Small-town Alabama, 1932. Atticus Finch (played by Gregory Peck) is a lawyer and a widower. He has two young children, Jem and Scout. Atticus Finch is currently defending Tom Robinson, a black man accused of raping a white woman. Meanwhile, Jem and Scout are intrigued by their neighbours, the Radleys, and the mysterious, seldom-seen Boo Radley in particular.Written by
Despite universal praise for the novice film actress and actor, neither Mary Badham nor Phillip Alford chose to capitalize on their stunning film debuts. Badham retired from acting and married a schoolteacher, living near Richmond, VA, and spent most of her time raising her two children. Alford later became a successful businessman in Birmingham, AL. See more »
When Atticus carries the sleeping Scout down the hall to her bedroom, after returning from their visit to the Robinson's, he takes her all the way to the last room on the left, which is actually Jem's room. Actually, it is a hallway. Calpurnia is holding the door to the house open when Atticus reaches the porch revealing a door with a 15-pane French window at the end of the entryway (at 0:48:03). Atticus carries Scout all the way to this door and turns left, not into a bedroom but into a hallway to the children's rooms. Their bedrooms were shown when Scout looks at Atticus' watch: the camera is pointing from Scout's window, across Scout's bed at the solid door to the dining room in the center of the frame, just beyond Scout's table lamp (at 0:13:28), with the dining room visible in the background on the right side of the frame and the wall behind Scout's headboard along the left side of the frame. After kissing Scout goodnight and turning her lamp out, Atticus swings the dining room door from our left to our right (at 0:15:19) revealing the solid door to Jem's bedroom which he enters walking to our left, tells Jem goodnight, shuts off Jem's light, comes out, closes Jem's door and walks down a hall to our right, which would be the hall into which he turned at 0:48:10 carrying Scout. See more »
After hearing nothing but critical acclaim for this film, and the book it was based on, I finally got to see it. I am quite amazed at how well done this film is, and how timeless the theme is. I haven't read the book, but I'm considering it, just to see if there are any details that were left out. The story is amazing and exceptionally told. As far as I know, the film is as close to the book as it could possibly be; some call it the most accurate book-to-film conversion ever. The plot is very good, it takes a timeless problem and presents it to us, through the innocent eyes of a naive child. The pace is very good; apart from The Godfather(the first one) and one or two other exceptions, this is the only drama where there was truly not one single moment that I found dull, boring or unimportant. Nothing seemed trivial in the film. The perspective that is forced upon us is that of a young child, naive and innocent. This is a brilliant idea, as the eyes of a child is without a doubt one of the most impressionable things in the world, and the film handles this perfectly. What really makes the film, apart from the brilliant and possibly unique perspective, is the fact that the children are likable, credible and charming. You couldn't help but like them; believe me, normally I really dislike children. I find them annoying, loud and egotistical. But with this film, I couldn't, for one second, muster up any tiny amount of aggression, or even annoyance. They come off as so likable, charming, and, most importantly, *real*. Almost every kid in any Hollywood movie is either a completely ridiculous stereotype/cliché of a brat, who does nothing but destroy things around him, or the exact opposite, a little angel. Everyone knows that no child is the latter all the time, and even I will admit that there probably doesn't exist too many children who are the first, either. In this film, the children are completely real. They are naive, innocent, they disobey what their father tells them, but ultimately, they obviously love and respect their father, and they never do anything, anything at all, with the intent to hurt or harm someone or something. That is what a child is; innocent. They do what they do because they do not know better. This film provides a perfect view into their world, or, rather, their perspective of it. The acting is excellent. The child actors exceed all expectations. I was amazed at how professional and convincing they were. The other actors all give great performances as well. The cinematography is excellent; once again, it gives a perfect perspective on what your surroundings look like when you're a child. The characters are well-written, credible and well-casted. The dialog was well-written. The script was excellent. A very memorable and beautiful film, should be viewed by almost anyone. I recommend this to anyone who likes dramas, and just about anyone who for one reason or another might enjoy this. Don't be scared off by it being over forty years old, or it being black and white; it's an excellent film, and just about anyone would enjoy it. Don't miss this perfect film. 10/10
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