7.3/10
6,184
29 user 43 critic

Ieri oggi domani (1963)

Not Rated | | Comedy, Romance | 17 March 1964 (USA)
Stories about three very different women and the men they attract.

Director:

Vittorio De Sica

Writers:

Eduardo De Filippo (story), Eduardo De Filippo (screenplay) | 7 more credits »
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Won 1 Oscar. Another 7 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
Sophia Loren ... Adelina Sbaratti / Anna Molteni / Mara
Marcello Mastroianni ... Carmine Sbaratti / Renzo / Augusto Rusconi
Aldo Giuffrè ... Pasquale Nardella (segment "Adelina")
Agostino Salvietti Agostino Salvietti ... Dr. Verace (segment "Adelina")
Lino Mattera Lino Mattera ... Amedeo Scapece (segment "Adelina")
Tecla Scarano Tecla Scarano ... Verace's sister (segment "Adelina")
Silvia Monelli Silvia Monelli ... Elivira Nardella (segment "Adelina")
Carlo Croccolo Carlo Croccolo ... Auctioneer (segment "Adelina")
Pasquale Cennamo Pasquale Cennamo ... Chief Police (segment "Adelina")
Tonino Cianci Tonino Cianci ... (segment "Adelina") (as Antonio Cianci)
Armando Trovajoli ... Giorgio Ferrario (segment "Anna")
Tina Pica Tina Pica ... Grandmother Ferrario (segment "Mara")
Gianni Ridolfi Gianni Ridolfi ... Umberto (segment "Mara") (as Giovanni Ridolfi)
Gennaro Di Gregorio Gennaro Di Gregorio ... Grandfather (segment "Mara")
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Storyline

Three different stories of Italian social mores are presented. In "Adelina", unemployed Carmine Sbaratti and his wife Adelina Sbaratti survive through Adelina selling black market cigarettes on the street. They are unable to pay for the furniture they bought (which is under Adelina's name), but are able to avoid the bailiff when he comes for the money or to repossess. They come up with a longer term solution to avoid Adelina being prosecuted for non-payment, but that solution has a profound effect on the family, especially Carmine. In "Anna", Anna Molteni, the spoiled wife of a successful businessman, and an artist named Renzo are on the cusp of an affair. Anna is feeling neglected in the marriage, as her husband seems more concerned about success and money than her. But a car accident shows both Anna and Renzo if an affair with each other is really what they want. In "Mara", Mara is a prostitute who works out of her apartment. She befriends Umberto, a young man visiting his ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

They're in Love Three Times and Three Ways...In One Movie! See more »

Genres:

Comedy | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Italy | France

Language:

Italian

Release Date:

17 March 1964 (USA) See more »

Also Known As:

Ayer, hoy y mañana See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The limousine featured in part II ("Anna") was a 1963 Rolls-Royce Silver Cloud III Convertible. See more »

Goofs

The handle of Umberto's suitcase breaks when Augusto tries to take it from him. In the next shot the handle is intact again. See more »

Quotes

Carmine Sbaratti: The people of Forcella are out of this world. They've risen up in a gesture of solidarity!
Verace's sister: I must say, it almost makes you forget how filthy and ignorant they are.
See more »

Connections

Referenced in Extraconiugale (1964) See more »

Soundtracks

E cerase
Music by Nicola Valente
Lyrics by Salvatore Di Giacomo
See more »

Frequently Asked Questions

See more »

User Reviews

 
uneven but worth seeing
10 January 2006 | by MartinHaferSee all my reviews

This movie is made up of three separate vignettes starring Sophia Loren and Morcello Mastrianni playing three different couples. Each segment differs greatly as far as their length and quality.

The first is the longest, and for me, the least interesting. It's about a woman who continues to have baby after baby after baby in order to stay out of prison for a petty crime. Considering she ultimately had 7 kids in the process, the story seems to drag on and on. She could have done it once or twice or even three times, but the skit went on and on with not nearly enough payoff.

The second is by far the shortest and is about a selfish spoiled rich brat. It's mildly interesting but that's about all.

The final skit makes the movie. If it weren't for this one, the movie might have been scored a 4 or 5. It's about a prostitute who has turned the head of a young man in training to be a priest. At the same time, Mastriani is a customer who is again and again and again thwarted in his goal of bedding Loren. It may not sound funny based on the description, but it's very entertaining and her striptease is very sexy to say the least!

My overall impression of the movie is only fair. I think that's because I am a BIG fan of the earlier Neo-Realistic films directed by DeSica. They are almost totally different from this movie--having none of the expensive production values or polished actors. However, they were simply better movies. If you compare UMBERTO D., MIRACLE IN MILAN or any of his other Neo-Realistic films of the 40s, they show the director at the top of his form. Ieri, oggi, domani just looks contrived and ordinary in comparison.


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