they drop off at an island with bronze statues to collect food and water. But one of them goes into the tomb of one of these, Talos and steals a gold sword. Talos then comes to life and attacks the crew and during their escape, the ship is destroyed. Talos is destroyed eventually. While on the island, they come across a blind man, who gets attacked by two cheeky Harpies who keep eating his food. They are captured. They continue their journey and encounter Neptune and arrive on the island where the Golden Fleece is. Before getting the Golden Fleece, Jason must fight and kill the Hydra, which he does. The best part of the movie is of course those skeletons near the end. Jason manages to defeat them when they fall off a cliff into the sea.

This has to be one of, if not the best of Harryhausen's movies. Bernard Herrmann was responsible for the excellent music.

Jason is played well by Todd Armstrong and Nancy Kovack plays Medea. These are joined by Bond girl Honor Blackman (Goldfinger), Laurence Naismith (The Valley Of Gwangi), Dr Who actor Patrick Troughton who plays the blind man, Niall MacGinnis (Night of the Demon) and Nigel Green as Hercules.

This is probably my favourite of Ray Harryhausen's fantasy movies.

Rating: 5 stars out of 5.

Great ancient action and adventure

[Shaolin_Apu · 8/10 · 7 July 2007]

Before estimating a movie about Greek mythology one should remember that there has never been a movie that follows a myth line-by-line and therefore I don't think it is a good idea to judge this type of movie by what it contains and what it omits. The most interesting thing to observe is that how a movie makes an old myth interesting for a modern viewer. The myths in the antiquity were also told in several versions and re-interpretations and so any modernization is just as good as the final outcome.

Jason and the Argonauts is not a recent movie any longer but its unique approach to an ancient subject is what makes it interesting viewing. In the time when the facility of computer animations were not available the special effects had to be done in more archaic manner and seeing some legendary monsters as puppet-animations may seem ridiculous to some people. To me their grotesque appearance however seemed more natural and fascinating than all too sterile computer graphics of this modern day.

In the original myth about the Argonauts there had been many more material that could have been used in the film but in this version of the myth the focus on the action against the encountered monsters. The expected romance between Jason and Medeia will be of less importance too, but many divine interventions will happen. Shortly put, there will be more action than drama this time.

Beautifully-Made Recreation of Mythical Greece; Exciting and Strong

[silverscreen888 · 7/10 · 28 June 2005]

"Jason and the Argonauts" is a very-colorful idea-level-fantasy of the 1960s. This was a stop-motion animation project, and an unusually strong production, whose subject was a mythical Argive hero of ancient Greece. Historians have theorized his voyage actually took him to South America, the Black Sea or other destinations; an epic poem was written about him. Here Colchis is not located, except "at the end of the world". The storyline takes this disenfranchised rightful young king on a voyage aboard the ship Argo; he recruits the greatest athletes of Greece to be his rowers and companions, and sails off to the Land of Colchis to bring back The Golden Fleece and win a kingdom. What he does not know is the man who sent him after the great prize is destined to be replaced on his throne by Jason and so is looking for ways to get rid of him and kill him, even sending his son along for the purpose. The casting is curious. Todd Armstrong looks manly, but was dubbed because of an intrusive US accent. Nigel Green excels as Hercules, Nancy Kovack and Douglas Wilmer are very good as Medea and the evil king; as the gods of Olympus, the co-director Ray Harryhausen cast Niall Nacginis as Zeus, athletic Honor Blackman as Hera, and effective Michael Gwynn as Hermes. The film is stolen by Laurence Naismith as Argus, the ship's designer who goes along to participate in many adventures. And there are Harryhausen's monsters"--a talking figurehead of Hera, the bronze god Talos, Poseidon who parting the clashing rocks, the harpies, a seven-headed hydra that guards the Fleece, and especially the army of skeletons sown from the dragon's teeth of Cadmus by King Aeetes of Colchis, with whom Jason and his men wage a fascinating battle of swords. The story is slender but it holds up well as a fun-level adventure for all ages. The musical main theme by Bernard Herrmann is magnificent and memorable; the costumes and sets are surprisingly authentic. But the finest delight is the ideas in the script by Beverly Cross and Jan Read; the most-quoted line is spoken by Zeus when he tells an eager Jason that the gods love those best who call on them for help the least. Don Chaffey directed with Harryhausen very energetically. This important line stands as the opposite in meaning to the philosophy that did not help an expensive sequel made by Harryhause years later, "Clash of the Titans". Some scenes in this narrative are very memorable such as the clashing rocks, the court of Colchis, the attack on a city by the evil king, the contests (all too brief) to choose the champions as crew for the ship and the Olympus segment where Jason, standing onto a god's hand, is introduced to the gods and is granted only three pieces of help from Hera during his quest, the escape of the Argo in the fog from Aeetes' fleet, and the aforementioned battle with the skeletons. It is curious as Derek Elly also pointed out that the US filmmakers have never made a single fictional film about the ancient Greek or republican Roman past that is their ethical heritage; could it be the individualism of men in the classic Age that Hollywood tsars could not grasp--in that classic age as in their own? This is not quite a great film; but it is vivid, well-made and everywhere entertaining.

It's All About the Special-Effects

[ccthemovieman-1 · 8/10 · 10 July 2006]

When I was a teen, this was a "cool" movie. The special-effects that were exhibited in this movie back then (1963) were awesome at that time. If they had one, Ray Harryhausen would be a charter member of the film world's Hall Of Fame for SpeciaI Effects. He is a legend in Hollywood. Who will never forget seeing skeletons alive and fighting back then? Not me, or my friends. It just made a lasting impression and I suspect that will always be cool even though FX has improved so much and it looks dated by now.

Dated or not, some of the scenes in here still are fun to view, even though the storyline and some of the dialog is so stupid it makes me cringe.

This is almost a "cult" movie, I suspect, by now, especially with the horrible acting in here. The acting and dialog are so bad, it's almost a comedy in parts....but who cares? We just watch for the "effects."

A great Harryhausen piece.

[Bob_Tanaka · 8/10 · 28 December 2003]

Ah, Harryhausen. The greatest special effects artist of all time. Jason and the Argonauts is another one of his grand films that inspired the next generation of film makers. The plot is straightforward and pure fantasy (always the best) Jason's family is killed and his father's throne usurped by an evil conqueror, who also angers Hera by killing innocents in her temple. Tweny years after all this, Jason returns for revenge, and through a complicated series of events, sets out to find the legendary Golden fleece, which will restore his kingdom to its former glory.

ALong the way, of course, he encounters that most dangerous of obstacles, Harryhausen's imagination. A towering bronze giant (picture an ancient Greek version of aa cross between Godzilla and the Terminator), named Talos; Winged Harpies, who torment a blind prophet; a seven headed hydra, who gaurds the fleece; and, best of all, seven armed skelitons. The hydra is probably the only one I was disapointed by. It looks great, but it doesn't really do much. However, considering the work poor Harryhuasen did for what it is, I should be glad it's in there at all.

The Skeliton swordfight is the best sequence in the film. It is, in fact, one of the best sequences ever. I've never seen anything like it! Jason and his men make actual contact with the things, they actually grab their weapons and punch them down! It's incredible! A definite must see for anyone who even knows the name Harryhausen (and for everyone else. If for nothing else, then for the skelitons)

Childhood fav. This movie has the power to transport the viewers into the mythical world.

[Fella_shibby · 9/10 · 21 August 2016]

I first saw this on a vhs with my dad when i was only 7 years old. I got terrified seeing the giant Talos. The incredible images stayed with me for years until I saw the movie again when I was 13. Saw many times after that. Bought a vhs in the 80s. Bought a vcd in late 90s. Revisited this recently with my kids. A very nostalgic n one of the finest 60s mythically themed fantasy film. The movie has a towering bronze giant named Talos, winged Harpies, a seven headed hydra n armed skeleton warriors. The skeleton warriors r repeated in this film. They r first introduced in The 7th Voyage of Sindbad. The musical score n cinematography is top notch. The last scene on the mountain top is breathtaking. The island of Talos is also splendid but the main attraction of the film is the special effects work of Ray Harryhausen. Special thanx to the producer Charles H. Schneer who was famous for his collaborations with Ray Harryhausen. Together, they created some of the best-loved fantasy and science fiction films to grace the silver screen. Ray Harryhausen n Charles H. Schneer were both a gift to mankind, specially kids. Kudos to the director Don Chaffey for giving us this n One Million Years BC.



Edited my review aft revisiting this movie again but this time with my 7 year old nephew during the pandemic lockdown (July 2020). He loved the film n enjoyed the Talos but pointed out two silly mistakes. During the hydra scene it is shown night time but later when Jason is shown running away, it is bright sunlight. Also when Jason jumps in the ocean, the skeletons cud have easily prevented Jason from boarding the ship or the skeletons cud have easily boarded the ship themselves.

A Towering Achievement!

[drmality-1 · 10/10 · 7 June 2005]

This movie probably had a lot to do with my lifelong fascination with monsters and mythology. I saw it when I was only four years old but the incredible images stayed with me for years until I saw the movie again when I was 11 or 12. Since then, I never tire of the movie's sights, sounds and ideas.

Of course, much credit should go to FX master Ray Harryhausen, but there is more than special effects that makes this movie work. It is altogether more adult than the Sinbad movies and is a thought-provoking meditation on free will and the nature of destiny. Jason is the kind of man the Gods fear the most, for he does not fear them or particularly want their help. He accepts the aid of the goddess Hera, but this is more because Hera is smitten with him than any other reason. When he snarls "The Gods of Greece are cruel! In time, all men shall learn to do without them!", it is a supreme act of defiance. And yet the Sea God Triton then gives Jason his grudging aid, proving that men still depend on the Gods.

Performances are underrated here. Todd Armstrong makes a fine Jason, who relies on skill rather than muscle to accomplish his goals. The very fine actor Niall McGinnis is excellent as Zeus, King of the Gods. His version of the character is far superior to the one portrayed by Olivier in "Clash of the Titans". Nigel Green is outstanding as Hercules...arrogant, charismatic and ultimately tragic. Instead of a souped up muscle-man, Green's Hercules is a burly, believable veteran. As for Nancy Kovack as Medea, her performance is mediocre, but she is gorgeous as the mysterious High Priestess of Hecate.

Another great asset of the film is the heroic score by Bernard Herrmann, who did much of his best work for the Schneer/Harryhausen fantasy films. The beautiful Aegean scenery also helps the authenticity.

At the end of the day, though, it's always the monsters that fans talk about. What an incredible collection of creatures they are! I still remember the thrill of fear I felt as a four year old when the mighty head of Talos the Bronze Giant turned to look at Hylas and Hercules. The Harpies and their torment of blind Phineas also left a strong impression. The Hydra, despite looking very cool, was something of a disappointment...it would have been better if he had put up more of a fight. But nobody could complain about the Children of the Hydra's Teeth...bony skeleton warriors filled with blood-lust! This was Harryhausen's crowning moment.

The abrupt ending of the movie disappoints,too. I think everybody wanted to see Jason reclaim his kingdom from Pelias. But you can't have everything and "Jason and the Argonauts" more than earns its keep as my favorite fantasy film of all time.

the best Odyssey ever

[prime801 · 8/10 · 23 February 2007]

this was a great movie with the effects, used for its time is mind blowing. the skeleton men were definitely awesome. if you enjoyed this one i recommend the 7th voyage of Sindbad. it was produced by the same person and that was a good film too.. this movie was ahead of its time. i grew up watching theses movies on a beta max when i was 5.

i loved them i watched these to over and over again. . one of the funnest films to watch..

i really would like to know how they did the specials effects it really wasn't all that bad. for what time period and what movies were accomplishing then.

Great special effects

[preppy-3 · 6/10 · 29 September 2000]

Jason (Todd Armstrong) sets sail with his crew to find the Golden Fleece. Along the way they do battle with a giant metal man, "crashing rocks", two harpies, a many-headed animal and fight SEVEN skeletons.

Ray Harryhausen's special effects are the only reason to see the movie. The script is somewhat literate but boring, the acting is pretty bad (although some people were dubbed over) and it goes all over the place. But when Harryhausen's creations are on-screen, the movie is fantastic. They're all stop motion which I prefer over the too perfect CGI that's used all the time today. The fight against the skeletons especially is impressive. I also enjoyed the bickering between gods Hera (Honor Blackman) and Zeus (Niall MacGinnis) who act as a Greek chorus. Personally I found the film too child-like to truly enjoy but it's worth catching at least once.