A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all ... Written by
According to Ken Adam, the "War Room" was exaggerated in size and filmed in long shots to give a fantastic quality to the activity there, primarily the decision-making process where the power players are at considerable distances from each other. See more »
When Major Kong is reading the contents of the crew's survival kits, he mentions, "one automatic pistol". The weapon shown as he reads that description aloud is a typical semi-automatic pistol, not a fully automatic weapon which continues to fire as long as the trigger is depressed - in other words, a machine gun.
However, the correct military designation of the standard issue sidearm depicted is "Automatic Pistol, Caliber .45, M1911-A1."
This is due to the naming conventions in the late 19th and early 20th century when the first semi-automatic handguns were invented. As these new handguns "automatically" reloaded between shots, they were commonly designated as "automatic pistols". This applies to the depicted M1911-A1, which was introduced in 1911. Later advances brought about truly automatic pistols, which are properly referred to as "machine pistols" See more »
For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.
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The screenplay title is incorrectly spelled. It reads: 'Base' on the book "Red Alert" by Peter George. This is pointed out on the DVD supplement about the making of the film. See more »
Stanley Kubrick's first and only comedic masterpiece is still the finest ever made. I love everything in the movie: the brilliant acting, sensational script, flawless direction, and even those quirky visual effects. Not only was this film hilarious, it was a breakthrough for the entire film industry when first released. In addition to it's amazing satirical basis, the film also played a major role in how films were advertised and marketed... as if Peter Seller's performance wasn't enough! The sets were also very convincing and just plain great! So realistic in fact, that the FBI almost investigated how they got the B-52 Bomber replicated to near perfection!
In the end, 'Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb' is the best comedy. It's also another milestone in film making and another reason to be astonished when looking at the work of Stanley Kubrick.
An obvious perfect ***** / *****
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