All the Way Home (1963)
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- Not Rated
- 1h 37min
- Drama, Romance
- 03 Jun 1965 (Mexico)
- Movie
Mary Follet, a wife and mother in 1915 Tennessee, copes with the loss of her husband and the necessity of raising their children alone.
Director:
Writers:
Stars:
Award:
- 1 win.
- See more »
Photos and Videos
Cast verified as complete
| Jean Simmons | ... |
Mary Follet
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| Robert Preston | ... |
Jay Follett
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| Pat Hingle | ... |
Ralph Follet
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| Aline MacMahon | ... |
Aunt Hannah
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Thomas Chalmers | ... |
Joel
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| John Cullum | ... |
Andrew
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Helen Carew | ... |
Mary's Mother
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| Ronnie Claire Edwards | ... |
Sally
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| John Henry Faulk | ... |
Walter Starr
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Mary Perry | ... |
Great-Aunt Sadie
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| Georgia Simmons | ... |
Jessie
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Lylah Tiffany | ... |
Great-Great-Grandmaw
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Edwin Wolfe | ... |
John Henry - Jay's Father
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Michael Kearney | ... |
Rufus Follet
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| Rest of cast listed alphabetically: | |||
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Ferdi B. Hoffman | ... |
Father Jackson (uncredited)
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| David Huddleston | ... |
Small Part (uncredited)
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Directed by
| Alex Segal | ||
Written by
| Tad Mosel | ... | (based upon the play by) |
| James Agee | ... | (novel "A Death in the Family") |
| Philip H. Reisman Jr. | ... | (screenplay) (as Philip Reisman Jr.) |
Produced by
| Jack Grossberg | ... | associate producer (uncredited) |
| David Susskind | ... | producer |
Music by
| Bernard Green | ... | (music composed by) |
Cinematography by
| Boris Kaufman | ... | director of photography |
Editing by
| Lora Hays | ||
Editorial Department
| Carl Lerner | ... | supervising film editor |
| Lucy Sagsay | ... | assistant editor |
Casting By
| Alan Shayne | ||
| Michael Shurtleff | ||
Production Design by
| Richard Sylbert | ||
Costume Design by
| Sal Anthony | ... | wardrobe designer |
Makeup Department
| Dick Smith | ... | makeup |
Production Management
| Joel Glickman | ... | production manager |
Second Unit Director or Assistant Director
| Michael Hertzberg | ... | assistant director |
| Larry Sturhahn | ... | assistant director (uncredited) |
Art Department
| Albert Brenner | ... | assistant art director |
| Herbert F. Mulligan | ... | set dresser (as Herb Mulligan) |
| Sam Robert | ... | set dresser |
Sound Department
| Jack Fitzstephens | ... | sound effects editor |
| Jim Shields | ... | sound (as James Shields) |
| Dick Vorisek | ... | rerecordist (as Richard Vorosek) |
Camera and Electrical Department
| Larry Barr | ... | chief grip |
| Mel Brown | ... | gaffer |
| Saul Midwall | ... | camera operator |
| Josh Weiner | ... | still photographer |
| Vinnie Gerardo | ... | assistant camera (uncredited) |
Costume and Wardrobe Department
| George Newman | ... | wardrobe supervisor |
| Flo Transfield | ... | wardrobe supervisor |
Music Department
| Bernard Green | ... | conductor |
| R.A. Israel | ... | music producer |
Script and Continuity Department
| Marguerite James | ... | script supervisor |
Additional Crew
| Arthur Cantor | ... | produced on the stage by |
| Fred Coe | ... | produced on the stage by |
| Madeleine Coubro | ... | production secretary |
| Martin Danzig | ... | production assistant |
| Ronald Gilbert | ... | controller |
| Audrey Maas | ... | assistant to producer |
| Florence Nerlinger | ... | production secretary |
| Alan Shayne | ... | dialogue coach |
Production Companies
Distributors
- Paramount Pictures (1963) (United States) (theatrical) (A Paramount Release)
- Paramount British Pictures (1963) (United Kingdom) (theatrical)
- National Broadcasting Company (NBC) (1967) (United States) (tv) (broadcast premiere)
- Paramount Home Entertainment (United States) (VHS)
Special Effects
Other Companies
- Eckstein-Stone (titles designed by)
Storyline
| Plot Summary |
In early-1900s Tennessee, a loving family undergoes the shock of the father's sudden accidental death. The widow and her young son must endure the heartache of life following the tragedy, but slowly they rise up from the ashes to face the hope of renewed life.
Written by Martin H. Booda |
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| Taglines | Here is a Motion Picture You May Not Dare To See And That You Do Not Dare To Miss. It has been magnificently made from James Agee's almost unbearably beautiful Pulitzer Prize novel and from the Pulitzer Prize play made from that novel. It is the story of the Jay Follet family. It is a story of all the kinds of love there are... the love between father and son, mother and child, male and female...the love of any human being for the place he grew up in and for the people he grew up to...It is a motion picture that will follow you home and stay with you all the rest of your days. See more » |
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| Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
| Trivia | According to a 1986 Knoxville Journal article, Robert Preston was one of the few people involved in the production who knew how to drive the borrowed 1915 Model-T used in the film, and he wanted it to be used accurately. In one scene the director wanted to have the Model-T parked with the headlights on, but without the motor running. Those vehicles were not equipped with batteries, though, and electricity for lights was supplied by the running motor. The director wanted to have a battery hooked up to the car, but Preston refused, saying that Model-T buffs would notice the inaccuracy if the lamps were lit without the motor running. See more » |
| Goofs | When Rufus runs out of the house towards the train, in one wide shot a busy road with modern vehicles is visible in the background. See more » |
| Movie Connections | Referenced in The Story of the Swimmer (2014). See more » |
| Soundtracks | All the Way Home See more » |
| Quotes |
Rufus Follet:
Rufus is a NIGGER name... Jay Follett: Rufus is a powerful name... don't ever talk that way, that word is used to hurt colored people... See more » |