What Ever Happened to Baby Jane? (1962)

A former child star torments her paraplegic sister in their decaying Hollywood mansion.

Director:

Robert Aldrich

Writers:

Henry Farrell (from the novel by), Lukas Heller (screenplay)

Stars:

Bette Davis, Joan Crawford, Victor Buono

Won 1 Oscar. Another 1 win & 11 nominations.

Cast

Cast overview, first billed only:
Bette Davis	...	Baby Jane Hudson
Joan Crawford	...	Blanche Hudson
Victor Buono	...	Edwin Flagg
Wesley Addy	...	Marty Mc Donald
Julie Allred	...	Baby Jane Hudson, in 1917
Anne Barton	...	Cora Hudson (as Ann Barton)
Marjorie Bennett	...	Dehlia Flagg
Bert Freed	...	Ben Golden
Anna Lee	...	Mrs. Bates
Maidie Norman	...	Elvira Stitt
Dave Willock	...	Ray Hudson
William Aldrich	...	Lunch Counter Assistant at Beach
Russ Conway	...	Police Officer
Maxine Cooper	...	Bank Teller
Robert Cornthwaite	...	Dr. Shelby

Storyline

In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes.

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Plot Keywords:

sibling rivalry | psychological horror | child star | abusive relationship | physical abuse | 

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Taglines:

Too late . . . too late . . . too late to call for help.

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Genres:

Drama | Horror | Thriller

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Certificate:

Not Rated

Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

1963 (Peru)

Also Known As:

¿Qué pasó con Baby Jane?

Filming Locations:

172 South McCadden Place, Hancock Park, Los Angeles, California, USA

Box Office

Budget:

$980,000 (estimated)

Gross USA:

$4,050,000, 31 December 1963

Cumulative Worldwide Gross:

$9,000,000, 31 December 1963

Company Credits

Production Co:

The Associates & Aldrich Company

Technical Specs

Runtime:

134 min

Sound Mix:

Mono (Glen Glenn Sound Recording)

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Despite her criticisms, Bette Davis did have some praise for Joan Crawford every now and then. She called Crawford a "pro" who was always on time and always knew her lines perfectly. She also saw some similarities between herself and Crawford. " . . . I suppose we have the same drive," she told writer Whitney Stine. "She's a survivor and so am I. And I suppose I do infuriate people the same way she does." Davis felt that Crawford's behavior was reasonably under control--"because, I suppose, she wanted to be as professional as I was," said Davis.

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Goofs

When Jane is shocked by her reflection in the mirror, the expression in her face as well as her posture has changed in the next shot.

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Quotes

[first lines]
Toy Salesman: Want to see it again little girl? It shouldn't frighten you.

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Crazy Credits

The Warner Bros. logo does not appear at the beginning of this film.

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Alternate Versions

The original British release was cut in two places: in Reel Four, where Jane kicks Blanche only once instead of multiple times, and Reel Six, which eliminated some shots of Blanche tied up to the bed and writhing. Both cuts were mandated by the BBFC in order to receive an "X" certificate. Subsequent reissues restored the footage.

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Connections

Referenced in High Society: Whose Son Is It Anyway? (1995)

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Soundtracks

Old Folks at Home
(uncredited)
Music by Stephen Foster
Played by band in the 1917 prologue

User Reviews

Feud or Baby Jane's Next Chapter

I'm so engrossed in the Ryan Murphy's series "Feud" that watching again "What Ever Happened To Baby Jane" was unavoidable. "Feud" works on so many levels and the performances are so spot on that I suspect What Ever Happened To Baby Jane will have another life and in this new reincarnation it will teach us something important about Hollywood, about acting, about fame and about the fragility of the human mind. All this in great part due to "Feud" Jessica Lange's performance as Joan Crawford is already, for me, in a pantheon of its own. There is not a moment in which the illusion falters and this is more true episode after episode. Susan Sarandon as Bette Davis is also superb but her character is the more educated, stronger. A Yankee. So she provokes a very different kind of emotion. To all fans of the actresses and of Baby Jane you can't afford to miss "Feud" and, please, give it a couple of episodes to adjust but once you get to the third episode "Mommie Dearest" you'll be hooked in the greatest possible way. Enjoy.