Irma la Douce (1963)

In Paris, a former policeman falls in love with a prostitute, and tries to get her out of that life by paying for all of her time.

Director:

Billy Wilder

Writers:

Alexandre Breffort (play), Billy Wilder

Stars:

Jack Lemmon, Shirley MacLaine, Lou Jacobi

Won 1 Oscar. Another 5 wins & 7 nominations.

Cast

Cast overview, first billed only:
Jack Lemmon	...	Nestor Patou / Lord X
Shirley MacLaine	...	Irma La Douce
Lou Jacobi	...	Moustache
Bruce Yarnell	...	Hippolyte
Herschel Bernardi	...	Inspector Lefevre
Hope Holiday	...	Lolita
Joan Shawlee	...	Amazon Annie
Grace Lee Whitney	...	Kiki - the Cossack
Paul Dubov	...	Andre
Howard McNear	...	Concierge
Cliff Osmond	...	Police Sergeant
Diki Lerner	...	Jojo
Herb Jones	...	Casablanca Charlie
Ruth Earl	...	One of the Zebra Twins
Jane Earl	...	One of the Zebra Twins

Storyline

Naive, by the book French police officer Nester Patou, is transferred to the Red Light district. Upon witnessing what must be a brothel, he calls the station and organizes a raid, transporting all the 'ladies' to the jail. This unfortunately disrupts the well organized system of the police and the Pimps union. Not to mention inadvertently netting his station superior at the brothel. Fired, he goes to a bar to drink, is befriended by Irma, beats up her pimp, and finds he is now Irma's new pimp. Nester's doesn't like the thought of his girl seeing other men, so comes up with a plan.

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Plot Keywords:

prostitute | female stockinged feet | female stockinged legs | green pantyhose | pantyhose | 

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Taglines:

3 Lemmons hit the Jackpot

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Genres:

Comedy | Romance

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

5 June 1963 (USA)

Also Known As:

Irma la dulce

Filming Locations:

Samuel Goldwyn Studios - 7200 Santa Monica Boulevard, West Hollywood, California, USA

Box Office

Budget:

$5,000,000 (estimated)

Gross USA:

$25,246,588

Company Credits

Production Co:

Phalanx Productions,The Mirisch Corporation

Technical Specs

Runtime:

147 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The pimps' union is called the "Mec's' (tough guy's) Paris Protective Association" (MPPA), which also stands for "Motion Picture Producers Association", an organization which had given Director Billy Wilder some trouble.

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Goofs

The shadow of the "boom" can be seen on the brown wall, at the right of the screen, just after Lemmon shows up in MacLaine's apartment, following his jailbreak. It shows up behind Bernardi, just after MacLaine's sarcasm that Lemmon could be found in jail.

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Quotes

Moustache: Shows you the kind of world we live in. Love is illegal - but not hate. That you can do anywhere, anytime, to anybody. But if you want a little warmth, a little tenderness, a shoulder to cry on, a smile to cuddle up with, you have to hide in dark corners, like a criminal. Pfui.

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Connections

References Sink the Bismarck! (1960)

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Soundtracks

Our Language of Love
Music by Marguerite Monnot
French lyrics by Alexandre Breffort
English lyrics by Julian More, David Heneker and Monty Norman

User Reviews

More Wilder than Breffort

This film is Billy Wilder's rewriting of Alexandre Breffort's French musical farce. In 1960, David Merrick brought an English version of the piece to the United States. This Brechtian play concerned penniless law student Nestor le Fripe and his jealous love for his prostitute girl friend, Irma. He disguises himself as Monsieur Oscar and becomes her only client. When he becomes jealous of Oscar, he pretends to murder the fake client. He is assisted in this scheme by Bob, a bartender who also serves as a narrator of sorts.

Wilder keeps the basic idea of the play, but turns le Fripe, now Nestor Patou, into a policeman who falls for Irma. Bob becomes known as Moustache and Monnot's songs are used only for background music. In the leading roles, Jack Lemmon, Shirley MacLaine, Lou Jacobi, Hershel Bernardi and Bruce Yarnell are as French as French fries. Wilder injects the farce with his usual cynical romanticism. The shame is that all of the leading players had musical comedy backgrounds and could have put across the musical numbers with style. Wilder did not have to use all 14 musical numbers, but 2 or 3 would have made the point. There is no reason why Jacobi could not have opened the film with "Valse Milieu". The "Dis-donc" number is almost performed by Shirley MacLaine in the film; why wasn't it done? Jack Lemmon could have crooned "Our Language of Love" to Shirley in the early bedroom scene. Maybe Wilder felt that the music would take the bite out the his film. It would have, but it would have made the film warmer. Thank goodness Wilder decided to include some silly slapstick to lighten the piece a bit.

When I first saw this film, I was disappointed in it, but after a few more viewings, it stands up well against Wilder's other cynical-romantic comedies of this era. And it is the only one in color!