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Critic's Choice (1963)

Approved | | Comedy | 13 April 1963 (USA)
3:21 | Trailer

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Parker Ballantine is a New York theater critic and his wife writes a play that may or may not be very good. Now Parker must either get out of reviewing the play or cause the breakup of his marriage.


Don Weis


Ira Levin (play), Jack Sher



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Cast overview, first billed only:
Bob Hope ... Parker Ballantine
Lucille Ball ... Angela Ballantine
Marilyn Maxwell ... Ivy London
Rip Torn ... Dion Kapakos
Jessie Royce Landis ... Charlotte Orr aka Charlie
John Dehner ... S.P. Champlain
Jim Backus ... Dr. William Von Hagedorn
Rickey Kelman ... John Ballantine (as Ricky Kelman)
Dorothy Green ... Mrs. Margaret Champlain
Marie Windsor ... Sally Orr
Joseph Gallison Joseph Gallison ... Philip 'Phil' Yardley (as Evan McCord)
Joan Shawlee ... Marge Orr
Richard Deacon ... Harvey Rittenhouse
Jerome Cowan ... Joe Rosenfield
Donald Losby Donald Losby ... Geoffrey Von Hagedorn


Parker Ballantine is the most respected and forthright of the New York theater critics. Most of his closest friends are part of the Broadway community, such as his ex-wife actress Ivy London and producer S.P. Champlain. These friendships are not affected by bad reviews from Parker. Angie Ballantine is Parker's current devoted and faithful wife, who goes with him to show openings and even waits in the newsroom for him to write his reviews. Parker and Ivy's son, John Ballantine, lives with his father and Angie, who he loves. Angie has had problems in her life seeing projects through to completion, so Parker reacts with some skepticism when Angie announces she plans to write an autobiographical play about her growing up period. This project does become one that Angie does see through to completion, at least to a first draft stage, and despite Parker's disdainful reaction to at least the process, she is eager for his opinion on this draft. He complies. He hates it and tells her as such. ... Written by Huggo

Plot Summary | Add Synopsis


Everybody's 'choice' for a great big wonderful time! See more »




Approved | See all certifications »






Release Date:

13 April 1963 (USA) See more »

Also Known As:

Ma femme est sans critique See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (RCA Sound Recording)


Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Last of four feature films that Bob Hope and Lucille Ball made together. See more »


As the kitchen scene with Angela, Parker and John is ending there is a shot that has the stove top grill visible. There is a small but evident amount of smoke rising from it. Possibly a crew member's or Bob Hope's cigarette dropped in the grill between shots. See more »


Angela Ballantine: Listen to this: Opening night report by Parker Ballentine. I think it's time for all us Transylvanian peasants to pick up our torches and march menacingly up to that castle on the hill because Dr. Frankenstein is making monsters again.
Charlotte Orr aka Charlie: Marge, get me a drink.
Angela Ballantine: This time, he's attached the arms and legs of 'Agamemnon' to the torso of 'Rebecca of Sunnybrook Farm.' S.P. Champlain has lead the creature over to the 46th Street Theater where it stumbled around for a few minutes and fell over dead.
See more »

Crazy Credits

Ending: "The absolute End" See more »

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User Reviews

This Is Not Really A Comedy - It's More Of A Marital Drama
11 September 2018 | by sddavis63See all my reviews

When you watch a film that starred two legends of comedy (Lucille Ball and Bob Hope) you expect to find a very funny movie. And, yes, "Critic's Choice" has some amusing parts to it. As a comedy, it's more "Bob Hope" style than "Lucille Ball" style. The humour is more subtle and ironic (more like Hope) than the kind of slapstick physical comedy that Ball was known for - although it does include some physical comedy, surprisingly given to Hope in the last half hour or so. But to call this movie a "comedy" I think is to miss the point. I saw it as more of a drama, even more a psychological study of Hope's character. He played Parker Ballantine, a fierce Broadway critic for a New York newspaper, while Ball plays his wife Angie, who gets it into her head to write a play about her early life with her mother and three sisters.

If I were to rate this as a comedy, I'd probably say that it fell flat - but I was actually quite taken with the story and the character of Parker. He was an unpleasant character. Yes, Hope played him with some comedy - but he wasn't a nice man. Once Angie decided to write her play (very early in the movie) Parker wouldn't let his critic's voice go. He discouraged her, he belittled her, he made fun of her - and most of it, while couched as a comedy, was actually rather mean and not funny. When the movie opened, Parker was writing a scathing review of a play that starred his ex-wife (who was played by Marilyn Maxwell.) That goes almost immediately into his acerbic attitude toward Angie's play. The point gets made in the movie that maybe Parker has a problem - he disses everything that the women who are close to him try to do, almost as if he's trying to sabotage them and their careers; as if he doesn't want a "successful" woman in his life. And, although there's an attempt to redeem him slightly at the end, Parker's most obnoxious scenes come late in the movie at the theatre, the night Angie's play opens in New York. Having withdrawn from reviewing the play, he shows up anyway - drunk and, frankly, obnoxious (I'm not sure why he wouldn't have been kicked out of the theatre, or even why he was allowed in in the first place) - tries to kick his paper's reviewer out and when he can't do that goes up to the balcony and causes quite a scene (this is where Hope's physical comedy comes in.) He then proceeds to write a review of the play anyway and his review is blistering, as he writes that the play "was written by Angela Ballantine, directed by Dion Kapakos, and produced by mistake." (I must admit that I wondered why his paper would allow a drunken reviewer - even a big name one - to write a review of a play written by his own wife to which someone else had been assigned as the reviewer, but maybe that's thinking too much about this.)

This was not what I was expecting. I was expecting a light comedy - instead I got more of a drama about a couple with some really serious issues in their marriage. And while I wouldn't rate it that highly as a comedy, I thought that if you look at it as a marital drama it's actually pretty good. For me, the most powerful scene in the movie didn't even involve Ball - it was the very dramatic and even acerbic confrontation between Parker and his son John (played by Ricky Kelman) - who seems to have irritated a few reviewers, but who I thought was actually pretty good, playing a kid who had obviously been raised in a somewhat strange environment. The scene was set at home on opening night, before Parker's drinking binge. That confrontation aside, John's relationship with his mother (Maxwell) was especially weird - she seems to have been largely uninterested in him, and he calls her not "Mom" but "Ivy."

There's a decent supporting cast - most of whose names (Rip Torn, Jim Backus, Richard Deacon and even Soupy Sales) add to the expectation that you're going to be watching a funny movie. But I would suggest not watching this to get a good laugh, even if that is your initial expectation. Watch it as more of a character study of Parker. It works much better that way. (7/10)

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