Parker Ballantine is the most respected and forthright of the New York theater critics. Most of his closest friends are part of the Broadway community, such as his ex-wife actress Ivy London and producer S.P. Champlain. These friendships are not affected by bad reviews from Parker. Angie Ballantine is Parker's current devoted and faithful wife, who goes with him to show openings and even waits in the newsroom for him to write his reviews. Parker and Ivy's son, John Ballantine, lives with his father and Angie, who he loves. Angie has had problems in her life seeing projects through to completion, so Parker reacts with some skepticism when Angie announces she plans to write an autobiographical play about her growing up period. This project does become one that Angie does see through to completion, at least to a first draft stage, and despite Parker's disdainful reaction to at least the process, she is eager for his opinion on this draft. He complies. He hates it and tells her as such. ...
Everybody's 'choice' for a great big wonderful time!
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Did You Know?
The collage of stylized posters for Broadway plays (The Music Man, Life With Father, Fanny, Gypsy, Camelot) that appeared under the opening credits, were all productions that had (or in the case of Camelot, would later be) filmed by Warner Bros. See more
As the kitchen scene with Angela, Parker and John is ending there is a shot that has the stove top grill visible. There is a small but evident amount of smoke rising from it. Possibly a crew member's or Bob Hope's cigarette dropped in the grill between shots. See more
So, the trouble must be psychosomatic. Nonorganic, therefore psychically motivated.
Will you stop talking like a child?
Ending: "The absolute End" See more
Referenced in Hollywood Without Make-Up