After he mends a marital rift between a vacationing young couple, the bored, fragile wife falls hopelessly in love with the husband's ex-colleague who is married to a long suffering and ...
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Based on the best-selling novel by Irving Wallace that was inspired by the Kinsey Report on the sexual mores of suburban women, the film follows the personal (read sexual) lives of four ... See full summary »
Efrem Zimbalist Jr.,
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In Paris during the summer of 1914 a succession of brief liaisons begins and ends with a soldier and a tart, but on the way moves humourously and sometimes poignantly through a fascinating panorama of society and of attitudes to love.
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Renee Saccard is a pampered, selfish young wife of a middle-aged Parisian businessman who falls in love with her stepson but is driven to the point of madness when her husband tricks the ... See full summary »
A young insecure college sportsman is in trouble. He wants to marry his very straightforward girlfriend, also a student, but has no money. When he is offered a bribe to fix a game, he is torn even more about the matter.
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Following World War II, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann Warren ... See full summary »
John Phillip Law
After he mends a marital rift between a vacationing young couple, the bored, fragile wife falls hopelessly in love with the husband's ex-colleague who is married to a long suffering and emotionally and physically scarred woman. The couple soon run off to Greece together to pursue the romance.Written by
The car used in Greece was a 1956 Cadillac Series 60 Fleetwood Special Sedan. However 2 cars were used, one with black wall tires and one with period-correct white wall tires. When in the city, the car has white wall tires. Once the car gets on a country road, the tires change to black wall. It could also be that the city scenes were shot together, likewise the country scenes and in the interim the tires were changed. See more »
Excuse the horn; but, Mr. Sam likes to know when guests arrive.
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This is NOT the bookend to IN THE HEAT OF THE NIGHT
I give it a one, just for Jane Fonda's 'hair' (a lot of us are obsessing about it...), which - seems to be what's most interesting in a very dreary, creaky RomDram from '63.
I don't know the story of where the title a actually came from, but, the fact that it's 'opposite' (IN THE HEAT OF THE NIGHT) titled film was such a well-received film came out AFTER this (as well as the book that film's based on) is probably one of the more interesting aspects going on in it's making.
In her interview with Robert Osborne (PRIVATE SCREENINGS), Angela Lansbury said that it was a 'difficult' project for her, and, while she did her best, she didn't think it was 'that good.'
Thus was an early vehicle for the young, gorgeous Fonda. She was still not fully comfortable on camera, and it shows. The film tries to showcase her as the typical 'sexy, young girl,' this time playing married (to the older Arthur Hill), who shares 'common interests' with the also married - to Angela Lansbury - Peter Finch.
ICD tries to be too many things, but fails in them all.
This was put out at a time in Hollywood before the 'revolutions' of sex, politics would play out in the real world. MGM - desperately trying to find a direction to navigate this tidal change - ends up with a film that might've been 'ahead of it's time' had it come out a few years earlier, but, as the grounds were already trembling, MGM ends up behind-the- times, with a product that - besides the natural beauty of Greece (where this was shot on location) feels very forced and dated.
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