At Zabriskie Point, United States' lowest point, two perfect strangers meet; an undergraduate dreamer and a young hippie student who start off an unrestrained romance, making love on the dusty terrain.
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
In the suburbs of Rome, the translator Vittoria breaks her engagement with her boyfriend, the writer Ricardo, after a troubled night. Vittoria goes downtown to meet her mother, who is addicted to the stock market, and she meets the broker Piero on a day of crash. The materialist Piero and the absent Vittoria begin a monosyllabic relationship.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At 1:28:30 into the film, Vittoria and Piero get wet from a sprinkler. The right side of Piero's jacket is clearly wet. A minute later when they are listening to the piano player, the back of Vittoria's blouse is still wet, but Piero's jacket is dry. See more »
What are you writing?
I'm translating some Spanish.
How do you say "I want to come up" in Spanish?
You say, "You can't". Tough language, isn't it?
See more »
L'Eclisse is about emptiness, meaningless capitalism and the nuclear threat.
Antonioni's 'L'Eclisse' depicts the emptiness and and meaningless of life in the post-Second World War world under the shadow of the nuclear threat. This is represented by the mushroom shaped water-tower looming outside the window in the film's early sequences, and is referred to again in newspaper headlines towards the end of the film. This film was made in 1962, a year after the Berlin crisis, and in the year of the Cuba crisis when we came very close to nuclear war between the USA and the USSR.
The film also depicts the greed of capitalism, as shown in the mad, chaotic scenes in the Rome Stock Exchange and the obsessive gambling of the mother character.
The location, with distant shots of Benito Mussolini's EUR buildings on the outskirts of Rome, also suggest a meaningless, empty, soulless Brave New World all overshadowed by the nuclear threat, where people suffer loneliness and depression and feel unable to make long-term commitments.
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