Larry and Kitty are two middle-class suburbanites who find themselves growing bored with their lives and respective marriages. Although each always found the other grating in manner, they ... See full summary »
A bachelor author of sleazy books moves to a family-oriented subdivision where he becomes an unofficial relationship advisor to unhappy local housewives, to the dismay of their respective husbands who suspect him of sexual misconduct.
An American actor (Arthur Tyler) impersonating an English butler is hired by a nouveau riche woman (Effie Floud) from New Mexico to refine her husband and headstrong daughter (Aggie). The ... See full summary »
Susan and Lorenzo have been married for over five years and they are starting to drift apart. So into her life comes an angel, which only Susan can see, to tell her that there will be ... See full summary »
A returning moon capsule with vital information goes off course and lands in Africa where the little-known Ekele tribesmen find it. Washington orders the great African Authority Matthew ... See full summary »
Single father Bob Holcomb, dissatisfied with his daughter JoJo's choice of partner, seizes an unexpected opportunity to bring her on a trip to Sweden in order for her to forget all thoughts... See full summary »
Bumbling reporter Robert Kittredge has been fired after bungling his latest assignment. His career isn't all he's botched up: his girlfriend Chris is tired of waiting for him to marry her. ... See full summary »
Parker Ballantine is the most respected and forthright of the New York theater critics. Most of his closest friends are part of the Broadway community, such as his ex-wife actress Ivy London and producer S.P. Champlain. These friendships are not affected by bad reviews from Parker. Angie Ballantine is Parker's current devoted and faithful wife, who goes with him to show openings and even waits in the newsroom for him to write his reviews. Parker and Ivy's son, John Ballantine, lives with his father and Angie, who he loves. Angie has had problems in her life seeing projects through to completion, so Parker reacts with some skepticism when Angie announces she plans to write an autobiographical play about her growing up period. This project does become one that Angie does see through to completion, at least to a first draft stage, and despite Parker's disdainful reaction to at least the process, she is eager for his opinion on this draft. He complies. He hates it and tells her as such. ...Written by
As the kitchen scene with Angela, Parker and John is ending there is a shot that has the stove top grill visible. There is a small but evident amount of smoke rising from it. Possibly a crew member's or Bob Hope's cigarette dropped in the grill between shots. See more »
Listen to this: Opening night report by Parker Ballentine. I think it's time for all us Transylvanian peasants to pick up our torches and march menacingly up to that castle on the hill because Dr. Frankenstein is making monsters again.
Charlotte Orr aka Charlie:
Marge, get me a drink.
This time, he's attached the arms and legs of 'Agamemnon' to the torso of 'Rebecca of Sunnybrook Farm.' S.P. Champlain has lead the creature over to the 46th Street Theater where it stumbled around for a few minutes and fell over dead.
See more »
This Is Not Really A Comedy - It's More Of A Marital Drama
When you watch a film that starred two legends of comedy (Lucille Ball and Bob Hope) you expect to find a very funny movie. And, yes, "Critic's Choice" has some amusing parts to it. As a comedy, it's more "Bob Hope" style than "Lucille Ball" style. The humour is more subtle and ironic (more like Hope) than the kind of slapstick physical comedy that Ball was known for - although it does include some physical comedy, surprisingly given to Hope in the last half hour or so. But to call this movie a "comedy" I think is to miss the point. I saw it as more of a drama, even more a psychological study of Hope's character. He played Parker Ballantine, a fierce Broadway critic for a New York newspaper, while Ball plays his wife Angie, who gets it into her head to write a play about her early life with her mother and three sisters.
If I were to rate this as a comedy, I'd probably say that it fell flat - but I was actually quite taken with the story and the character of Parker. He was an unpleasant character. Yes, Hope played him with some comedy - but he wasn't a nice man. Once Angie decided to write her play (very early in the movie) Parker wouldn't let his critic's voice go. He discouraged her, he belittled her, he made fun of her - and most of it, while couched as a comedy, was actually rather mean and not funny. When the movie opened, Parker was writing a scathing review of a play that starred his ex-wife (who was played by Marilyn Maxwell.) That goes almost immediately into his acerbic attitude toward Angie's play. The point gets made in the movie that maybe Parker has a problem - he disses everything that the women who are close to him try to do, almost as if he's trying to sabotage them and their careers; as if he doesn't want a "successful" woman in his life. And, although there's an attempt to redeem him slightly at the end, Parker's most obnoxious scenes come late in the movie at the theatre, the night Angie's play opens in New York. Having withdrawn from reviewing the play, he shows up anyway - drunk and, frankly, obnoxious (I'm not sure why he wouldn't have been kicked out of the theatre, or even why he was allowed in in the first place) - tries to kick his paper's reviewer out and when he can't do that goes up to the balcony and causes quite a scene (this is where Hope's physical comedy comes in.) He then proceeds to write a review of the play anyway and his review is blistering, as he writes that the play "was written by Angela Ballantine, directed by Dion Kapakos, and produced by mistake." (I must admit that I wondered why his paper would allow a drunken reviewer - even a big name one - to write a review of a play written by his own wife to which someone else had been assigned as the reviewer, but maybe that's thinking too much about this.)
This was not what I was expecting. I was expecting a light comedy - instead I got more of a drama about a couple with some really serious issues in their marriage. And while I wouldn't rate it that highly as a comedy, I thought that if you look at it as a marital drama it's actually pretty good. For me, the most powerful scene in the movie didn't even involve Ball - it was the very dramatic and even acerbic confrontation between Parker and his son John (played by Ricky Kelman) - who seems to have irritated a few reviewers, but who I thought was actually pretty good, playing a kid who had obviously been raised in a somewhat strange environment. The scene was set at home on opening night, before Parker's drinking binge. That confrontation aside, John's relationship with his mother (Maxwell) was especially weird - she seems to have been largely uninterested in him, and he calls her not "Mom" but "Ivy."
There's a decent supporting cast - most of whose names (Rip Torn, Jim Backus, Richard Deacon and even Soupy Sales) add to the expectation that you're going to be watching a funny movie. But I would suggest not watching this to get a good laugh, even if that is your initial expectation. Watch it as more of a character study of Parker. It works much better that way. (7/10)
0 of 0 people found this review helpful.
Was this review helpful to you?
| Report this