When Regina Lampert's husband, Charles is found alongside a train, murdered, in no time she's left broke, homeless, and with the French police, the American government, and 3 rather insistent men all thinking Regina knows where the money they say Charles stole, is. Gorgeous Audrey Hepburn and debonair Cary Grant sparkle in the film, which has been called 'the best Hitchcock film he never made'. It's fun, suspensful, and stylish. Fall in love with Paris and a wonderful cast in this well-loved Stanley Donen film.Written by
The relatively small cast boasts four Oscar winners and twice-nominated Cary Grant. See more »
When Peter Alexander Adam Brian chases Regina down into the Metro, they arrive at track level and they emerge at the St. Jacques stop. When they leave, they exit beneath a sign that says Sortie. One can see that only the signs have been changed. The pipes and stains on the wall are the same. See more »
Don't tell me, you didn't know it was loaded. Sylvie! Oh. Can't he do something constructive, like start an avalanche or something?
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When first released, Hepburn's line "at any moment we could be assassinated" was dubbed over to become "at any moment we could be eliminated" due to the Kennedy assassination. Subsequent releases have "assassinated" restored to its place in the film. See more »
You've got the dream pairing of two of the classiest and most charming stars ever to grace the screen, a suspense thriller that IS worthy of Hitchcock, despite what other reviewers would ahve you think, a very witty script by Broadway librettist Peter Stone, some hilarious comedy, sexy romance, direction 'with flair" by Stanley Donen, a wonderful supporting cast, and music that (As in just about any Henry Mancini film score) is almost as entertaining as the film. From the psychedelic opening credits set to Mancini's Bond-esque theme music, you know "Charade"'s going to be an entertaing movie, and it is! Cary Grant is delightful and suave as ever, audrey was probably never sexier or more chic, (Though some individual "bits" of her acting are unconvincing at times, overall she is great), and Walter Matthau (In an unconventional role for him), James Coburn, George Kennedy, and Ned Glass (The one who was allergic to Hepburn's husband) couldn't be better. The two stars have delightful chemistry and a wonderful repartee going, and the funeral sequence, among others, is truly hilarious. There IS plenty of suspense, too, as you never really are sure whom to trust and who not to, and the climatic chase sequence is almost as exciting as anything Hitch ever came up with. Pardon the cliche, but they really don't make 'em like this any more.
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