In the suburbs of Rome, the translator Vittoria breaks her engagement with her boyfriend, the writer Ricardo, after a troubled night. Vittoria goes downtown to meet her mother, who is addicted to the stock market, and she meets the broker Piero on a day of crash. The materialist Piero and the absent Vittoria begin a monosyllabic relationship.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This film is part of the Criterion Collection, spine #278. See more »
Goofs
At 1:28:30 into the film, Vittoria and Piero get wet from a sprinkler. The right side of Piero's jacket is clearly wet. A minute later when they are listening to the piano player, the back of Vittoria's blouse is still wet, but Piero's jacket is dry. See more »
Quotes
Vittoria:
I wish I didn't love you or that I loved you much more.
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Alternate Versions
West German theatrical version was cut by approx. three minutes. See more »
Antonioni's 'L'Eclisse' depicts the emptiness and and meaningless of life in the post-Second World War world under the shadow of the nuclear threat. This is represented by the mushroom shaped water-tower looming outside the window in the film's early sequences, and is referred to again in newspaper headlines towards the end of the film. This film was made in 1962, a year after the Berlin crisis, and in the year of the Cuba crisis when we came very close to nuclear war between the USA and the USSR.
The film also depicts the greed of capitalism, as shown in the mad, chaotic scenes in the Rome Stock Exchange and the obsessive gambling of the mother character.
The location, with distant shots of Benito Mussolini's EUR buildings on the outskirts of Rome, also suggest a meaningless, empty, soulless Brave New World all overshadowed by the nuclear threat, where people suffer loneliness and depression and feel unable to make long-term commitments.
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Antonioni's 'L'Eclisse' depicts the emptiness and and meaningless of life in the post-Second World War world under the shadow of the nuclear threat. This is represented by the mushroom shaped water-tower looming outside the window in the film's early sequences, and is referred to again in newspaper headlines towards the end of the film. This film was made in 1962, a year after the Berlin crisis, and in the year of the Cuba crisis when we came very close to nuclear war between the USA and the USSR.
The film also depicts the greed of capitalism, as shown in the mad, chaotic scenes in the Rome Stock Exchange and the obsessive gambling of the mother character.
The location, with distant shots of Benito Mussolini's EUR buildings on the outskirts of Rome, also suggest a meaningless, empty, soulless Brave New World all overshadowed by the nuclear threat, where people suffer loneliness and depression and feel unable to make long-term commitments.