The working-class twin sister of a callous, wealthy woman impulsively murders her out of revenge and assumes her identity. But impersonating her dead twin is more complicated and risky than she anticipated.
Brick Pollitt (Paul Newman), an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie (Dame Elizabeth Taylor). His reunion with his father, Big Daddy (Burl Ives), who is dying of cancer, jogs a host of memories and revelations for both father and son.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes.Written by
Things you should know about this motion picture before buying a ticket: 1) If you're long-standing fans of Miss Davis and Miss Crawford, we warn you this is quite unlike anything they've ever done. 2) You are urged to see it from the beginning. 3) Be prepared for the macabre and the terrifying. 4) We ask your pledge to keep the shocking climax a secret. 5) When the tension begins to build, try to remember it's just a movie. See more »
The Hudson sisters' business manager is named Bert Hanley. Bert Hanley is also the name of the fading Broadway songwriter who wrote the fictional one-hit wonder show "Children's Crusade" in the 2003 film Camp (2003), an obvious nod to "....Baby Jane." See more »
When Jane is preparing to dump Elvira's body and is interrupted by her female neighbor who has just driven up in the dark, it is clear before the cut that the person who actually drives the car onto the driveway was a male stage hand. See more »
Want to see it again little girl? It shouldn't frighten you.
See more »
The Warner Bros. logo does not appear at the beginning of this film. See more »
The original British release was cut in two places: in Reel Four, where Jane kicks Blanche only once instead of multiple times, and Reel Six, which eliminated some shots of Blanche tied up to the bed and writhing. Both cuts were mandated by the BBFC in order to receive an "X" certificate. Subsequent reissues restored the footage. See more »
I have seen this movie at least two dozen times, and I will see it at least that many times again. It's such a Bette Davis feast. Of course, she was nominated for an Oscar. And she should have won it! There was a lot of 'history' between Miss Davis and Miss Crawford going way back to the 1940s, when Crawford was let go from M-G-M and went to work at WB where Bette Davis was Queen of the lot. The stories behind the making of the film are as interesting as the movie, with Miss Crawford demanding the set be kept at a breezy 55 (but preservative) degrees causing all kinds of problems with Miss Davis's bronchitis. One only wonders how much 'acting' was involved as Miss Davis tortures Miss Crawford emotionally and, later, physically. Miss Crawford suffers grandly and has her mandatory telephone scene, big eyes tremulous with fear. She is great, but it is a Bette Davis tour-de-force and she wipes every other actor off the screen. Full 10 of 10 for this one, and recommended to everyone who wants to see what the great actresses of the 1930s and 1940s could and would still do, albeit in minor-A productions, as the requests for their services dwindled, but wanted to keep on working.
75 of 87 people found this review helpful.
Was this review helpful to you?
| Report this