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The Music Man (1962)

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Harold Hill poses as a boys' band leader to con naive Iowa townsfolk.

Director:

Morton DaCosta

Writers:

Meredith Willson (based on: "The Music Man"), Franklin Lacey (written in collaboration with) | 1 more credit »
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Won 1 Oscar. Another 5 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert Preston ... Harold Hill
Shirley Jones ... Marian Paroo
Buddy Hackett ... Marcellus Washburn
Hermione Gingold ... Eulalie Mackechnie Shinn
Paul Ford ... Mayor George Shinn
Pert Kelton ... Mrs. Paroo
The Buffalo Bills The Buffalo Bills ... School Board
Timmy Everett Timmy Everett ... Tommy Djilas
Susan Luckey ... Zaneeta Shinn
Ron Howard ... Winthrop Paroo (as Ronny Howard)
Harry Hickox ... Charlie Cowell
Charles Lane ... Constable Locke
Mary Wickes ... Mrs. Squires
Sara Seegar ... Maud Dunlop
Adnia Rice Adnia Rice ... Alma Hix
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Storyline

It's the early twentieth century American Midwest. A con man currently going by the assumed name Harold Hill has used several different schemes to bilk the unsuspecting, and now travels from town to town pretending to be a professor of music - from Gary (Indiana) Conservatory of Music, class of '05 - who solves all the respective towns' youth problems by forming boys' marching bands. He takes money from the townsfolk to buy instruments, music, instructional materials, and uniforms for their sons. However, in reality he has no degree and knows nothing about music, and after all the materials arrive and are distributed, he absconds with all the money, never to be seen again. Many of the traveling salesmen in the territory have been negatively impacted by him, as the townsfolk then become suspicious of any stranger trying to sell them something. For Harold's scheme to work, he must gain the trust of the local music teacher, usually by wooing her, regardless of her appearance. And if the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

From the Broadway Play That Kept Playing Forever See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

19 June 1962 (USA) See more »

Also Known As:

Meredith Willson's The Music Man See more »

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Box Office

Budget:

$4,240,000 (estimated)

Gross USA:

$14,953,846
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (RCA Sound Recording)| DTS | SDDS | Dolby

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When Harold Hill and Marian Paroo are standing on the footbridge, Marcellus Washburn appears in the nearby bushes, trying to get Harold's attention. Harold tells Marian, "Excuse me. I've been expecting a telegram from Rudy Friml. This may be it." Rudolf Friml was a Czech-born composer of operettas, whose best-known works were The Firefly (1937), _Rose Marie (1935)_, and _The Vagabond King (1929)_. See more »

Goofs

When the boys' band plays the Minuet of Ludwig van Beethoven, we see the state flag of Iowa that was not adopted until 1921. See more »

Quotes

Amaryllis: I'm having a party on Saturday. I'd like it if you could come.
Mrs. Paroo: Well, Amaryllis asked you to her party. Are you going or not?
Winthrop Paroo: No.
Mrs. Paroo: No what?
Winthrop Paroo: No, thank you.
Mrs. Paroo: No thank you, who? You know the little girl's name.
Amaryllis: I bet he won't say it.
Mrs. Paroo: No, "thank you, WHO," Winthrop?
Winthrop Paroo: No, thank you, AMARYLLITH!
Amaryllis: Amaryllith! Amaryllith!
See more »

Crazy Credits

The closing credits appear in the style of a Broadway show's curtain call. First the minor characters are shown with the performers' names. The credits then progress through the cast ending with the lead. See more »

Connections

Referenced in Mystery Science Theater 3000: The Beatniks (1992) See more »

Soundtracks

Columbia, the Gem of the Ocean
(1843) (uncredited)
Written by David T. Shaw
Played and Sung by students at school
See more »

Frequently Asked Questions

See more »

User Reviews

 
A Lively Fantasy With Spirit and Fun; Preston and Jones Are Wonderful
3 September 2005 | by silverscreen888See all my reviews

This was a very difficult musical, I suspect, for Morton da Costa to direct. To his great credit, it never looks to me like a stage musical; taking his cue from a few famous examples of adaptations done on non-musical films, he has used the entire River City, Iowa, USA town as his stage, moving his mobile cameras wherever the action could best be served. But I suggest "The Music Man" is most important not for its entertainment qualities, which are considerable perhaps, but for its importance as a fantasy-for-the-sake-of-an-idea plot. Without it, we might never have had "Finian's Rainbow", "Chicago" or "City of Angels" for instance. Hollywood's studio tsars, despite their surrealized applying of pseudo-Christian endings to plots, were always very cautious about introducing any "fantasy" element into a film. (Note the lengthy apologia by David Selznick for "Portrait of Jenny", for instance.) In this story, Meredith Wilson used his personal knowledge of the people and ways-of-thinking of Iowa to ground a charming and genial fantasy about music-course salesman Harold Hill firmly within its milieu--one of a group of U.S minds in need of more imagination. The town's kindly folk, in fact, are shown as barely tolerant toward its librarian, who inherited the institution from its elderly compiler; they are suspicious of how Marian Paroo acquired the stock, and suspicious of her desire to teach their young minds to think for themselves. Enter Professor Hill--to change the lives of the almost charming but repressed early twentieth-century denizens forever. The basic plot is very simple to state. Professor Hill comes to towns, sells the town's citizens on the idea of starting a boy's band, and then skips out before they can ever perform. Here, he is brought to the point of leading his troops, trained by his "think system", in a concert; and the townsfolk are enthralled by hearing their sons play. This simple tale starred Robert Preston as the wily city-bred Hill, Shirley

Jones as the lovely but doubting 'Marian the Librarian', Pert Kelton as her mother, Buddy Hackett as his fine friend, Paul Ford and Hermione Gingold as the pretentious Mayor and his wife, plus many citizens of the town young and old, Harry Hickox as the envious rival who exposes Hill and the Buffalo Bills singing quartet. Well-known songs in this sprightly US romp include, "Till There Was You", "Somethin' Special", "Goodnight My Someone", "Marian the Librarian" and "Trouble", among others. In the film, the leads are award caliber, everyone else from Ronnie Howard to Susan Luckey to the quartet do very well. Marion Hargrove adapted Wilson's libretto and songs written by Wilson and Franklin Lacey. The cinematography by Robert Burks was vivid and stylishly old-fashioned. Paul Groesse did the art direction, with set decorations being supplied by George James Hopkins and his staff. The very elaborate costumes were the work of the brilliant designer Dorothy Jeakins. This is a sense of life film written by, about and for non-practicing Christians of the last century that was mounted somehow in 1962, as an homage to a simpler and more optimistic time. We can all be grateful it was; it is a great deal of fun and its ending is a happy part of the fantasy, which needs to be seen to be appreciated.


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