Night Creatures (1962)

In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.

Director:

Peter Graham Scott

Writers:

Anthony Hinds (screenplay) (as John Elder), Barbara S. Harper (additional dialogue)

Stars:

Peter Cushing, Yvonne Romain, Patrick Allen

Cast

Cast overview, first billed only:
Peter Cushing	...	Rev. Dr. Blyss
Yvonne Romain	...	Imogene - serving wench
Patrick Allen	...	Captain Collier
Oliver Reed	...	Harry Cobtree
Michael Ripper	...	Jeremiah Mipps (coffinmaker)
Martin Benson	...	Mr. Rash (innkeeper)
David Lodge	...	Navy Bosun
Derek Francis	...	Squire Anthony Cobtree
Daphne Anderson	...	Mrs. Rash
Milton Reid	...	Mulatto
Jack MacGowran	...	Frightened Man
Peter Halliday	...	1st Sailor Jack Pott
Terry Scully	...	2nd Sailor Dick Tate
Sydney Bromley	...	Old Tom Ketch
Rupert Osborne	...	Gerry (as Rupert Osborn)

Storyline

In this engaging costume melodrama of skulduggery on the low seas set back in the 18th-century, the Royal Crown suspects a bit of smuggling is going on in this locale, and they send Captain Collier and his crew to check it out. As the Captain gets into his investigation, mysterious swamp phantoms cloud up the real issue which seems plain enough to see. Captain Collier suspects that the odd village vicar might be hiding something, and what better way to do that than by fortuitous ghosts to scare away the curious, or by posing as someone he is not?

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Plot Keywords:

18th century | year 1792 | psychotronic film | red wine | smuggling | 

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Taglines:

Who knows the truth about the curse of Captain Clegg?

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Genres:

Adventure | Horror

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Certificate:

Unrated

Did You Know?

Trivia

Despite the scene being set in 1792 the hymm "Oft in danger, oft in woe" sung by then church choir, wasn't published until after the author's death in 1806.

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Goofs

Glow-in-the-dark paint is a 20th century invention. In the movie it is used in the year 1792.

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Quotes

Imogene - serving wench: Well if youv,e all done staring.
1st Sailor Jack Pott: If it,s all the same to you miss i,d like a few minutes more.

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Crazy Credits

The Romney marshes -- flat and desolate -- was the land of a proud and -- independent people. Their shores faced the shores of France -- and many was the shipload of wine and brandy smuggled across the sea in defiance of the king's revenue men. Many legends have come from this corner of england -- but none so widely believed or widely feared-- as the legend of the marsh phantoms -- who rode the land on dark misty nights -- and struck fear into the hearts of all who crossed their paths.....

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Connections

Featured in The World of Hammer: Mummies, Werewolves & the Living Dead (1994)

User Reviews

This one is special!

Of course being a Hammer fan I am completely biased. How anyone can not fall in love with Hammer films is beyond me (unless of course they watched the wretched 'Dracula AD 1972.' That however is a different review...). The colorized films are gorgeous to look at and 'Captain Clegg,' or 'Night Creatures' as it as also known is no different. Starkly contrasted visual sets make this film a joy to watch.

And then there is Peter Cushing. Cushing is always a joy to watch in any role, but I can't help but feel he must have enjoyed 'Captain Clegg' greatly. No vampires. No Frankensteins. No slime creatures. No creeping flesh. Peter Cushing acts in about as mainstream of a role as there was. Clearly he is enjoying himself and that only helps to make it a better film for the rest of us.

I won't get into plot details other than to say the film is about a group of late 18th Century smugglers in a village trying to outwit a patrol of the King's Revenue collectors. The film is far too short and you'll find yourself crying out for more. It runs at an extremely quick pace from open to close.

Something else remarkable in this film are the vivid characterizations. Hammer often skimps on those and proceeds directly to the monster. This is not the case here. You get to sink your teeth into several of the characters as this is very much as ensemble piece. Oliver Reed is strong, Cushing is magnificent, Michael Ripper is very good, and even Yvonne Romain is given some material to work with. Speaking of her, she turns in a very good performance. There is a fine balance of sweetness and menace she lives in. There are characters who love and seek to protect her and there are other characters with lustier, earthier goals. One particular scene has her working in the tavern serving drinks surrounded by rowdy, lecherous and leering sailors. Her character wants to be anywhere else -- it is hard to miss. She creates such empathy that its a shame as an actress her career wasn't longer. I think this film demonstrates that she great when given the chance to shine.

The most pleasant surprise is the philosophical depth that the film offers. It is in many ways is a meditation on life, on our past and how we may or may not be able to escape from it. The film asks if we are defined not only by what we do, but if the deeds we do can be erased or if we're to wear them forever like chains.

This is a special film which, until recently, was virtually impossible to see. Newly released on DVD, it can finally get the attention it deserves. WATCH THIS FILM. Treat yourself. You won't be disappointed.

Details

Country:

UK

Language:

English

Release Date:

13 June 1962 (USA)

Also Known As:

Night Creatures

Filming Locations:

All Saints Church, Oakley Green Road, Bray, Berkshire, England, UK

Company Credits

Production Co:

Hammer Films, Major Pictures

Technical Specs

Runtime:

82 min

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1