Physicist Lionel Barrett and his wife lead a team of mediums into the Belasco House, which is supposedly haunted by the victims of its late owner, a six-foot-five serial killer.
Director:
John Hough
Stars:
Roddy McDowall,
Gayle Hunnicutt,
Pamela Franklin
When Eleanor, Theo, and Luke decide to take part in a sleep study at a huge mansion they get more than they bargained for when Dr. Marrow tells them of the house's ghostly past.
Director:
Jan de Bont
Stars:
Liam Neeson,
Catherine Zeta-Jones,
Owen Wilson
American professor John Holden arrives in London for a parapsychology conference, only to find himself investigating the mysterious actions of Devil-worshiper Julian Karswell.
Director:
Jacques Tourneur
Stars:
Dana Andrews,
Peggy Cummins,
Niall MacGinnis
A composer and his sister discover that the reason they are able to purchase a beautiful gothic seacoast mansion very cheaply is the house's unsavory past.
Dr. Markway, doing research to prove the existence of ghosts, investigates Hill House, a large, eerie mansion with a lurid history of violent death and insanity. With him are the skeptical young Luke, who stands to inherit the house, the mysterious and clairvoyant Theodora and the insecure Eleanor, whose psychic abilities make her feel somehow attuned to whatever spirits inhabit the old mansion. As time goes by it becomes obvious that they have gotten more than they bargained for as the ghostly presence in the house manifests itself in horrific and deadly ways.Written by
Doug Sederberg <vornoff@sonic.net>
An evil old house, the kind some people call haunted, is like an undiscovered country waiting to be explored. Hill House had stood for 90 years and might stand for 90 more. Silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone. See more »
Nelson Gidding's initial concept for the script was that Eleanor had experienced a nervous breakdown and had been hospitalized, and that the house was the hospital, the other characters were staff and patients, and the booms and knockings were the result of shock treatments. The entire story would have been inside the head of a mentally ill woman. However, upon discussing this with author Shirley Jackson (who simply regarded it as a haunted-house story), he decided to backpedal on that idea, but still emphasized Eleanor's crumbling sanity in his final script. See more »
Goofs
When the shaking mirror falls, you can clearly see the string through the hole in the wall that had been holding it up. See more »
Quotes
[first lines]
Dr. John Markway:
[voice-over]
An evil old house, the kind some people call haunted, is like an undiscovered country waiting to be explored. Hill House had stood for 90 years and might stand for 90 more. Silence lay steadily against the wood and stone of Hill House, and whatever walked there... walked alone.
See more »
Alternate Versions
Original cut of movie (shown 24/9/03 at Filmhouse, Edinburgh) has several differences from the general release print -
Alternate opening with voice-over by the Mrs Sannerson character in place of the Markway monologue.The titles prior to this scene are slightly different. The 'History of Hill house' scene continues into the meeting with Mrs Sannerson and Markway but in this version, it is Sannerson who is doing most of talking.
The following scene from the general release print of Markway listing his subjects on a blackboard is missing. In it's place is a scene where Theo throws her lover out her appartment and, next to a photo of her lover, writes "I Hate You!" on a mirror in lipstick, looks at her reflection and mutters "I hate you too...". She then receives her invitation from Markway. This is delivered to her by her landlady how requires the excess postage to be paid. Theo already knows this is to be paid and there is humourous exchange concerning her ESP or her 'gift'.
There are several extened scenes involving Eleanor's 'inner thoughts' - most of which tie into her thoughts on her possible relationship with Markway. The scene showing her travelling to Hill house is extended with more 'inner monlogue' material including a couple of shots of her turning onto 'route 238' and commenting on "Journey's end in lovers meeting...".
The Morning/Harp scene runs longer and contains more dialogue from both Eleanor and Markway. This print had a title card prior to the MGM logo - "This print is on loan from the National Film and Television Archive"
I saw this movie the summer I got out of high school. I went with a date and he about dug a hole in the arm of my sweater, it scared him that much. What makes the movie really scary is the fact that it does not have any slashers, monsters, blood and/or gore. Robert Wise scared you with camera angles, the unknown "presences" that seemed to be always lurking behind every door, and the sound effects were very effective. Filming it in black and white also made it creepier. The audiences imaginations and their own personal fears make the movie very effective. We have all experienced a frightening event at some time in our lives (dark closets, what's under the bed, what's outside the window after dark, did you hear that?, etc.) This movie plays on those feelings as you watch it. The remake was disappointing at the least. It had a great cast, but the producers/directors were trying too hard. These days, it seems that special effects can sometimes ruin a movie. There's nothing to play on ones imagination. That's why the book is usually much better than the movie. I purchased this movie on VHS a few years ago and I watch it every once in awhile in the dark (of course) when my husband is here. I don't think I could watch it alone - in the dark - in the night....
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I saw this movie the summer I got out of high school. I went with a date and he about dug a hole in the arm of my sweater, it scared him that much. What makes the movie really scary is the fact that it does not have any slashers, monsters, blood and/or gore. Robert Wise scared you with camera angles, the unknown "presences" that seemed to be always lurking behind every door, and the sound effects were very effective. Filming it in black and white also made it creepier. The audiences imaginations and their own personal fears make the movie very effective. We have all experienced a frightening event at some time in our lives (dark closets, what's under the bed, what's outside the window after dark, did you hear that?, etc.) This movie plays on those feelings as you watch it. The remake was disappointing at the least. It had a great cast, but the producers/directors were trying too hard. These days, it seems that special effects can sometimes ruin a movie. There's nothing to play on ones imagination. That's why the book is usually much better than the movie. I purchased this movie on VHS a few years ago and I watch it every once in awhile in the dark (of course) when my husband is here. I don't think I could watch it alone - in the dark - in the night....