During the 1900 Boxer Rebellion against foreigners in China, U.S. Marine Major Matt Lewis, aided by British Consul Sir Arthur Robertson, devises a strategy to keep the rebels at bay until an international military relief force arrives.
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In 1864, due to frequent Apache raids from Mexico into the U.S., a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries, and scouts.
Diplomats, soldiers and other representatives of a dozen nations fend off the siege of the International Compound in Peking during the 1900 Boxer Rebellion. The disparate interests unite for survival despite competing factions, overwhelming odds, delayed relief and tacit support of the Boxers by the Empress of China and her generals.Written by
Martin H. Booda <email@example.com>
In his diaries, Charlton Heston remarks that the the set was so large, that he recommended to producer Samuel Bronston that he should let Orson Welles use it to film a spy thriller simultaneously. Apparently there were portions of the set were never used during filming. See more »
When the flags are shown being raised over the legations at the beginning of the film, the US flag shown has 43 stars. That flag was in use for only one year, 1890-91. By 1900, the year of the Boxer Rebellion, two more states had been added, the last being Utah in 1896, and thus also two more stars. See more »
To receive a 'U' certificate in the UK (making the film suitable for all ages) significant cuts were made by the BBFC. These included the scene of the priest being drowned by the water-wheel, a shortening of the screaming sounds made by the soldier before his leg amputation, and a removal of all references by Lewis to local women being made available for soldiers. To retain the same certificate all video releases also featured the same cut print. The 2014 DVD features the uncut version and is upgraded to a PG. See more »
Watching this film in a PC era like today you may find allegations of racism being made against it , but you have to remember that 55 DAYS AT PEKING was made in 1963 . The war in the Pacific had ended less than 20 years earlier and the horrors of the Burma railway and the Bataan death march were still fresh in the memory . Likewise the UN had fought a dirty and bloody war against North Korea and Communist China ten years earlier and 1963 was a year when America started committing ground troops to South Vietnam , so this was an era where many people were worried about " the yellow peril " . One thing you can't really accuse the film of being is geo-nationalist , a coalition featuring diverse nations like Germany , Russia , Italy and France fighting alongside Britain and America ! You can tell this was made a long time ago and if it was made today the Americans would have saved the day single handed while portraying everyone else as total cowards . At least the makers of 55 DAYS AT PEKING had the decency of showing a factual historical event without having to totally rewrite history . I do hope present day Hollywood producers will take note .
My only problem with this film is that the main story is held up with a romantic subplot featuring Charlton Heston who's not exactly romantic material , but this is soon forgiven when the battle scenes arrive and what battle scenes they are . Watching these scenes today I was struck as to how they were achieved by a combination of stuntmen and stuffed dummies . That's what I hate about modern day blockbusters that rely on cartoonish CGI figures running around . It's a lot more fun seeing a couple of man sized dolls falling a couple of hundred feet with dubbed screams on the soundtrack , Hollywood doesn't seem to do this type of action sequence anymore which is a great pity
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