A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
This film explores a Parisian woman's descent into prostitution. The movie is comprised of a series of 12 "tableaux"-- scenes which are basically unconnected episodes, each presented with a worded introduction.Written by
Alan Katz <email@example.com>
Anna Karina's character states that she acted in a film with Eddie Constantine. Years later, Karina went on to star alongside Constantine in Alphaville, a film written and directed by Jean-Luc Godard. See more »
What do you care? What do you care? What do you care? What do you care?
Something bothering you?
No, I just wanted to deliver that line a specific way. I didn't know the best way to say it. Or I did know, but I don't anymore. Just when I should know, too.
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This has become my favourite Godard. It doesn't have the jazzy razzamatazz and classic Paris shots of A bout de souffle, or the invigorating Marxist politics of Tout va bien, or the beautiful scenary, beautiful body and beautiful music of Le Mepris, but it has a softness and a depth that are just haunting. It has a documentary quality in its most reflective moments, when we see Nana lighting a cigarette or undoing her cardigan. It is a film that is made up of disparate strands - poetic, documentary, melodramatic. It both creates Nana as star of the piece, with her sweet smile, beautiful coats, and cropped hair, and even, at one point, identification with Joan of Arc, yet undermines this to underline how ordinary, how vulnerable, even how banal she is. If you're new to Godard, start with this.
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