Dave Hirsch, a writer and an army veteran winds up in his small Indiana hometown, to the dismay of his respectable older brother. He meets and befriends various different characters and tries to figure out what to do with his life.
Former film star Jack Andrus is released from a sanitarium where he has lived for the previous three years, suffering from alcoholism, a traumatic automobile accident, and a severe mental breakdown. He's been offered two weeks of work in Rome by Maurice Kruger, his old director, who himself is near the end of his fading career and under pressure from his parsimonious Italian producer to finish his picture on time and under budget. Jack is also pressed from a manipulative ex-wife, a rising but self-destructive young star, the director's shrewish wife, and a temperamental Italian diva who requires handling with kid gloves. When the Kruger suffers a heart attack, Andrus views the opportunity as a last chance at the redemption of his personal life and professional career.Written by
The airplane Jack boards at the end of the film is a Douglas DC-8, named "Amerigo Vespucci", with registration I-DIWA. It flew with Alitalia from 1960 to 1977. See more »
In most of Jack's driving scenes, his steering inputs, or lack thereof, don't match what's going on in the rear-projection background. This is most obvious when he goes on his drunken, reckless drive with Carlotta as his passenger. See more »
Jack, got a minute?
I'm in a hurry.
Too much of a hurry to make a lot of money?
Lew, some other time. I'm rushing to the hospital.
Well, I'll walk you to the door. How long before you finish this job?
It's already finished, except for two days of retakes.
Good, you're available. I can close the deal now. You know how much finishing this picture means to Davie. Yesterday he was poison. Today we can pick and choose.
Yeah. Didn't you know? Davie made it clear. On his next picture, you direct. ...
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The following acknowledgment appears on screen in the opening credits: "We are grateful to the Academy of Motion Picture Arts and Sciences, copyright owners, for permission to use the Academy Award statuette." See more »
You gotta love the title "Two Weeks in Another Town." It's fabulous. As for the movie...it's a big budget, sprawling color extravaganza that's either a sequel or a prequel to "The Bad and the Beautiful" depending upon whom you speak to. Kirk Douglas stars as Jack, a has-been, alcoholic actor who, fresh from the asylum, is summoned to Rome by his guru, the director Maurice Kruger (Edward G. Robinson). Also in Rome is the wife that drove Jack into an alcoholic stupor, the seductive Carlotta (Cyd Charisse). Initially all Jack is to do is direct the dubbing of Kruger's film so he can finish on time and satisfy the Italian producer - but things become more involved.
I can't agree with one comment that this is the veiled story of Tyrone Power, Linda Christian, and Darryl F. Zanuck, with circumstances changed to protect the guilty. Certainly the promiscuity aspects are similar; Ty took up with Anita Ekberg, magazine editor Mary Roblee, etc., and Linda, well-known for her exploits like the Cyd Charisse character, had an affair with Edmund Purdom. And Power was certainly tied to Zanuck. However, the story is pretty Hollywood generic; one could probably make the case for other actors' marriages and connection to directors and/or producers.
"Two Weeks" is also way over the top, which is what Minnelli intended: old Roman gluttony. It's a feast of scenery, big acting, and a wild, dramatic story, which peaks with Douglas and Charisse in a fast car careening through Rome.
Kirk Douglas is great as an actor returning to his past, only to find there's nothing there of use. Robinson turns in a excellent performance as a tough yet insecure director who cheats on his emotionally abusive and abused wife yet depends on her like a child its mother. Trevor as the wife is appropriately hurt, angry, and downright vicious. George Hamilton plays an up and coming actor - as one comment noted, this is a stretch; he doesn't really register. Charisse gets costar billing but doesn't have much to do but laugh evilly, wear glamorous clothes, and look seductive. She succeeds.
"Two Weeks in Another Town" is certainly worth a look, though it was hard for this viewer to connect with any of the characters. I think it stands alone as neither a prequel or sequel to "The Bad and the Beautiful" as a story of what it's like to make films in another time - and in another town.
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