Sukezaemon, a pirate, is shipwrecked in a strange corner of the world. With his companion, a wizard named Sennin, Sukezaemon becomes entangled in a plot by the evil premier to succeed the dying King Raksha.
Mohei is a wandering swordsman. He arrives in the city of Osaka, where the Toyotomi clan accepts him and comes to depend upon his courage and his battlefield skills. Those skills are sorely... See full summary »
Lt. Col. Senda resists the idea of sending Japanese fighter pilots on suicide missions. He believes that what is really necessary for Japan to regain momentum in the war is for the air ... See full summary »
An adventurous and daring sailor sets sail to the castle of an ailing king to stop an evil premier, hungry for power and wealth, from succeeding to the throne and marrying the king's beautiful daughter. Along the way, with the help of a band of courageous rebels and a lustful wizard, he must overcome the powers of a mesmerizing witch, ruthless pirates, and the castle's Imperial guards. The sailor must also free those kidnapped into slavery and restore the king's reputation. Written by
The famous Life Magazine double issue devoted to movies contained a fold-out cover showing studio technicians silhouetted against a blue background. This was Eiji Tsuburaya's special effects crew preparing a blue screen shot of Toshirô Mifune for this film. See more »
Co-screenwriter Shin'ichi Sekizawa is misidentified as the director of photography in the onscreen credits of the English-dubbed version. See more »
Miwa the Rebel Leader:
[Sinbad is cornered by the Miwa and her rebels]
In order to pay for the meal you just ate, I brought along a reception committee.
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The credits on the U.S. prints, release by American International under the title "The Lost World of Sinbad", list the director of photography as Shinichi Sekizawa. Mr. Sekizawa is a noted screenwriter who also co-wrote this film. See more »
Every once and a while you stumble upon a film that gets your heart racing, a film that you must track down immediately. So, you say that Toho made a Sinbad film in the 60s, when films like that flourished? Leading man Toshiro Mifune (Yojimbo, Seven Samurai, etc.) plays the Sinbad-like pirate? The gorgeous Mie Hama (You Only Live Twice, Ironfinger, Toho's King Kong films) plays a princess, Kumi Mizuno (tons of Godzilla and Kaiju) plays a bandit leader? So many other familiar faces, even Takashi Shimura and Masanari Nihei (the lovable dope from Ultraman) make small appearances, amongst many other Toho players as well? Wow, that sounds amazing! Well... it's not, because simply, nothing really happens. If you're aware of Toho films and Japanese films of the era, you can always expect gorgeous sets and highly detailed costumes--yes, that's all here. But that's about all you get. Mifune's titular Sinbad is at sea for a total of about five minutes, spending most of the film arguing and wandering around as palace guards and the antagonist's henchmen give him grief, yet seem to let him pass and do what he wants most of the time.
After about the hour and fifteen minute mark things finally start to get interesting: a bit of sword fighting (the first in the entire movie; the rest is solely Mifune dodging,) arrows being shot, and a Gorgon-like witch character (sorta) battling it out with a mystical hermit. And as quick as the action beings, it dies off, leaving the viewer with a completely unfulfilling experience, and maybe a bit upset that these intricate sets and amazing actors weren't utilized to their true potential.
I hate to put myself up on a pedestal, but this film is nothing short of a failure, even from a die-hard fan. Despite such a cast, it's tedious and boring, lacks adventure and monsters and action, and is truly not worth even the most devoted Toho or Japanese film aficionado's time. I know, I find it hard to believe myself.
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