Families, friends, enemies and lovers experience life-changing events in the large upstate New York city of Port Charles, which has a busy hospital, upscale hotel, cozy diner and dangerous waterfront frequented by the criminal underworld.
One Life to Live premiered in 1968, centering on the lives of the citizens of the fictional town of Llanview, PA. Concentrating on the wealthy Lord family, and the middle-class Woleks and ... See full summary »
Spin-off of "General Hospital" focusing on the professional and personal lives of the first year interns at Port Charles' General Hospital. Now residents at the hospital, the doctors and ... See full summary »
The residents of Knots Landing, a coastal suburb of Los Angeles, deal with various issues such as infidelity, health scares, rape, murder, kidnapping, assassinations, drug smuggling, corporate intrigue and criminal investigations.
The continuing story of life in the Midwestern town of Bay City, and the love, loss, trials, and triumph of its residents, who come from different backgrounds and social circles. Those who ... See full summary »
In Santa Barbara, California, the fascinating and tumultuous life of the rich Capwells around who gravitate other families, from the Lockridges, the rival family, to the Andrades or the ... See full summary »
Events in this daytime drama are centred in Port Charles, a community on the coast in upper New York. Ongoing plots are centred around the people who work in General Hospital, people who work in the business community (most notably for the Quartermaines' company ELQ), and some sort of international intrigue involving former agents of the WSB (World Security Bureau). Big plots of the past include Luke and Laura's wedding and Mikkos Cassadine's evil weather machine.Written by
Ed Sutton <email@example.com>
Jack Crosby, a nephew of The Crosby tribe, was the first art director to design scenery for the new (1963) black and white television daily daytime drama series. The initial set design for a room, looked like an open book, with a right side wing joining a flat center wall, the left wing wall extending the floor plan. Openings for doors and windows were located in various positions on each set. The set's painted color was neutral middle value beige-gray hues, with no wall-paper. Any hint at wall paper, or texture, was provided by a scenic roller paint pattern which was vogue in this era. The scenery height was eight (8'-0") foot high. Usually, network soap sets are ten feet high. All the sets were shallow in depth, minimum furniture and set decoration. Usually pictures were hung across wall expanses to establish an actors movement through the set. Competition from NBC TV and CBS TV daytime drama ratings forced the producers into expanding the physical production elements of the scenery and decoration. Neither NBC TV nor ABC TV used a set decorator. CBS TV was the only network employing and assigning a set decorator to their shows. Like a summer stock theater, scenery was designed, supervised, and decorated by the set designer/art director. Assistant Art Directors were employed after production became more involved, with time management determining additional support positions. In early television, like the theater, the designer was expected to cover everything in his design area. See more »
After Santa Barbara, Guiding Light, Another World, and One Life to Live, the Soap Butcher Jill Farren Phelps has placed her friends in high position often ruining such high quality shows. When I was watching Guiding Light, it was at its peak in 1991. They fired the producer and replaced them with Butcher Phelps. She drove Beverlee McKinsey away by overworking her to death. She killed off beloved Ellen Parker's character Maureen. So Parker won an Emmy but the loss was much worse for the audience. On Another World, she killed off Alice Barrett Mitchell's beloved Mary Frances Frame Winthrop in a ridiculous storyline. On One Life to Live, I could only imagine what she did to that show which took years recover. Now she is ruining General Hospital by driving the great John Ingle away to Days Of Our Lives where he received a contract role. I feel sorry and sympathy for Jed Allan because he has a tough act to follow. The Quartermaines used to be the funnest family on television completely. She drove the great Dame Anna Lee away right before her death. Now Kristina Malandro Wagner refuses to return unless she gets a contract for playing Felicia Jones. Why aren't the veterans of this getting the short end of the stick? I bet Gloria Monty is livid over the show getting Best Drama Emmy under Phelps. I know Monty's heart was always in the right place with this show and her last time around wasn't successful as the Luke & Laura days but still, I know Butcher Phelps track record with soaps. Nobody in the real workplace would allow somebody whose cost so much damage to so many people. I am glad that Robin Strasser is speaking against Phelps' known favoritism for certain actors. I am going to single them out now on General Hospital because it would be unfair. But I know after 25 years of watching soaps, I could do a better job to satisfy both fans and the cast and crew. I am sorry but Phelps is just a Soap Opera Butcher to me. I know Guiding Light was great at the time but she made terrible decisions which cost fans. Now Guiding Light might be up for cancellation! the cast and crew took a pay cut to keep the show afloat. Remember Another World! Phelps was there before she jumped ship to One Life To Live. What goes on behind the scenes must be more fascinating than on screen. Guiding Light and Another World were creations of another daytime diva or queen Irna Phillips who would be turning over in her grave if she knew what this woman has done to her children.
Now Phelps is killing off Alan Quartermaine who has been played faithfully by Stuart Damon for 30 years. I'm concerned that she is going to lose one of the show's best attributes, the Quartermaine Family. She and the network practically drove Anna Lee out over a contract dispute. Even with John Ingle's welcome return, the shadow over the show is still different. I don't blame cast members like Leslie Charleson and others for being so vocal about Damon's departure. It's as shocking as it comes. This is what you get when you have somebody like Phelps at the helm.
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