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Cavalca e uccidi (1964)

Discrete tongue-in-cheek western: will Tombstone's town drunk redeem himself?


José Luis Borau, Mario Caiano (co-director)


José Mallorquí (as Jose Mallorqui Figueroa), José Luis Borau (as Jose Luis Borau)
1 win. See more awards »


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Cast overview, first billed only:
Alex Nicol ... Brandy
Maite Blasco ... Eva
Antonio Casas ... Sheriff Clymer
George Rigaud ... Beau (as Jorge Rigaud)
Luis Induni ... Tunnell
Robert Hundar ... Moody
Renzo Palmer Renzo Palmer ... Pastor Andrews (as Lawrence Palmer)
Natalia Silva Natalia Silva ... Alice Garrido
Giuseppe Addobbati ... Judge Stauffer (as John Mac Douglas)
Paola Barbara ... Mrs. Staffler (as Pauline Baards)
Antonio Gradoli Antonio Gradoli ... Underhill
José Canalejas ... Chirlo (as Jose Canalejas)
Mark Johnson ... Chico
Miguel del Castillo Miguel del Castillo ... Neighbour #3
Juan Lizárraga Juan Lizárraga ... Neighbour #1 (as Juan Lizarraga)


Discrete tongue-in-cheek western: will Tombstone's town drunk redeem himself?

Plot Summary | Add Synopsis






Italy | Spain



Release Date:

28 September 1964 (Spain) See more »

Also Known As:

Ride and Kill See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:



Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


When Sheriff Clymer stops playing his guitar in the office, it continues to be heard in the background for a few seconds. See more »

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User Reviews

Tongue in cheek Western
5 September 2018 | by bpebSee all my reviews

No need to repeat tankjonah's useful review of the plot, but to enjoy the film one should realise that it is a tongue in cheek treatment of Western cliches, whether classical or spaghetti flavour, as implicit in the Italian title. The Spanish title "Brandy" is the nickname given to the flawed protagonist who will be given the responsibility of ridding Tombstone of its greedy and evil oligarchs led by George Rigaud (frequent villain in Spanish films of the 50s). It was Jose Luis Borau's first feature, graduate and young teacher at the newly established National Film School. It was commissioned by Antonio Manzanos from a story by Jose Mallorqui, who were both involved in the 50s popular western adventures of "El Coyote", although it underlines one of Borau's repeated motifs in his subsequent filmography, the importance of solidarity.

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