Dementia 13 (1963)

Shocked by the death of her spouse, a scheming widow hatches a bold plan to get her hands on the inheritance, unaware that she is targeted by an axe-wielding murderer who lurks in the family's estate. What mystery shrouds the noble house?

Director:

Francis Ford Coppola (as Francis Coppola)

Writers:

Francis Ford Coppola (as Francis Coppola), Jack Hill (second unit written by)

Stars:

William Campbell, Luana Anders, Bart Patton

Cast

Complete credited cast:
William Campbell	...	Richard Haloran
Luana Anders	...	Louise Haloran
Bart Patton	...	Billy Haloran
Mary Mitchel	...	Kane
Patrick Magee	...	Justin Caleb
Eithne Dunne	...	Lady Haloran (as Ethne Dunn)
Peter Read	...	John Haloran
Karl Schanzer	...	Simon
Ron Perry	...	Arthur
Derry O'Donavan	...	Lillian
Barbara Dowling	...	Kathleen Haloran

Storyline

Whilst out on a rowboat with his wife Louise, John Haloran has a heart attack and dies. She casts his body overboard and hides his death telling the family he left on an urgent business trip. Louise's main concern is that she can only hope to inherit part of his family fortune if he's still alive. The Halorans are a strange family. They are still grieving over the death of the youngest daughter, Kathleen, who drowned in a pond when she was a young child. The family hold an annual ceremony of remembrance, on the anniversary of her death. But this year someone is wielding an ax...intent on murder.

---

Plot Keywords:

son | screaming underwater | psychotronic film | slasher | see through | 

---

Taglines:

Pretense is not acceptable at Haloran Castle!

---

Genres:

Horror | Thriller

---

Certificate:

Unrated

Details

Country:

USA Ireland

Language:

English

Release Date:

1964 (UK)

Also Known As:

Dementia

Filming Locations:

Ardmore Studios, Herbert Road, Bray, County Wicklow, Ireland

Box Office

Budget:

$40,000 (estimated)

Company Credits

Production Co:

Roger Corman Productions

Technical Specs

Runtime:

75 min

Sound Mix:

Mono

Color:

Black and White Color (colorized)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

The lyric in Tom Petty's song "American Girl" that goes "raised on promises" appears to have come from a line of dialogue in Francis Ford Coppola's 1963 film, "Dementia 13." Referring to another woman, the character Louise states, "Especially an American Girl. You can tell she was raised on promises."

---

Goofs

In the movie's latter half, Dr. Caleb enters a work shed and discovers the body of Louise and the lifelike Kathleen doll. Carefully picking up the doll, he closes the shed door, and immediately in the next scene is shown walking with the doll in his arms and a cigar in his mouth.

---

Quotes

Louise Haloran: It's nice to see her enjoying herself for a change. The mood around this place isn't good for her.... Especially an American girl. You can tell she's been raised on promises.

---

Alternate Versions

There is a DVD with a computer colorized version.

---

Connections

Featured in The Horror of It All (1983)

---

Soundtracks

Believe Me If All Those Endearing Young Charms
(uncredited)
Lyrics by Thomas Moore
Music: traditional Irish air

User Reviews

A very good debut!

Back in the early 60s, filmmaker Francis Ford Coppola was taking his first steps as a director, and after directing two "Nudie Cuties" (his very first two works), he began working with legendary producer Roger Corman as an assistant in several tasks such as dialog director, actor and finally working in the sound department of Corman's 1963 film, "The Young Racers". It was while filming this movie in Ireland when Coppola finally convinced Corman to allow him to make his first "legitimate" film: "Dementia 13", a low-budget horror film using the same locations and most of the cast of Corman's movie. Impressed by the script that Coppola and writer Jack Hill devised, gave Coppola free reign over the film and went back to the America, leaving all set for the debut of a man who would become one of the most important directors of the 70s and 80s.

Louise Haloran (Luana Anders) has a problem, her husband John (Peter Read) has died and therefore legally she is unable to claim any inheritance if John's mother dies. In order to retain her part in the testament, Louise decides to make everyone believe that John is still alive and pretending he was sent to New york to work, making him unable to accompany her to the family annual Memorial service they do for John's younger sister Kathleen in Ireland. at her arrival, everything seems to work out fine at first, but John's older brother Richard (WIlliam Campbell) begins to suspect that something is wrong. However, soon this becomes Louise' lesser problem, as something bigger and morbid seems to be going on inside the dark corridors of Harlan's Castle.

"Dementia 13" was written mostly by Coppola in a few days, but after Corman allowed them to continue with the project, Jack Hill helped Coppola to finish the script. The story is basically a mixture of traditional Gothic horror with elements of the slasher sub-genre that was in its early stages during those years ("Dementia 13" shows a lot of influence from Hitchcock's "Psycho"), and while it is indeed a bit messy and contrived at first sight, it does deliver an interesting mystery and good doses of suspense. It's not the most original movie ever (not even for its time), but it's very noticeable that Coppola was not going for the easy route of showing shocks ("lots of sex and violence" as he supposedly promised to Corman) and actually attempts to built a thrilling story of intrigues and madness.

While the plot may not be the film greatest strength, the direction by Coppola is surprisingly very good for a debut as he shows a raw display of the talent that would take him to the top in the future years. Giving a great use to the Irish castle that serves as location to the film, Coppola creates a nice atmosphere of dread and well, dementia, that fills the film with ominous power and gives it a personality of its own. Despite his limited resources (even for Corman's standards), he manages to come up with some good (although sparse) special effects that look impressive when one considers the shoestring budget he had to work with. Of course, "Dementia 13" is not really a great or remarkable film, but it's very good for a first time director and it's also really obvious that this is where Coppola learned many things about his craft.

Overall the cast does an effective job and manage to carry the film without too many problems. Luana Anders as Louise Harlan was probably at the top of her game and really shows that she is more than a pretty face. William Campbell as Richard Haloran is also excellent in his performance, although a little over the top at times. The film's best performances are given by Eithne Dunne and Patrick Magee, who as the unstable Lady Haloran and her Doctor respectively, give the film a dignity and a class uncommon in other similar movies. Magee is easily the highlight of the film, as he transforms what otherwise would be a two-dimensional character into a full fledged character with his charm and enormous talent.

This movie is a quite good example of how the cinema was evolving in the 60s, as the style and overall tone feel very fresh and young; however, those expecting to see another of Coppola's masterpieces in "Dementia 13" will be sorely disappointed. The movie's biggest problem is the somewhat messy script, that not only feels a bit too derivative from "Psycho" in some moments, but it also can become confusing and tedious at times. Fortunately, the cast does a very good job (considering the limitations) in solving this and along with Coppola's original direction literally save the movie from being a failure.

"Dementia 13" has gained a good reputation over the years, and while most of it is probably due to Coppola's later success as a director, it's hard to deny that there is real raw talent in the making of the film. Personally, I think that the best way to appreciate this early Coppola movie is to go without expectations and be willing to enjoy the ride. A very good, albeit flawed, horror movie. 6/10