In post-WW2 France, U.S. Army hospital private Hogan and Captain Lock try to outwit one another on issues such as wooing pretty nurses, accounting for missing medical supplies, organizing unauthorized dances and influencing their C.O.
To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
An obsessively bitter war widow and one of the men her husband saved in WW2 meet. He tries to convince her the sacrifice was necessary, but her problem isn't that simple. And can she help ... See full summary »
When William Gridley arrives from the US in London, he rents part of Carly Hardwicke's house from her and promptly begins to fall in love. Gridley doesn't know that many people think she killed her husband but his boss, on the American embassy staff, knows and doesn't take this "lapse of judgment" lightly. Since Carly is also American, Gridley saves his job by introducing her to his boss, who is promptly smitten and promises to help her. So when a Scotland Yard detective arrives, wanting to get to the truth one way or another, they say they'll help him. And then the comedic complications really begin.Written by
In the murder trial, Police Sgt. Dillings testifies that he saw Gridley and Hardwicke standing together with their arms around each other, and that she had the gun in her left hand. In the first scene flashback, they are standing together and her right hand is down along her side with the gun in it. In her flashback scene later, she has the gun in her left hand after Miles is shot. See more »
I Am the Very Model of a Modern Major General
from "The Pirates of Penzance"
Music by Arthur Sullivan
Played by band at Wessex Hotel See more »
Jack Lemmon falls for his landlady who may or may not be a murderess
Kim Novak is "The Notorious Landlady" in this 1962 Columbia film starring Jack Lemmon, Fred Astaire, Estelle Winwood, and Lionel Jeffries.
William Gridley (Lemmon) is a junior diplomat assigned to London who comes to look at rooms for rent by one Mrs. Hardwicke (Novak). As soon as Gridley lays eyes on her, he wants the room. At first she says she's the maid and can't rent to him, but she drops the pretense and allows herself to be talked into giving him the rooms, though she preferred a couple.
When his boss, Franklyn Ambruster (Astaire) hears the name of Gridley's landlady, it sounds familiar. It takes him a couple of minutes to find out that she is suspected of murdering her husband and remains the talk of London. The police, headed up by Inspector Oliphant, want Gridley to see what he can find out. Gridley, of course, is sure that his landlady is incapable of murder.
The plot thickens and so does the comedy, leading to an atypical trial and finally to a chase scene out of the Keystone Kops. Along the way there's blackmail, fire, a witness, poison, and a few other things.
As good as I thought this film was, and as much as I like Kim Novak (who designed her own clothes and they're gorgeous - she could have had a second career) I thought she could have added to the comedy a little more, although she's just fine as the beautiful, mysterious Mrs. Hardwicke. Jack Lemmon is delightful as the confused Gridley, and Lionel Jeffries is a standout as the exasperated Inspector. Fred Astaire makes an elegant Ambruster. Estelle Winwood, as an elderly neighborhood, is on hand for some fun comedy.
Very entertaining film, recommended, especially given the stars. Written by Larry Gelbart and Blake Edwards.
0 of 0 people found this review helpful.
Was this review helpful to you?
| Report this