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Sin in the Suburbs (1964)

Not Rated | | Drama | February 1964 (Japan)
Several unhappy suburban housewives partake in numerous affairs. One of them gets the neighbors to join her and her fake brother's secret sex club. Meanwhile, the prudish closeted daughter of one of the women starts an affair with her.


(as Joe Sarno)


(screenplay) (as Joe Sarno)

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Complete credited cast:
Judy Young ...
Kathy Lewis (as Alice Linville)
W.B. Parker ...
Louis Muse
Audrey Campbell ...
Geraldine Lewis
Yvette Talman (as Lahna Monroe)
Marla Ellis ...
Lisa Francis
Richard Tatro ...
Roy Minton
Derek Crane ...
Scott Lewis
Ella Daphni ...
Peggy Thomas
Charles Clements ...
Cliff Haddison
Wayne Roberts ...
Jimmy Reed
John Aristedes ...
Tad Benton
William Donaldson ...
Larry Harket
Joseph Garri ...
Henry Francis
Mari Kiselle ...
Carla Conners ...
Teen Age Girl


After discovering that her mother is involved in an adulterous affair, a pretty high school student seeks help from a neighbor. While their trusting bond grows into a deep relationship, a secret sex club for the area's pleasure-seeking women is started. Soon, Mom discovers that her daughter is a member! Written by Stefan Nylen <red@defekt.cinemacabre>

Plot Summary | Add Synopsis


The sensation clubs! Partners in pleasure! Wild bottle parties! See more »




Not Rated




Release Date:

February 1964 (Japan)  »

Also Known As:

Love in the Suburbs  »

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Featured in La magnifique obsession de Joe Sarno (2011) See more »

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User Reviews

Entertaining Sarno Drama
24 January 2018 | by See all my reviews

Sin in the Suburbs (1964)

** 1/2 (out of 4)

A group of housewives are so sad because their love life is a downright bore due to their boring husbands. The neighbors eventually join a sex club where they get more than they bargained for.

Swinging is something that writer-director Joe Sarno dealt with throughout his film career and that's the main plot point of SIN IN THE SUBURBS. If you're a fan of Sarno's work then you know that he often told "dirty" stories but he never really went into straight sexploitation at this point in his career. Instead the director delivered more "art" than "softcore" porn and that's what really sets him apart from others of this era.

I think there are a lot of good things going on in the film but at the same time there's no question that the screenplay itself isn't the strongest and the director actually made a much better swinger film a few years later with THE SWAP AND HOW TO MAKE IT. That film is certainly much better but this one here does offer up a few interesting characters and some decent performances.

As is usually the case, the cinematography is another major plus and there's no question that the film looks quite good. My biggest complaint is that the film just didn't always hold my attention. With that said, some have said that Stanley Kubrick ripped off various elements here and used them iN EYES WIDE SHUT. Who knows whether or not Kubrick actually saw this film but there are some striking similarities.

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