7.0/10
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21 user 35 critic

Before the Revolution (1964)

Prima della rivoluzione (original title)
Following the death of his friend, an Italian youth grows increasingly closer to his young aunt.

Writers:

Bernardo Bertolucci (story and screenplay), Gianni Amico (screenplay collaborator)
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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Adriana Asti ... Gina / Fabrizio's aunt
Francesco Barilli Francesco Barilli ... Fabrizio
Allen Midgette ... Agostino / Fabrizio's friend
Morando Morandini Morando Morandini ... Cesare / Fabrizio's teacher
Cristina Pariset Cristina Pariset ... Clelia / Fabrizio's girlfriend-wife
Cecrope Barilli Cecrope Barilli ... Puck / Gina's ex-lover
Evelina Alpi Evelina Alpi ... The little girl
Gianni Amico Gianni Amico ... A friend
Goliardo Padova Goliardo Padova ... The painter
Guido Fanti Guido Fanti ... Enore
Enrico Salvatore Enrico Salvatore ... The priest
Amelia Bordi Amelia Bordi ... Fabrizio's mother
Domenico Alpi Domenico Alpi ... Fabrizio's father
Iole Lunardi Iole Lunardi ... The grandmother
Antonio Maghenzani Antonio Maghenzani ... Fabrizio's brother
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Storyline

Parma, 1962. Balancing between his Marxist ideology and his forced integration into the system, the twenty-year-old student, Fabrizio, is both repelled and attracted by his parents' bourgeois way of life. Still unable to come to terms with the untimely demise of a dear friend, and while preparing for his marriage to his statuesque and affluent but apolitical girlfriend, Clelia, Fabrizio finds himself distracted after the sudden arrival of the refined but troubled Milanese Aunt Gina. Now, confused, Fabrizio has no other choice but to give in to lust. Will Fabrizio embrace fate and his predestined ordinary life? Written by Nick Riganas

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Taglines:

Italy... is the place where they've made an art of everything - especially love! See more »

Genres:

Drama | Romance

Certificate:

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Did You Know?

Trivia

Bernardo Bertolucci freely admitted that he borrowed from the styles of the directors he admired, namely Roberto Rossellini, Luchino Visconti and Pier Paolo Pasolini. See more »

Quotes

A friend: Remember, Fabrizio: one can't live without Rossellini.
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Connections

Referenced in An Opera of Violence (2003) See more »

Soundtracks

Gina
Written and Performed by Gato Barbieri
e registrati su dischi RCA.
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User Reviews

 
the charterhouse of cinema
7 May 2008 | by lqualls-dchinSee all my reviews

One of the typical ploys of modernist artists has been to take a known work, and to use that as a basis for experimentation. In this case, Bernardo Bertolucci (at the age of 22!) took Stendhal's novel THE CHARTERHOUSE OF PARMA and used the basic plot and characters, only Bertolucci abstracted these elements, taking them for granted and simply creating a wide-ranging collage of impressions and emotions. But the central love affair between Fabrizio and his aunt, Gina (the names of the characters in the Stendhal), is the motivating heart of the film; the suggestions of incest, the need for secrecy, the impacted emotion because of the covertness: these provide PRIMA DELLA RIVOLUZIONE with a core of great integrity, so that the more "random" elements (the scene with the lament on the lake, the scene at the opera, the scene where the friend rides the bicycle in circles, etc.) are able to reflect on Bertolucci's feelings regarding politics, class, revolution, art, the search for belief.

PRIMA DELLA RIVOLUZIONE is one of the most youthful films ever made, as well it should be, since it was made by someone who was impossibly young at the time. I hate to say this, but it's the work of a prodigy, a gifted post-adolescent who is trying to find a form to contain his sometimes overwrought feelings about life, love, and politics. There had been many works catering to the teen crowd, movies like WHERE THE BOYS ARE or BEACH PARTY, but, aside from some of the works of Nicholas Ray (THEY LIVE BY NIGHT and REBEL WITHOUT A CAUSE), no film artist had yet tried to use the medium as a vehicle for a vision of youthful passions from the inside: Godard would follow with MASCULINE FEMININE and LA CHINOISE, Bertolucci with FISTS IN THE POCKET, Skolimowski with LE DEPART and DEEP END, but Bertolucci was pioneering when he made this movie, and the fact that it's "flawed" should not be held against it, as it represents the expression of a very young artist, trying to express his emotions as directly as possible.


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Details

Country:

Italy

Language:

Italian

Release Date:

10 September 1965 (Sweden) See more »

Also Known As:

Before the Revolution See more »

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Box Office

Cumulative Worldwide Gross:

$8,438
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
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