André Mercier, a journalist known as Albin Mercier, is a failed, embittered writer. Sent to cover an event in Germany, he gets to know Andreas Hartmann, another writer who, for his part, ...
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Roland, an idler living on the Left Bank in Paris, is determined to inflict a terrible revenge on his friend Arthur, after the latter subjected him to a harmless joke. He engages the ... See full summary »
After the death of his father, the weirdo Yvan Lesurf believes his mother Claudia Lesurf and his uncle Adrien Lesurf have poisoned him since they got married to each other. Completely ... See full summary »
Lucienne Delamare and Pierre Maury are having an affair. Lucienne's husband Paul is the mayor, and a French deputy. Pierre's wife Clotilde has been weak and sickly for years. Lucienne's ... See full summary »
A Turkish ambassador arrives in Paris to sign an important trade agreement, allowing Turkey to buy a sophisticated new war plane from France. Immediately he is the target of an assassin, and a special agent is assigned to protect him.
Marie-Chantal travels by train to her cousin's place to spend a winter holiday, when a stranger - apparently a fugitive from someone aboard - entrusts her with a jewel in the shape of a ... See full summary »
André Mercier, a journalist known as Albin Mercier, is a failed, embittered writer. Sent to cover an event in Germany, he gets to know Andreas Hartmann, another writer who, for his part, has not... failed. The successful Andreas is married to Hélène, a beautiful Frenchwoman. Both attracted to her and jealous of the couple's happiness, Mercier decides to shatter it. Taking advantage of the absence of Andreas, off on a business trip, he tries to seduce Hélène and to become her lover. But things do not go according to plan...Written by
To begin with, this is one of the rarest Chabrols as well as a key early effort. For anyone who hastily pinned him down as the French Hitchcock, this shows yet another facet to his 'personality': if THE CHAMPAGNE MURDERS (1967) saw the director take a leaf out of Fellini's book, here he seems to be influenced by the work of Antonioni – complete with a faux-thriller plot (evoking in some aspects Patricia Highsmith's "The Talented Mr. Ripley", actually first brought to the screen in 1960 by the French as PURPLE NOON) which, owing to the protagonist's enigmatic behavior, progresses gradually into semi-abstraction!
Having mentioned that later Chabrol, the movie under review likewise allows Stephane Audran an unprecedented central role which she carries off with aplomb. Incidentally, even at this preliminary stage, her future husband's thrillers were peppered with sudden shocking murders (as both WEB OF PASSION  and LES BONNES FEMMES  will attest) – and the climax of this one is, undeniably, superbly handled.
The hero – played by virtual unknown Jacques Charrier – supplies the right mix of blandness and arrogance the part requires. Similarly, Jean Rabier's gleaming monochrome photography notwithstanding, the picture counters its essentially rough-and-ready quality (in pure "New Wave" style) with a quite remarkable incisiveness (particularly in the noir-ish dialogue).
At a mere 77 minutes, THE THIRD LOVER (better served by the original title L'OEIL DU MALIN, which translates to THE EVIL EYE – a moniker later also attached to two, obviously unrelated, Italian giallos!) does not overstay its welcome. In hindsight, if back then the film's inherent pretentiousness may have alienated critics and audiences alike, it can now be seen as a shining example of Chabrol's burgeoning talent.
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