In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.
An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.
A wandering samurai, Sanjuro, is drawn into local politics. The Superintendent of a clan is plotting to take over the clan by implicating the Chamberlain in corrupt activities (activities the Superintendent is actually responsible for). Part of the plan involves killing off the Chamberlain's staff and, in protecting them, Sanjuro sides with them. The supporters are massively outnumbered so it will require all of Sanjuro's cunning and swordcraft to ensure the Superintendent does not succeed in his evil plan.Written by
This movie was originally going to be a faithful adaption of a Shûgorô Yamamoto novel called "Peaceful Days", and was going to be made before Yojimbo (1961), which is about a group of nine samurai who are helped out by two ronin who are inadequate fighters and have to use their wits to trick two evil opposing sides into disposing of each other. The antagonists were changed to a corrupt government body and the tricking two opposing sides into fighting each over element was used for "Yojimbo". After that film was a success, Toho requested that Akira Kurosawa produce a sequel. He changed the two weak ronin to the powerful Sanjuro character and rewrote the script to match the tone of "Yojimbo". In addition, when this was going to be "Peaceful Days", Kurosawa was only going to write it and Hiromichi Horikawa (his assistant director) was going to direct it and Furankî Sakai and Keiju Kobayashi were to play the two ronin. See more »
Sanjuro is another in a long line of purely classic films by Akira Kurosawa. This movie was made on a whim on the heels of the wildly successful Yojimbo, but Kurosawa doesn't simply whip out a movie to satisfy the audience; he creates another film masterpiece. This is a farcical comedy shot with the same brilliance as Ran--take a minute and notice how perfectly the image on the screen portrays what Kurosawa wants us to see. Nothing about this film is a mistake, something that he would want to do over. Watch this film!
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