5.0/10
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21 user 3 critic

In the Cool of the Day (1963)

After he mends a marital rift between a vacationing young couple, the bored, fragile wife falls hopelessly in love with the husband's ex-colleague who is married to a long suffering and ... See full summary »

Director:

Robert Stevens

Writers:

Meade Roberts (screenplay), Susan Ertz (novel)
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Cast

Complete credited cast:
Peter Finch ... Murray Logan
Jane Fonda ... Christine Bonner
Angela Lansbury ... Sybil Logan
Arthur Hill ... Sam Bonner
Constance Cummings ... Mrs. Nina Gellert
Alexander Knox ... Frederick Bonner
Nigel Davenport ... Leonard Groves
John Le Mesurier ... Dr. Arraman
Alec McCowen ... Dickie Bayliss
Valerie Taylor ... Lily Kendrick
Andreas Markos Andreas Markos ... Andreas
Rest of cast listed alphabetically:
George Coulouris ... (scenes deleted)
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Storyline

After he mends a marital rift between a vacationing young couple, the bored, fragile wife falls hopelessly in love with the husband's ex-colleague who is married to a long suffering and emotionally and physically scarred woman. The couple soon run off to Greece together to pursue the romance. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

"Did this wife have the right to seek happiness outside her marriage...?" See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English | Greek | French

Release Date:

20 December 1963 (Finland) See more »

Also Known As:

Cicatrices del alma See more »

Company Credits

Production Co:

John Houseman Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Audrey Hepburn was originally offered the role of Christine but turned it down. See more »

Goofs

The car used in Greece was a 1956 Cadillac Series 60 Fleetwood Special Sedan. However 2 cars were used, one with black wall tires and one with period-correct white wall tires. When in the city, the car has white wall tires. Once the car gets on a country road, the tires change to black wall. It could also be that the city scenes were shot together, likewise the country scenes and in the interim the tires were changed. See more »

Quotes

[first lines]
Black Chauffeur: Excuse the horn; but, Mr. Sam likes to know when guests arrive.
See more »

Connections

Referenced in Ken Adam: Designing Bond (2000) See more »

Soundtracks

Over the Rainbow
(uncredited)
Music by Harold Arlen
Lyrics by E.Y. Harburg
Performed by Judy Garland
Sybil is listening to the song on the phonograph in her living room when Murray returns home
See more »

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User Reviews

This is NOT the bookend to IN THE HEAT OF THE NIGHT
9 September 2011 | by uszoninycSee all my reviews

I give it a one, just for Jane Fonda's 'hair' (a lot of us are obsessing about it...), which - seems to be what's most interesting in a very dreary, creaky RomDram from '63.

I don't know the story of where the title a actually came from, but, the fact that it's 'opposite' (IN THE HEAT OF THE NIGHT) titled film was such a well-received film came out AFTER this (as well as the book that film's based on) is probably one of the more interesting aspects going on in it's making.

In her interview with Robert Osborne (PRIVATE SCREENINGS), Angela Lansbury said that it was a 'difficult' project for her, and, while she did her best, she didn't think it was 'that good.'

Thus was an early vehicle for the young, gorgeous Fonda. She was still not fully comfortable on camera, and it shows. The film tries to showcase her as the typical 'sexy, young girl,' this time playing married (to the older Arthur Hill), who shares 'common interests' with the also married - to Angela Lansbury - Peter Finch.

ICD tries to be too many things, but fails in them all.

This was put out at a time in Hollywood before the 'revolutions' of sex, politics would play out in the real world. MGM - desperately trying to find a direction to navigate this tidal change - ends up with a film that might've been 'ahead of it's time' had it come out a few years earlier, but, as the grounds were already trembling, MGM ends up behind-the- times, with a product that - besides the natural beauty of Greece (where this was shot on location) feels very forced and dated.


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