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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

PG | | Comedy, War | 29 January 1964 (USA)
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An insane general triggers a path to nuclear holocaust that a War Room full of politicians and generals frantically tries to stop.

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(screenplay), (screenplay) | 2 more credits »
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Top Rated Movies #55 | Nominated for 4 Oscars. Another 13 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Frank Berry ...
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Lt. Kivel (as Glen Beck)
Roy Stephens ...
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Burpelson AFB Defense Team Member
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Storyline

Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The hot-line suspense comedy. See more »

Genres:

Comedy | War

Motion Picture Rating (MPAA)

Rated PG for thematic elements, some violent content, sexual humor and mild language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

29 January 1964 (USA)  »

Also Known As:

A Delicate Balance of Terror  »

Filming Locations:

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Box Office

Budget:

$1,800,000 (estimated)

Opening Weekend USA:

$11,751, 17 July 1994, Limited Release

Gross USA:

$9,440,272, 31 December 1994
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The sets occupied three main sound stages: the Pentagon War Room, the B-52 Stratofortress bomber and the last one containing both the motel room and Gen. Ripper's office and outside corridor. See more »

Goofs

Towards the end of the film, when Strangelove is fighting with his renegade right hand over control of his wheelchair and punches it several times out of frustration, the Russian Ambassador (Peter Bull) clearly corpses (laughs) at Peter Sellers' performance and then quickly regains his composure. See more »

Quotes

[first lines]
Narrator: For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.
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Crazy Credits

The screenplay title is incorrectly spelled. It reads: 'Base' on the book "Red Alert" by Peter George. This is pointed out on the DVD supplement about the making of the film. See more »

Connections

Referenced in Splendor (1989) See more »

Soundtracks

We'll Meet Again
(1939) (uncredited)
Music and Lyrics by Ross Parker and Hugh Charles
Performed by Vera Lynn and chorus at the end
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Frequently Asked Questions

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User Reviews

 
Russians In The War Room
17 May 2017 | by See all my reviews

Spectacular and chilling to watch Dr. Strangelove in May 16, 2017. I'm not going to talk about prophecy not even coincidence. Art has a way to warn, express or simply entertain in a way that its relevance will always be renewed. That opening with George C Scott's secretary, in her underwear, answering the phone for her boss in the most professional tone imaginable, is a masterful way to introduce us to the normal absurdity we're about to embark on. Terry Southern's extraordinary script (sharing credit with Peter George and Stanley Kubrick himself) is a masterpiece of intention and execution. The film doesn't have a moment of emptiness nor a single cheap shot. Everything works with the irrational logic of tradition and set standards. How can something so serious and ultimately terrifying can be so funny. I think that's the definition of film art. I don't want to sound pompous but that's exactly how I feel. I've seen a 1966 movie by Stanley Kubrick in 2017 that's better, more relevant, ingenious and even revolutionary than anything we've seen in a long, long time. Peter Sellers, fantastic three times over (and he was also going to play the Slim Pickens part) George C Scott in one of the greatest comic performances ever put on film and Sterling Hayden in a frighteningly credible show of abuse of power, complete the pleasures of this remarkable film.


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