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The Music Man (1962)

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Harold Hill poses as a boys' band leader to con naive Iowa townsfolk.

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(based on: "The Music Man"), (written in collaboration with) | 1 more credit »
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Won 1 Oscar. Another 5 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Harold Hill
... Marian Paroo
... Marcellus Washburn
... Eulalie Mackechnie Shinn
... Mayor George Shinn
... Mrs. Paroo
The Buffalo Bills ... School Board
Timmy Everett ... Tommy Djilas
... Zaneeta Shinn
... Winthrop Paroo (as Ronny Howard)
... Charlie Cowell
... Constable Locke
... Mrs. Squires
... Maud Dunlop
Adnia Rice ... Alma Hix
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Storyline

It's the early twentieth century American Midwest. A con man currently going by the assumed name Harold Hill has used several different schemes to bilk the unsuspecting, and now travels from town to town pretending to be a professor of music - from Gary (Indiana) Conservatory of Music, class of '05 - who solves all the respective towns' youth problems by forming boys' marching bands. He takes money from the townsfolk to buy instruments, music, instructional materials, and uniforms for their sons. However, in reality he has no degree and knows nothing about music, and after all the materials arrive and are distributed, he absconds with all the money, never to be seen again. Many of the traveling salesmen in the territory have been negatively impacted by him, as the townsfolk then become suspicious of any stranger trying to sell them something. For Harold's scheme to work, he must gain the trust of the local music teacher, usually by wooing her, regardless of her appearance. And if the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

From the Broadway Play That Kept Playing Forever See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 June 1962 (USA)  »

Also Known As:

Meredith Willson's The Music Man  »

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Box Office

Gross USA:

$14,953,846
See more on IMDbPro »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)| | |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Despite Robert Preston's Tony-award winning performance in the Broadway production, Warner Bros. executives wanted a bankable star in the lead role of Professor Harold Hill for the movie. Frank Sinatra was offered the part, but turned it down. Cary Grant was also approached, but told the Warner Bros. executives, "Not only will I not star in it, if Robert Preston doesn't star in it, I will not see it." Preston finally got the part, and the movie was a big success, despite Warner Bros' misgivings. See more »

Goofs

Lights and camera equipment seen in the store windows during the "Wells Fargo Wagon" song number. See more »

Quotes

Tommy Djilas: Great honk!
See more »

Crazy Credits

The letters in the film's title, in producer-director Morton da Costa's name, and in Meredith Willson's name (the first time it appears onscreen) are formed by a miniaturized, stop-motion animated marching band, who also form themselves into musical instruments on which the rest of the opening credits appear. See more »

Connections

Spoofed in Family Guy: Brian Wallows and Peter's Swallows (2002) See more »

Soundtracks

76 Trombones
(1957) (uncredited)
Music and Lyrics by Meredith Willson
Performed by Robert Preston and Shirley Jones, and the Company
See more »

Frequently Asked Questions

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User Reviews

My favorite musical.
22 June 1999 | by See all my reviews

One of the best musicals ever made. So much of the movie is perfect: plot, music, most of the cast. One weak spot is Susan Luckey as Zaneeta, though the part is not well written. Another is Monique Vermont as Amaryllis, worse than average for a child actor. But the 8-year-old Ronny Howard as Winthrop is excellent. He shines at the end when Harold Hill gets his foot caught in the door. Of course, Preston is perfect, as is Shirley Jones, who never looked better. (Someone said Heaven is where all the men are 33 and all the women are 30. Jones was in her late 20s.) Paul Ford, Hermione Gingold (overdoing it once), and Pert Kelton are all outstanding.

The director Morton DaCosta uses a gimmick here and in Auntie Mame that I don't care for. At the end of some scenes, all the lights go out except those on the principals. Sometimes that's more of a jolt than necessary, because we've gone from outdoors to inside the studio.

My favorite song is Sadder But Wiser Girl. The reference to Hester winning just one more A meant nothing until 11th grade when we read The Scarlet Letter. And after Preston sings that line, he looks guiltily over his shoulder at Amaryllis to see if she understands how naughty he's been.

My second favorite is Lida Rose/Will I Ever Tell You. Such a beautiful song. It pains me that the rocking chairs at either end of the screen are sometimes out of sync. It should have been done perfectly.

One brilliant touch concerns the Buffalo Bills. Early on, Mayor Shinn says "The members of the School Board will not present a patriotic tableau. Some disagreement about costumes, I suppose." At the time, the four are dressed quite differently. As their singing progresses, they start dressing more and more alike, until at the end they're dressed alike (I'm pretty sure).

Marion's epiphany during The Wells Fargo Wagon is quite sweet.

As is a lovely line from Goodnight, My Someone: But I must depend on a wish and a star/ As long as my heart doesn't know who you are. (Sigh.)


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