When Regina Lampert's husband, Charles, is found alongside a train, murdered. In no time she's left broke, homeless, and with the French police, the American government, and 3 rather insistent men all thinking she knows where the money they say Charles stole is located. Gorgeous Audrey Hepburn and debonair Cary Grant sparkle in the film, which has been called 'the best Hitchcock film he never made'. It's fun, suspenseful, and stylish. Fall in love with Paris and a wonderful cast in this deservedly well-loved Stanley Donen film.Written by
Due to the suspense, the presence of Cary Grant, the structure of the screenplay, and the frequent plot twists, many people believe this was a Sir Alfred Hitchcock film. Hitchcock was not involved in the making of the film at all. This confusion has prompted fans of the film to call it "the best Hitchcock film Hitchcock never made." See more »
When Audrey Hepburn and Cary Grant arrive at the stamp market, workers on ladders can be seen starting to put a new cover on the completely roofless Berkeley Café in the background. However, a few minutes later, when Grant runs to catch a cab, the building is directly behind him, and the new roof is long since complete. See more »
Don't tell me, you didn't know it was loaded. Sylvie! Oh. Can't he do something constructive, like start an avalanche or something?
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When first released, Hepburn's line "at any moment we could be assassinated" was dubbed over to become "at any moment we could be eliminated" due to the Kennedy assassination. Subsequent releases have "assassinated" restored to its place in the film. See more »
Audrey fingers Cary's dimpled chin and asks, "How do you shave in there?"
Just one of the many marvelous moments in "Charade", one of Cary Grant's and Audrey Hepburn's best films. There's a quarter of a million dollars floating around instant-widow Hepburn but nobody can SEE IT (it's right in front of their eyes). Filled with running jokes, colorful and eccentric oddities (such as trenchcoat-wearing George Kennedy with his hook and the little guy who won't stop sneezing), funny set-pieces (like the funeral scene, and Audrey's priceless exaggerated reactions) and suspenseful sequences, not to mention Audrey and Cary looking smashing together. This is one of 50 best films ever made, as good as "Casablanca" and "My Fair Lady". In fact, I think it's better.
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