A masterful con artist tries to bilk a staid Midwestern community, with unexpected results, in this contemporary rethinking of the legendary Broadway musical and lively 1962 film, updated ... See full summary »
An Irish immigrant and his daughter move into a town in the American South with a magical piece of gold that will change people's lives, including a struggling farmer and African American citizens threatened by a bigoted politician.
It's the early twentieth century American Midwest. A con man currently going by the assumed name Harold Hill has used several different schemes to bilk the unsuspecting, and now travels from town to town pretending to be a professor of music - from Gary (Indiana) Conservatory of Music, class of '05 - who solves all the respective towns' youth problems by forming boys' marching bands. He takes money from the townsfolk to buy instruments, music, instructional materials, and uniforms for their sons. However, in reality he has no degree and knows nothing about music, and after all the materials arrive and are distributed, he absconds with all the money, never to be seen again. Many of the traveling salesmen in the territory have been negatively impacted by him, as the townsfolk then become suspicious of any stranger trying to sell them something. For Harold's scheme to work, he must gain the trust of the local music teacher, usually by wooing her, regardless of her appearance. And if the ...Written by
Shirley Jones learned she was pregnant with her son Patrick once filming had begun. She met with director Morton DaCosta over lunch to inform him of the situation. Her concern was that she would begin "showing" during its filming. He assured her that they could work through it with costumes and also by filming her from the waist up, if necessary. He did have one request, that she tell no one about it. Robert Preston did figure it out before filming had concluded, when Shirley's character, Marian, and his character, Professor Hill, kissed for the first time in the romantic footbridge scene. He leaned in for the kiss and jumped back, asking her, "What was that?" to which she replied, "That is Patrick Cassidy! Say 'Hello!' " Years later, her son Patrick had the opportunity to meet Preston. He walked up and introduced himself saying, "Hello. I'm Patrick Cassidy." Preston replied, "Yes, I know. We've already met." Ironically, years later, in 2020; Jones would return to Broadway and the Music Man; this time playing Mrs. Parroo; Marian's mother; and her son Patrick; who was on the set of the original 1962 in his mother's womb; and who kicked original show star Robert Preston when they hugged; would take over the role of Harold Hill for Preston in the new production. See more »
In the fantasy 76 Trombones parade, the music and the trombone players are not in sync. In some places, the trombone players are not even playing, judging from the unchanging positions of the slides. See more »
Who do you think you're protectin'? That guy's got a gal in every county in Illinois and that's * 102 * counties. Not countin' the piano teachers like you he cozies up to, just keep your mouths shut! Neither one of you's heard the last o' me, girly-girl!
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The letters in the film's title, in producer-director Morton DaCosta's name, and in Meredith Willson's name (the first time it appears onscreen) are formed by a miniaturized, stop-motion animated marching band, who also form themselves into musical instruments on which the rest of the opening credits appear. See more »
A movie that works at many levels--and touches our hearts.
I first learned of the Music Man when my brother's fifth grade class put it on. (My brother played Mayor Shinn.) Our entire family learned the train scene, all of the monologues (especially "Trouble"), and the Music Man became part of our lives. I still remember most of those monologues, and I still love to watch Robert Preston and Shirley Jones create their magic and make their music. Like "My Fair Lady," the players have refined their parts to high art, but have not burned out; the details delight again and again. The chorus is the best I've heard (Wells Fargo Wagon), the cast is just great. When my older son was two years old, The Music Man was his favorite video; he watched it over and over, laughing and gurgling. He "outgrew" it, and is now almost ten. Last night we watched it (again): I, my wife, and both of our sons. It touched me as much as the first time I saw it. ("I always think there's a band, kid.") I hear and read criticism of Robert Preston's acting, that as a performer he is a dilettante. But I feel this criticism misses the point. Harold Hill is the dilettante, trying to pass himself off as a music expert--until he gets his foot caught in the door. Preston is perfect as Hill. I love this film, and will watch it with my loved ones for a long, long time to come.
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