In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.
Peter Graham Scott
Janet is a young student at a private school; her nights are troubled by horrible dreams in which she sees her mother, who is in fact locked in an insane asylum, haunting her. Expelled ... See full summary »
Count de Chagnie has discovered Christine's singing talent on a market place and sent her to his friend Carriere, the director of the Parisian opera. However just when she arrives ... See full summary »
The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's name on it, Petrie breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petrie returns to terrorize a London opera house that is about to perform one of his stolen operas.Written by
Jeremy Lunt <email@example.com>
A subplot involving a pair of Scotland Yard police inspectors on the trail of the Phantom was shot especially for the American TV version (by the TV companies, not by Hammer). This was a regular occurrence in this era, most notably with Hammer's films The Kiss of the Vampire (1963) and The Evil of Frankenstein (1964). See more »
During the hanging of the stagehand during the opening scene, the wires holding the actor are visible on either side of the rope. See more »
I am going to teach you to sing, Christine. I am going to give you a new voice! A voice so wonderful that theatres all over the world will be filled with your admirers. You will be the greatest star the opera has ever known. Greater than the greatest! And when you sing, Christine, you will be singing only... for me.
See more »
A subplot involving a pair of Scotland Yard police inspectors on the trail of the Phantom was shot especially for the American TV version (by the TV companies, not by Hammer). This was a regular occurrence in this era, most notably with Hammer's films and . See more »
This is the Phantom that scared the heck out of me when I was a kid, and comes in second after the classic Lon Chaney version. It is the only color version that really works, here given that garish, over-the-top gothic treatment that worked so well for Hammer Studios. It doesn't have the ponderous, plodding feel of the book or other versions, and follows through with a scary shot-in-the-arm or two. More complete video stores should have this on the shelf.
21 of 25 people found this review helpful.
Was this review helpful to you?
| Report this