The adventures in time and space of the Doctor, a Time Lord who changes appearance and personality by regenerating when near death, and is joined by companions in battles against aliens and other megalomaniacs.
Gharman tries to convince the Kaleds to vote against the Dalek project but Davros has a trick up his sleeve, while the Doctor works to destroy the tape recording of Dalek victory and the Thals plan ...
Traveling across time and space, the immortal time-lord known as 'The Doctor' travels across the universe with his many companions and his loyal shape-shifting space-ship: The TARDIS. The Doctor faces many threats across many generations: from The Daleks, The Cybermen and his time-lord adversary The Master to the sinister Davros, creator of The Daleks.Written by
The Beatles make a cameo appearance in Doctor Who: The Executioners (1965), in which they're seen on a time scanner performing "Ticket to Ride" on Top of the Pops (1964). Originally, the plan was to have the actual musicians appear as old men, but the idea was vetoed by Beatles' manager Brian Epstein. Ironically, the footage used in the episode is all that remains of this appearance, as the episode of Top of the Pops (1964) it was taken from was wiped by the BBC. See more »
[ordering his men to fire on a monster]
Chap with the wings - five rounds, rapid.
See more »
The tradition of showing The Doctor's face in the opening titles was not introduced until Patrick Troughton's tenure with the program was under way. During Jon Pertwee's era, the producers experimented with changing the opening credits and music. One of the rejected opening credits was accidentally included on some prints of the story "Carnival of Monsters" that were broadcast overseas. See more »
Many of the show's earlier episodes from the 1960s are only available in partial form. Some have been released to video with photos, audio tracks and narration filling the gaps. See more »
`Doctor Who', in a nutshell, is probably the most imaginative show ever created. Initially, it was about an eccentric time-traveller from another planet, who looked human and affected an English manner and style. The interior of his time machine (called a TARDIS) was huge and highly advanced, but the exterior quaintly resembled an English public call box. The Doctor was a self-imposed exile from a race of powerful beings called the Time Lords. The Time Lords observed history, but never interfered with it. This bored the almighty heck out of the Doctor, so he made off with an older TARDIS and decided to see the Universe for himself.
When the original actor who played the Doctor decided to leave the show, the writers came up with the inventive concept of `regeneration'. Whenever the Doctor was close to death, or actually killed, he would `regenerate' into a new body (and persona). The show went through seven highly talented actors in this fashion.
The format of the show was highly adaptable. Didn't like the way the show was going? Just wait two or three years. The style always seemed to change whenever there was a change of Doctor, producer and/or script editor. The series went from educational children's drama to monster show to intelligent adult sci-fi/drama to gothic horror to high camp, et cetera, et cetera, and so forth.
This was a wonderful, imaginative, fun show when it was on. I was sad to see it go.
115 of 122 people found this review helpful.
Was this review helpful to you?
| Report this