A View from the Bridge

Based on a play by Arthur Miller, the film is very typical of its era (where many such classic plays were adapted for the screen) but also characteristic of director Lumet - who was constantly striving to push barriers (among the themes touched upon here are incest and homosexuality!) and always put his greatest emphasis on the acting. In fact, the cast here is an eclectic but surprisingly effective mix of American, French and Italian actors (though set in Brooklyn, the film was actually shot in France!) - with Raf Vallone especially impressive in his difficult role. The film's dock-side setting (gloomily photographed by Michel Kelber) recalls, to a certain extent, ON THE WATERFRONT (1954) - though this is more of a domestic melodrama; still, the final confrontation between Vallone and Raymond Pellegrin (with its tragic aftermath) reaches a fine pitch of tension.

This comes from a particularly satisfying period in the career of Sidney Lumet. Based upon one of the masterpieces of American theatre, the exteriors are filmed in his beloved New York whilst the interiors are shot in France. It is a Franco-Italian production and having the three leading male protagonists speaking in broken English contributes immeasurably to the films authenticity.

It is pretty faithful to the original apart from the ending and in changing the role of the lawyer Alfieri from that of Greek chorus to the voice of reason. Longshoreman Eddie Carbone has no time for reason as he is ruled by the heart and not the head. Like so many tragic characters he is basically a decent man whose fatal flaw, in this case, his improper love for his teenage niece, destroys him.

Carbone here is played by ex-footballer Raf Vallone who belongs to that rare breed: a hunk who can act. He has given some strong portrayals in his time, notably in Dassin's 'Phaedra', but this powerhouse performance has it all and he is fully deserving of his David di Donatello award.

One of playwright Arthur Miller's favoured devices is to have what appears to be a happy domestic scene shattered by a catalyst which in this piece is the arrival of two of Mrs. Carbone's cousins from Italy. They are illegal immigrants but Eddie agrees to put them up and get them jobs on the docks. Tensions mount however as Carbone's beloved niece falls for one of them.......

The immigrants Marco and Rodolpho are played superbly by Raymond Pellegrin and Jean Sorel. This is, to my knowledge, Pellegrin's strongest role and Sorel of course was always underrated because of his impossibly good looks. Another performance to treasure is that of Carol Lawrence as the niece. An all round actress/singer/dancer she was denied the chance of reprising on screen her award winning stage role as Maria in 'West Side Story' and although on paper a wee bit too old for the part of Catherine, gives a magnificent performance. Sadly, this is her only film. As Mrs. Carbone we have the accomplished Maureen Stapleton, who combines strength and vulnerability. Mention must also be made of Morris Charnovsky as Alfieri. An excellent actor whose film career was scuppered after being 'named' by Elia Kazan to the HUAC.

Historically there is a strong connection between Kazan's 'On the Waterfront' and Miller's play, for those who care to look it up. Whereas in Kazan's film to inform is an act of heroism, here it is merely an act of betrayal.

Lumet's legendary skill with actors, Norman Rosten's screenplay, Michel Kelber's gritty cinematography and the beautifully understated score of Maurice Le Roux have given us a raw, stark, passionate, searing and visceral film which also seems to have served the playwright well. Let us hope Mr. Miller approved.

I just watched the film after not seeing it for more than 40 years. The screenplay, the acting, the B&W cinematography are excellent. All of the actors- lead and supporting are excellent, especially Raf Vallone and Carol Lawrence.

The only negative is not the film, but the quality of the VHS tape. Perhaps I shouldn't complain, since the video is listed as unavailable. I bought the tape, listed as new, from Movies Unlimited through Amazon. It presents the film in total, but there is bad static in certain places and the picture could have been sharper. Nevertheless, it is very worthwhile to buy.

Sparks fly when dock worker Eddie Carbone (Raf Vallone) rejects his loyal wife (Maureen Stapleton) while he desires their neice (Carol Lawrence) who is in love with an illegal immigrant (Jean Sorel). Filmed near the waterfront in Brooklyn, New York director Sydney Lumet captures the turmoil of a family torn apart from a story by Arthur Miller. All the players are excellent especially Mr. Vallone and Miss Stapleton. Unfortunately this film is no where to be found.Apparently it was also dubbed in French.

Although directed by American Sidney Lumet and shot on the Brooklyn docks in Red Hook, A View From The Bridge is a French production with some shooting in Rome. My guess is that Arthur Miller couldn't get the financing here and next to On The Waterfront, A View From The Bridge looks kind of cheap. It sure has an international cast though.

Raf Vallone stars as Eddie Carbone a veteran dock worker who lives with wife Maureen Stapleton in Red Hook near his work and their niece Carol Lawrence who made her big screen debut here. As is apparently the custom they help out friends and family from the old country which in this case is Sicily. French players Raymond Pellegrin and Jean Sorel are brothers and related distantly to the Carbones. They arrive here like so many other illegals looking for work, maybe to send money back home like Pellegrin does for his family. Or like Sorel he wants to immigrate here permanently.

The attraction between Sorel and Lawrence is instant. Always in the back of your mind is that Sorel is thinking this is a fast track to citizenship. But it's in the front of your mind that Vallone is building up an unreasoning hatred of Sorel because of his attraction for his niece. Lawrence either is naive or just puts it out of her mind, but Stapleton is seeing it all too clear.

When Budd Schulberg wrote On The Waterfront, part of it was an expiation and justification of Schulberg being a friendly witness at the House Un American Activities. Miller was a most unfriendly witness and his play on the docks affirms the code that stool pigeons are the lowest form of life.

A View From The Bridge was done on Broadway with Van Heflin playing Eddie Carbone. I would like to have seen him doing it as Heflin was one of the best and most under-appreciated actors around. But you can't deny that Raf Vallone authentically Italian is just great in this role.

Sidney Lumet who seemed to shoot all of his films in the city he loved shows a different and at times terrifying side of New York. A View From The Bridge could use a remake, especially with the topic of immigration reform center stage among issues now.