Cast overview, first billed only: | |||
Christopher Lee | ... | Sherlock Holmes | |
Hans Söhnker | ... | Prof. Moriarty | |
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Hans Nielsen | ... | Inspector Cooper |
Senta Berger | ... | Ellen Blackburn | |
Ivan Desny | ... | Paul King | |
Wolfgang Lukschy | ... | Peter Blackburn | |
Leon Askin | ... | Chauffeur Charles | |
Edith Schultze-Westrum | ... | Mrs. Hudson | |
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Bruno W. Pantel | ... | Auctioneer (as Bruno Panthel) |
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Heinrich Gies | ... | Texas Buyer |
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Bernard Lajarrige | ... | Inspector French |
Linda Sini | ... | Whore | |
Roland Armontel | ... | Doctor | |
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Max Strassberg | ... | Johnny |
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Danièle Argence | ... | Times Librarian (as Danielle Argence) |
Sherlock Holmes and Dr. Watson try to solve the case of the stealing of Cleopatra's necklace, found by archaeologists in Egypt. They soon discover that the evil professor Moriarty is behind it all. Written by Mattias Thuresson
very difficult to watch German Holmes film.
Christopher Lee is excellent in a role he wanted to play throughout his life (returning to it late in a couple mini-series) - this despite the fact that his voice was unnecessarily dubbed by someone else. He plays the great detective as an intense young crime-fighter with wit and chutzpa.
The problems are the script and direction. The story is too convoluted, in a manner familiar to anyone who has suffered through other German mysteries of the same period, such as the Dr. Mabuse films. This was a Germany still dealing with the fact that they had a murderously criminal government only two decades previous - consequently there is considerable suspicion of the police in these films, evil seems omnipresent, the moral center is hard to find. A similar atmosphere, for completely different reasons, crept into British popular culture only in the 1970s, appearing in a British Sherlock Holmes film only in "Murder by Decree."
But the German film also suffers from the evident fact that the director can't decide whether he wants to make a Sherlock Holmes film or a Sherlock Holmes parody - there are all sorts of misfired jokes and bits poking fun at a "Sherlock Holmes superhero" image that doesn't really exist - a problem for other directors who have tried spoofing the detective, including the great Billy Wilder. The fact is, Doyle was careful NOT to make his hero an 'Uebermensch,' just a closet Nietzschean - a common romantic British type of the day.
Finally, all existing prints I know of are in shoddy condition.
Worth a view, especially for Holmes fans, but sub-par for this sub-genre of mystery film.