The working-class twin sister of a callous, wealthy woman impulsively murders her out of revenge and assumes her identity. But impersonating her dead twin is more complicated and risky than she anticipated.
In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes. Written by
The budget was so limited that the production wasn't able to use the usual process screen shots for Jane's driving scenes. Bette Davis did her own driving around Hollywood with cameraman Ernest Haller perched either in the backseat of the car or over the front fender in order to get the shots he needed. "To this day," said Davis in 1987, "I smile when I remember the first time 'Jane' drove down Beverly Boulevard in an old Hudson. The expressions on the faces of people in other cars when they saw me were hysterical. Lots of mouths dropped." See more »
In the first scene featuring nextdoor neighbor Mrs. Bates, she places the telephone on the coffee table twice. See more »
Want to see it again little girl? It shouldn't frighten you.
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The Warner Bros. logo does not appear at the beginning of this film. See more »
I'm so engrossed in the Ryan Murphy's series "Feud" that watching again "What Ever Happened To Baby Jane" was unavoidable. "Feud" works on so many levels and the performances are so spot on that I suspect What Ever Happened To Baby Jane will have another life and in this new reincarnation it will teach us something important about Hollywood, about acting, about fame and about the fragility of the human mind. All this in great part due to "Feud" Jessica Lange's performance as Joan Crawford is already, for me, in a pantheon of its own. There is not a moment in which the illusion falters and this is more true episode after episode. Susan Sarandon as Bette Davis is also superb but her character is the more educated, stronger. A Yankee. So she provokes a very different kind of emotion. To all fans of the actresses and of Baby Jane you can't afford to miss "Feud" and, please, give it a couple of episodes to adjust but once you get to the third episode "Mommie Dearest" you'll be hooked in the greatest possible way. Enjoy.
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