A former child star torments her paraplegic sister in their decaying Hollywood mansion.
Director:
Robert Aldrich
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Title: What Ever Happened to Baby Jane? (1962)
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Cast
| Cast overview, first billed only: | |||
| Bette Davis | ... | Baby Jane Hudson | |
| Joan Crawford | ... | Blanche Hudson | |
| Victor Buono | ... | Edwin Flagg | |
| Wesley Addy | ... | Marty Mc Donald | |
 |
Julie Allred | ... | Baby Jane Hudson, in 1917 |
|
|
Anne Barton | ... | Cora Hudson (as Ann Barton) |
| Marjorie Bennett | ... | Dehlia Flagg | |
| Bert Freed | ... | Ben Golden | |
| Anna Lee | ... | Mrs. Bates | |
| Maidie Norman | ... | Elvira Stitt | |
| Dave Willock | ... | Ray Hudson | |
|
|
William Aldrich | ... | Lunch Counter Assistant at Beach |
| Russ Conway | ... | Police Officer | |
| Maxine Cooper | ... | Bank Teller | |
| Robert Cornthwaite | ... | Dr. Shelby | |
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Plot Summary
|
Plot Synopsis
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Storyline
In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes. Written by garykmcd
Plot Keywords:
sibling rivalry | psychological horror | child star | physical abuse | abusive relationship |Taglines:
You'd better be shockproof before you dare find out! See more »Parents Guide:
View content advisory »
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See more on IMDbPro »
See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
1963 (Peru) See more »Also Known As:
¿Qué pasó con Baby Jane? See more »Edit
Box Office
Budget:
$980,000 (estimated)Cumulative Worldwide Gross:
$9,000,000, 31 December 1963Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Mono (Glen Glenn Sound Recording)Color:
Black and WhiteAspect Ratio:
1.85 : 1
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Toy Salesman: Want to see it again little girl? It shouldn't frighten you.
See more »
(uncredited)
Music by Stephen Foster
Played by band in the 1917 prologue
See more »
Did You Know?
Goofs
When Blanche is on the telephone after she has made her way down the railing (and right before Jane shuts the door, causing Blanche to realize that she has returned) her right leg moves, obviously voluntarily. See more »Quotes
[first lines]Toy Salesman: Want to see it again little girl? It shouldn't frighten you.
See more »
Crazy Credits
The Warner Bros. logo does not appear at the beginning of this film. See more »Soundtracks
Old Folks at Home(uncredited)
Music by Stephen Foster
Played by band in the 1917 prologue
See more »
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I have seen this movie at least two dozen times, and I will see it at least that many times again. It's such a Bette Davis feast. Of course, she was nominated for an Oscar. And she should have won it! There was a lot of 'history' between Miss Davis and Miss Crawford going way back to the 1940s, when Crawford was let go from M-G-M and went to work at WB where Bette Davis was Queen of the lot. The stories behind the making of the film are as interesting as the movie, with Miss Crawford demanding the set be kept at a breezy 55 (but preservative) degrees causing all kinds of problems with Miss Davis's bronchitis. One only wonders how much 'acting' was involved as Miss Davis tortures Miss Crawford emotionally and, later, physically. Miss Crawford suffers grandly and has her mandatory telephone scene, big eyes tremulous with fear. She is great, but it is a Bette Davis tour-de-force and she wipes every other actor off the screen. Full 10 of 10 for this one, and recommended to everyone who wants to see what the great actresses of the 1930s and 1940s could and would still do, albeit in minor-A productions, as the requests for their services dwindled, but wanted to keep on working.