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Bye Bye Birdie (1963)

Approved | | Comedy, Musical | 27 May 1963 (Brazil)
Trailer
4:38 | Trailer

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ON DISC
A rock singer travels to a small Ohio town to make his "farewell" television performance and kiss his biggest fan before he is drafted.

Director:

George Sidney

Writers:

Michael Stewart (book), Irving Brecher (screen play)
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Nominated for 2 Oscars. Another 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Janet Leigh ... Rosie DeLeon
Dick Van Dyke ... Albert F. Peterson
Ann-Margret ... Kim McAfee
Maureen Stapleton ... Mama Mae Peterson
Bobby Rydell ... Hugo Peabody
Jesse Pearson ... Conrad Birdie
Paul Lynde ... Harry McAfee
Mary LaRoche ... Doris McAfee
Michael Evans ... Claude Paisley
Robert Paige ... Bob Precht
Gregory Morton Gregory Morton ... Maestro Borov
Bryan Russell ... Randolph McAfee
Milton Frome ... Mr. Maude
Ed Sullivan ... Ed Sullivan
Ben Astar ... Ballet Manager
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Storyline

Conrad Birdie is the biggest rock & roll star of the 60's ever to be drafted. Aspiring chemist and song writer Albert is convinced he can make his fortune and marry his girlfriend Rosie if he gets Conrad on the Ed Sullivan show to kiss a high school girl goodbye. Albert's mother will do anything to break him up with Rosie. Kim and Hugo, the high school steadies, live in Sweet Apple, Ohio where most of the action takes place. Written by Lisa Grable <grable@unity.ncsu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

satire | kiss | song | ohio | songwriter | See All (84) »

Taglines:

The Most WONDERFUL Entertainment EVER! EVER!

Genres:

Comedy | Musical

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Russian | Cantonese

Release Date:

27 May 1963 (Brazil) See more »

Also Known As:

Adiós, ídolo mío See more »

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Box Office

Gross USA:

$13,129,412
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording) (optical prints)| 4-Track Stereo (RCA Sound Recording) (magnetic prints)| 70 mm 6-Track (RCA Sound Recording) (70 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Dick Van Dyke and Paul Lynde, both veterans of the 1960 Broadway hit, were displeased with the film version. Van Dyke especially felt it had become too much of a vehicle for Ann-Margret. In the Broadway version of the show, Van Dyke's role of Albert was much more prominent than that of Kim, who Ann-Margret played in the film version. In his autobiography, Van Dyke said he knew Ann-Margret's role was going to be expanded when he once came on the set and found her sitting in the lap of George Sidney, the director. Interestingly, in HER autobiography, Ann-Margret mentions being cast in the role and that the film was a big hit, but makes absolutely no mention of anything that happened during the filming. See more »

Goofs

Following the song "One Boy" Hugo tells Kim he has homework to do. As the camera pulls back the shadow of the boom mic can be seen on the ground. See more »

Quotes

[first lines]
John Daly: This is John Daly reporting with the CBS mobile unit in front of the nation's Capitol bringing you special on the spot coverage of our current teenage crisis over the drafting of Conrad Birdie. Sociologists agree that Birdie is a phenomenon. And for those few music lovers who have never attended one of his concerts, here are some news photos tracing his meteoric rise.
[brief satirically humorous montage of female teenage fans swooning over Conrad Birdie]
John Daly: And that, that is our army's...
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Crazy Credits

There is no "The End" credit or cast list at the end of the film. Ann-Margret simply sings an on-screen reprise of the song "Bye Bye Birdie" at the end, and then says " 'Bye, now!". See more »

Connections

Referenced in I've Got a Secret: Episode dated 20 May 1963 (1963) See more »

Soundtracks

Honestly Sincere
Music by Charles Strouse
Lyrics by Lee Adams
Performed by Jesse Pearson
See more »

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User Reviews

 
Real 1960's Nostalgia
31 October 2010 | by dglinkSee all my reviews

Although George Sidney directed some classic MGM musicals, his adaptation of the Tony-winning Broadway hit, "Bye Bye Birdie" for Columbia is not often mentioned. The oversight is unfair, because "Birdie" is a lively, tuneful, and often inventive film musical. Where "Grease" strove to create nostalgia by invoking the 1950's and 60's, "Birdie" was filmed in 1963 and is the real thing. Although the music is generally more Broadway than late-50's rock, the film includes a genuine 1950's teen heartthrob in Bobby Rydell, and an authentic icon of the period in Ed Sullivan. Both Rydell and Sullivan were still popular when the film was made and, unlike the bygone stars in "Grease," were not dragged from the attic for walk-ons.

Conrad Birdie, a thinly disguised Elvis, has been drafted. Aspiring songwriter, Dick Van Dyke, and his secretary, Janet Leigh in an awful black wig, concoct a plan to have Birdie bestow a goodbye kiss on one lucky girl and sing a song to be written by Van Dyke. All of this to take place on the "Ed Sullivan Show." Ann -Margret from Sweetwater, Ohio, is the lucky girl.

Although Ann-Margret is a bit hot to be the steady of Bobby Rydell, she is dynamite on the dance floor and smolders during her numbers. Obviously, the director and producer fell in love with her, and she upstages everyone, including two members of the original Broadway cast, Van Dyke and Paul Lynde. However, Lynde does hold his own as Ann-Margret's father, and he has an amusing musical number in "Kids." Also funny is Maureen Stapleton, who stomps around in sensible shoes and a fur coat as Van Dyke's mother. To Leigh's frustration, Stapleton does everything to keep her "baby" from falling into marriage and out of her control.

"Bye Bye Birdie" has a number of good songs, some lively choreography, and clever effects that distinguish it from the more traditional musicals like "Show Boat" that Sidney directed for MGM. Although Van Dyke has the central role, he is not a standout. Perhaps the part of Albert Peterson was meant to be a bland foil for the two women in his life, who spar for control. Although Leigh is miscast as Rosie DeLeon, a Latina part that belongs to Chita Rivera, she does well despite the wig. However, Ann-Margret opens the film, closes the film, and, in between, sizzles and dazzles in a star-making role.


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