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8½ (1963)

Not Rated | | Drama | 25 June 1963 (USA)
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A harried movie director retreats into his memories and fantasies.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Ennio Flaiano (story) | 4 more credits »
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Popularity
2,962 ( 102)
Top Rated Movies #248 | Won 2 Oscars. Another 16 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marcello Mastroianni ... Guido Anselmi
Claudia Cardinale ... Claudia
Anouk Aimée ... Luisa Anselmi (as Anouk Aimee)
Sandra Milo ... Carla
Rossella Falk ... Rossella
Barbara Steele ... Gloria Morin
Madeleine Lebeau ... Madeleine - l'attrice francese
Caterina Boratto ... La signora misteriosa
Eddra Gale ... La Saraghina (as Edra Gale)
Guido Alberti Guido Alberti ... Pace - il produttore
Mario Conocchia Mario Conocchia ... Conocchia - il direttore di produzione
Bruno Agostini Bruno Agostini ... Bruno - il secondo segretario di produzione
Cesarino Miceli Picardi Cesarino Miceli Picardi ... Cesarino - l'ispettore di produzione
Jean Rougeul ... Carini - il critico cinematografico
Mario Pisu Mario Pisu ... Mario Mezzabotta
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Storyline

Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Add Synopsis

Taglines:

More sensational than "La Dolce Vita" See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France

Language:

Italian | French | English | German

Release Date:

25 June 1963 (USA) See more »

Also Known As:

Federico Fellini's 8½ See more »

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Box Office

Opening Weekend USA:

$11,947, 11 April 1999, Limited Release

Gross USA:

$50,690, 25 April 1999
See more on IMDbPro »

Company Credits

Production Co:

Cineriz,Francinex See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The title refers to the number of movies Federico Fellini had directed up until that point - six features, two shorts (films #7 and #8) and a co-directed film with Alberto Lattuada, for a total of 8 1/2 films. See more »

Goofs

When Guido visits Carla during her illness, a strap of her slip disappears in the close shot after she rolls over, but is apparent in longer shots both prior and after. See more »

Quotes

Guido: You came just in time. Why are you smiling? Suppose I told you... Claudia.
See more »

Alternate Versions

In the American theatrical release version, Rodgers & Hart's "Blue Moon" can be heard twice: the first time, when it's played by strolling strings near the shopping plaza where Guido meets up with his wife, Luisa; the second time, when Guido goes out for a drive with the "real" Claudia. However, in the original Italian release, the song played in both scenes is "Sheik of Araby." The Criterion laserdisc features "Blue Moon," but it's "Sheik of Araby" on the DVD, possibly due to the use of different source materials. See more »


Soundtracks

Nocturne No. 2 in E flat Major, Op. 9,2
(uncredited)
Written by Frédéric Chopin
See more »

Frequently Asked Questions

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User Reviews

 
A fresh cinematic miracle
26 February 2005 | by PiranianRoseSee all my reviews

8 1/2 remains one of the most original and spellbinding films I know of. One of the beauties of cinema is to merge the artist's memory and fantasy; Fellini certainly utilized this magic to present his story and characters that embody both humanity and mystery. This film is an autobiographical piece (of Fellini himself) about a movie director named Guido, how his life is consumed by his increasing obsession with work. He avoids questions and problems as if they will go away somehow, only to experience more questions and problems. Ultimately, Guido realizes the only way to solve his problems is to face them rather than escaping, accepting himself instead of wishing he was someone else.

The opening sequence--one of the most deftly crafted--is taken from Guido's movie (or his dream - can't remember for sure). The sequence brilliantly captures Guido's problems (which are dealt with in the rest of the picture) and exposes them metaphorically: him STUCK in traffic, TRAPPED in smoke, SUFFOCATING, wanting to escape, and pulled back down by his peers. Guido wants to make a movie about his (and Fellini's) MEMORIES: how once upon a time he learned about a chant that moves pictures, and the time he danced with the fat feminine prostitute figure. The other main component of his movie involves launching into space, a FANTASY that reflects Guido's (and Fellini's) desire to escape from worldly matters. In real life, Guido is having problems with everything from his wife to his movie. So he thinks a beautiful actress, whom he fantasizes but knows little to nothing about, will be the solution to all his problems. When Guido meets the actress, he realizes she can't solve his problems, only he himself has the choice. This realization leads to the film's closure, with Guido having learned what's important to him and the inevitability of taking responsibility.

One of the film's powerful features is ambiguously blending Guido's world with his imaginations. Thus the audience is constantly deciphering the context of what's on the screen. This invitation to participate in the film is welcome, and if we think about it, a person like Guido who lives in his office might not be able to tell at times whether an event happened in his life or inside his mind.


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