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A View from the Bridge (1962)

Vu du pont (original title)
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two ... See full summary »

Director:

Sidney Lumet

Writers:

Arthur Miller (play), Jean Aurenche (screenplay) | 1 more credit »
Reviews
1 win. See more awards »

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Cast

Cast overview:
Raf Vallone ... Eddie Carbone
Jean Sorel ... Rodolpho
Maureen Stapleton ... Beatrice Carbone
Raymond Pellegrin ... Marco
Morris Carnovsky ... Mr. Alfieri
Andrea Aureli
Carol Lawrence ... Catherine
Harvey Lembeck ... Mike
Mickey Knox ... Louis
Vincent Gardenia ... Lipari
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Storyline

Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two brothers, illegal immigrants, Marco and Rodolpho. Catherine falls in love with Rudolpho; and Eddie, tormented but unable to admit even to himself his quasi-incestuous love, reports the illegal immigrants to the authorities. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

The violent world of a city's docks touches the raw fiber of life -- with fire... compassion... and boldness. See more »

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

France | Italy

Language:

French | Italian | English

Release Date:

18 January 1962 (Italy) See more »

Also Known As:

A View from the Bridge See more »

Filming Locations:

New York City, New York, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric)
See full technical specs »
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Did You Know?

Trivia

Carol Lawrence was 29 when she played the 18-year-old Catherine. See more »

Alternate Versions

Two separate versions were filmed: one in English, the other in French. See more »

Connections

Featured in The Celluloid Closet (1995) See more »

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User Reviews

 
Some Kind of Knockout
2 August 2013 | by mgodfathermlSee all my reviews

Eddie Carbone (Raf Vallone) a dockworker on the Brooklyn Navy yard accepts his wife's two cousins into his home so they may work and earn enough to return to Sicily prosperous. However when the younger brother Rodolpho (Jean Sorel) gets cozy with Eddie's beloved niece sparks fly and tragedy ensues.

Having never seen the original Miller play on which this is based I cannot compare this 1962 film adaptation by Sidney Lumet but from the film alone I can say it is quite an achievement. The low budget is obvious and many a time one feels as if they are watching an old television movie. But at the same time it adds another layer to the raw atmosphere of the piece. This is the Brooklyn of the 1950s where many struggle for a meager wage and are bound to the docks. Only culture and their traditions keep them alive and this film captures it all.

The cheap look also puts more emphasis on the actors to give their best and boy do they deliver, I could not account for 1 bad performance in this film with the leads routinely strong, particularly Vallone adding an authentic Italian touch, to the extras dotted with many true blue New York blue collar actors like Frank Campanella and Vincent Gardenia.

Being from an Italian family I can say this film captures many of the eccentricities and machinations of an Italian household from the dominant masculinity to family talks and fruit at the end of the meal. Lumet captures the cramped atmosphere so reminisced and glorified in many homes but here turned cold and repugnant due to the material of the piece. The film brilliantly draws the contrast between the old world Italian immigrant mindset of making and saving to go home (as expressed in the brother Marco in his strictly workman's cloths) and that of the younger, new immigrants who come to America to look for opportunity and pleasures not found at home (as expressed in Jean Sorrel with his bolo tie and Texas shirt). The film deals with old world adapting to new world in a larger passion play of lust and betrayal with emotions so sustained that shift to become so open and raw one is left gasping.

Just goes to show what can be accomplished with good actors and a fine director, another under regarded jewel in Sidney Lumet's crown.


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