A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all ...Written by
Stanley Kubrick sought no help from the U.S. Department of Defense. The flight deck of the B-52 bomber was based on a single still shot that had been published in a British aviation magazine. Most of the shots of the plane in flight were simulated with a ten-foot model of the plane and a moving matte image behind. Each shot cost about $600. See more »
The Coca-Cola machine squirts drink into the face of Colonel Guano after he shoots holes in it. However, there would be no reason for the bottles or cans in the machine to be under pressure, as the shooting wouldn't have shaken them up. Also, the bottles wouldn't be stored to the side of the vending door (where the bullet holes are), but above it.
The style of machine shown mixes tap water from a water line attached to the building's plumbing with carbon dioxide and drink syrup stored in tanks inside the machine under pressure and dispenses it into a paper cup that drops into a chamber in the door which is plainly visible in the shot. Therefore, it is quite plausible that water would squirt from the machine under pressure if the tanks or water lines were pierced by gunfire. This style of machine used to be quite common when this film was made in the 1960's, but are now fairly rare, as the machines had to be restocked with raw drink syrup (a different tank of syrup for each drink flavor) and recharged with carbon dioxide. Otherwise, if the syrup, carbon dioxide, or both ran out, you often received either a cup of plain soda water, a "flat" soda with no bubbles, or worst of all, a cup of plain water if both the syrup and carbon dioxide tanks were empty. See more »
For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.
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The screenplay title is incorrectly spelled. It reads: 'Base' on the book "Red Alert" by Peter George. This is pointed out on the DVD supplement about the making of the film. See more »
The US version opens with the following text being displayed before the Columbia lady appears: "It is the stated position of the U.S. Air Force that their safeguards would prevent the occurence of such events as are depicted in this film. Furthermore, it should be noted that none of the characters portrayed in this film are meant to represent any real persons living or dead." See more »
Spectacular and chilling to watch Dr. Strangelove in May 16, 2017. I'm not going to talk about prophecy not even coincidence. Art has a way to warn, express or simply entertain in a way that its relevance will always be renewed. That opening with George C Scott's secretary, in her underwear, answering the phone for her boss in the most professional tone imaginable, is a masterful way to introduce us to the normal absurdity we're about to embark on. Terry Southern's extraordinary script (sharing credit with Peter George and Stanley Kubrick himself) is a masterpiece of intention and execution. The film doesn't have a moment of emptiness nor a single cheap shot. Everything works with the irrational logic of tradition and set standards. How can something so serious and ultimately terrifying can be so funny. I think that's the definition of film art. I don't want to sound pompous but that's exactly how I feel. I've seen a 1966 movie by Stanley Kubrick in 2017 that's better, more relevant, ingenious and even revolutionary than anything we've seen in a long, long time. Peter Sellers, fantastic three times over (and he was also going to play the Slim Pickens part) George C Scott in one of the greatest comic performances ever put on film and Sterling Hayden in a frighteningly credible show of abuse of power, complete the pleasures of this remarkable film.
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