The Exterminating Angel (1962)

The guests at an upper-class dinner party find themselves unable to leave.

Director:

Luis Buñuel

Writers:

Luis Buñuel (screenplay by), Luis Alcoriza (story by)

Stars:

Silvia Pinal, Jacqueline Andere, Enrique Rambal

4 wins & 1 nomination.

Cast

Cast overview, first billed only:
Silvia Pinal	...	Leticia 'La Valkiria'
Enrique Rambal	...	Edmundo Nobile
Claudio Brook	...	Julio, Mayordomo; Steward
José Baviera	...	Leandro Gomez
Augusto Benedico	...	Carlos Conde; Doctor
Antonio Bravo	...	Sergio Russell
Jacqueline Andere	...	Alicia de Roc
César del Campo	...	Alvaro, Coronel; Colonel
Rosa Elena Durgel	...	Silvia
Lucy Gallardo	...	Lucía de Nobile
Enrique García Álvarez	...	Alberto Roc
Ofelia Guilmáin	...	Juana Avila
Nadia Haro Oliva	...	Ana Maynar
Tito Junco	...	Raúl
Xavier Loyá	...	Francisco Avila

Storyline

After a lavish dinner party, the guests find themselves mysteriously unable to leave the room... and over the next few days all the elaborate pretenses and facades that they've built up by virtue of their position in society collapse completely as they become reduced to living like animals...

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Plot Keywords:

black comedy | class differences | social satire | surrealism | comedy of manners | 

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Taglines:

The degeneration of high society!

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Genres:

Drama | Fantasy

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Certificate:

Not Rated

Details

Country:

Mexico

Language:

Spanish

Release Date:

21 August 1967 (USA)

Also Known As:

The Exterminating Angel

Filming Locations:

Mexico

Company Credits

Production Co:

Barcino Films S.A.,Producciones Gustavo Alatriste,Gustavo Alatriste

Technical Specs

Runtime:

95 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Out of all the films in Luis Buñuel's Mexican/Spanish film period, this is the only film he had complete creative control over.

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Goofs

After the butler trips in the dining room, the lady of the house follows him into the kitchen. While they speak the boom mic can clearly be seen at the bottom of the screen, extending out from under a table.

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Quotes

Julio, Mayordomo; Steward: The help becomes more impertinent each day.

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Connections

Referenced in Cine Terapia: Cine Terapia - Che Sandoval (2017)

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Soundtracks

Waltz in E minor
(uncredited)
Music by Frédéric Chopin

User Reviews

An excellent surrealist fantasy

I can't say that I'm a big fan of director Luis Buñuel. While I admire his visual flair - his movies often lack backbone, and this brings them down. The Exterminating Angel is the first Buñuel movie that I've really enjoyed. I enjoyed it because I never got the impression that the point of this film was simply to be weird. Buñuel has found a premise - basically, a satire on the behaviour of the upper class - and lampooned it brilliantly. The key to this movie is setting up the central plot, and the director does such a good job of it that after a while; we don't care that the film is based on an idea that makes no sense at all, and are just able to run with it. The film follows a bunch of guests at a dinner party. At the end of the party, none of them make any effort to go home and after a while it becomes apparent to the party that they physically cannot leave the room. We then watch as the upper class, people who are used to sipping champagne and smoking expensive cigars are reduced to surviving in the most basic ways. They have to hack through the wall to find a water pipe and even begin eating paper to quench their hunger…

The satire works because the acting is just so different to the way that the upper class usually conduct themselves - either on screen or otherwise. The structure of the social classes is clearly defined by Buñuel's film also. This is the sort of thing that would really scare the rich, while other social classes have other things to worry about. Before the nightmare begins, various people are commenting on the conduct of one of their own who has had slightly too much to drink. This wouldn't worry anyone who isn't 'high society', but the fact that these people do care about it shows the difference in values between the classes. Buñuel directs the film with almost a complete lack of emotion towards the central ensemble - and this stood out to me as it really allows the film to be funny. It's almost like the director is laughing at the situation that he's put his cast of characters into, which suggests that the Spanish director isn't the biggest fan of the upper classes. There's a million and one ways that this film could be interpreted, and that is what makes it great. If you don't like films that don't make sense; this probably won't do much for you. However, I think that this is one of those films that need to be experienced; and I definitely recommend it.