| Cast overview, first billed only: | |||
| Anna Karina | ... | Nana Kleinfrankenheim | |
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Sady Rebbot | ... | Raoul (as Saddy Rebbot) |
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André S. Labarthe | ... | Paul |
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Guylaine Schlumberger | ... | Yvette (as G. Schlumberger) |
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Gérard Hoffman | ... | Le chef |
| Monique Messine | ... | Elisabeth | |
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Paul Pavel | ... | Journaliste |
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Dimitri Dineff | ... | Dimitri |
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Peter Kassovitz | ... | Jeune homme (as Peter Kassowitz) |
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Eric Schlumberger | ... | Luigi (as E. Schlumberger) |
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Brice Parain | ... | Le philosophe |
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Henri Attal | ... | Arthur (as Henri Atal) |
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Gilles Quéant | ... | Premier client |
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Odile Geoffroy | ... | La serveuse de café |
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Marcel Charton | ... | L'agent de police |
This film explores a Parisian woman's descent into prostitution. The movie is comprised of a series of 12 "tableaux"-- scenes which are basically unconnected episodes, each presented with a worded introduction. Written by Alan Katz <katz@panther.middlebury.edu>
The French New Wave remains one of the finest movements in film history. Jean-Luc Godard was one of the most innovative filmmakers to emerge from this movement, and Vivre sa vie is one of the best films ever. Long before the Hong Kong cinema proved substance could be downplayed with style, Godard was doing it. The film's plot follows a woman's descent into prostitution, but the story isn't what people will talk about after viewing the film. Godard breaks every Hollywood rule and pulls it off nicely.
If you want to see the conventions of Hollywood broken and a true auteur at work, rent Vivre sa vie.