A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all ...Written by
Peter Sellers had a formidable talent for replicating (and sometimes inventing or combining) dialects, accents, and speech patterns. Those abilities were amply demonstrated in the many characters he played in Dr. Strangelove. For his performance of the title character, Sellers combined a German accent with the speech patterns of legendary photographer and photojournalist Weegie (a pseudonym for Arthur Fellig), who had worked with director Stanley Kubrick and was frequently on the set of Dr. Strangelove. Sellers confirmed this during a 1964 television interview with Steve Allen. See more »
When the missile is tracked approaching the bomber, we see the radar screen with 6 concentric circles. As the first report comes in, the missile is just outside the 6th circle, and is reported at 60 miles away. The next report has it at the 5th circle and 50 miles away, so each circle must be an increment of 10 miles. However, when the missile is at the 2nd circle, it is stated to be only 10 miles away. Before it reaches the 1st circle and starts deflecting, it is said to be 7 miles away instead of greater than 10 miles. See more »
For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.
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The screenplay title is incorrectly spelled. It reads: 'Base' on the book "Red Alert" by Peter George. This is pointed out on the DVD supplement about the making of the film. See more »
Stanley Kubrick always likes to try something new with each movie he does, and this proves it. This is truly one of the grittiest, and best dark comedies I've ever seen with some crude moments and some odd ones (who'd think to have Slim Pickens riding a bomb on it's way down). It turns into a flat out masterpiece though with the spectacular acting by Peter Sellers (in three separate roles), George C. Scott (his facial expressions are a crack up every time), and a supporting cast of crazies in a government of loons, the most impressive of these being the incomparable Sterling Hayden in his best dramatic/funny role. It contains a resonance as well that sticks till today, as corruption and pig-headedness rules in all sorts of governments, but most of all in those with the most power. It's almost worth it just for the opening credits and end sequence with "we'll meet again".
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