Major Ben Marco (Frank Sinatra) is an intelligence officer in the U.S. Army. He served valiantly as a captain in the Korean war and his Sergeant, Raymond Shaw (Laurence Harvey), even won the Medal of Honor. Marco has a major problem however: he has a recurring nightmare, one where two members of his squad are killed by Shaw. He's put on indefinite sick leave and visits Shaw in New York. Shaw for his part has established himself well, despite the misgivings of his domineering mother, Mrs. Eleanor Shaw Iselin (Angela Lansbury). She is a red-baiter, accusing anyone who disagrees with her right-wing reactionary views of being a Communist. Raymond hates her, not only for how she's treated him but equally because of his step-father, the ineffectual U.S. Senator John Iselin (James Gregory), who is intent on seeking higher office. When Marco learns that others in his Korean War unit have nightmares similar to his own, he realizes that something happened to all of them in Korea and that ...Written by
Janet Leigh found the role of Rosie one of the most difficult she had done because "the character was plunked down in the middle of the script, with no apparent connection to anyone, transmitting non sequiturs while sending meaningful rays through her eyes." But she was proud of her work and credited Frank Sinatra and John Frankenheimer with helping her achieve it. Modern interpretations suggest that Rosie may also have been a double agent, but this idea was never developed in the final version. See more »
When the colonel comes to put Ben on sick leave Ben first calls him "Mickey" and then in the next breath he calls him "Milt" He seems to be unsure of his name. See more »
Human fish, swimming at the bottom of the great ocean of atmosphere, develop psychic injuries as they collide with one another. Most mortal of all are those gotten from the parent fish.
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The live TV cameras in the senate hearing and press conference carry the NBC logo used at the time the film was made, not the logo used at the time the story takes place. See more »
West German version was edited (ca. 4 minutes) to remove every scene with the ladies in the greenhouse. To this day all home video releases contain the cut version. An uncut version (with subtitles for the missing scenes) was shown on Arte. See more »
Probably John Frankenheimer's best production, and Frank Sinatra's best cinema performance.
I saw this because of the recent 'remake', I would assume that the reader will be making the same comparison. Having never seen this before, I found myself riveted to the story, and absolutely great performances by Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, Henry Silva, John McGiver, James Gregory, and Leslie Parrish.
Coincidently, I had just recently finished reading some previously published works about the cold war, in particular the Chambers-Hiss court cases.
It might be accident, but I wouldn't doubt it might have been intended by Frankenheimer to choose Harvey, who resembled Hiss, in appearance and McGiver who resembled Chambers appearance. When this was released in 1962, the Hiss-Chambers spy fiasco was still fresh in the public's mind.
Other American political images are not for want of satire either, since Lansbury and Gregory seemed to have reminded me, in appearance, of Mary and (honest) Abe Lincoln.
The pace, style and non stop tension rivals Hitchcock; it will certainly have you wondering if he had anything to do with this! Truly Frankenhiemer, excels here.
Because Sinatra was box office magnet, most of his other roles seemed 'fitted' for him. Not here! You'll have a chance to see the real Frank Sinatra, really working to make the part work, and without a doubt, he too excels in his role.
I don't think I'll bother to see the recent version yet. I want to see this original classic a few more times.
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