In the suburbs of Rome, the translator Vittoria breaks her engagement with her boyfriend, the writer Ricardo, after a troubled night. Vittoria goes downtown to meet her mother, who is addicted to the stock market, and she meets the broker Piero on a day of crash. The materialist Piero and the absent Vittoria begin a monosyllabic relationship.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Piero's car is stolen and driven into a lake by a drunk. The lake is called "Laghetto" (small lake in Italian despite its big size) in the EUR Zone of Rome. At the background of the shot is a curtain-wall like skyscraper office building under construction. It is Palazzo Eni, future headquarters of Italian multinational oil and gas company ENI. The landmark building was under construction at the time of filming around 1961 and was completed in 1962. It is currently the third tallest building in Rome at 80 meters tall and has 22 floors. See more »
At 1:28:30 into the film, Vittoria and Piero get wet from a sprinkler. The right side of Piero's jacket is clearly wet. A minute later when they are listening to the piano player, the back of Vittoria's blouse is still wet, but Piero's jacket is dry. See more »
We'll see each other tomorrow. We'll see each other tomorrow and the day after tomorrow.
And the day after that and the next.
And the day after that.
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West German theatrical version was cut by approx. three minutes. See more »
Third film in Antonioni's trilogy of alienation following L'Avventura (1960) and La Notte (1961) about a young woman (Monica Vitti) and her brief affair with handsome Alain Delon.
Like in his other movies, Antonioni uses specific techniques not to tell the story but rather to express the lack of communication among the characters, their alienation and incapableness to make a strong and meaningful relation. May this be because of their shallow characters or as a result of living in a modern society marked with the superficial values like prestigious and run-for-the-money it's up to the viewer to decide. Anyway, long cadres, real time events, visual metaphors and visual contrasts between the characters on the one side and landscapes and/or modern day creations like buildings, streets (usually empty) on the other is what makes this rather experience than a plot-movie (intentionally) but nevertheless effective in their purpose (which is to express and transmit this same feelings of alienation to the viewer). So, if you're looking for an entertainment, you better skip this one. Final scene is great in concluding the movie. A bit weaker of great L'Avventura.
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