Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.
When Senator Ransom Stoddard returns home to Shinbone for the funeral of Tom Doniphon, he recounts to a local newspaper editor the story behind it all. He had come to town many years before, a lawyer by profession. The stage was robbed on its way in by the local ruffian, Liberty Valance, and Stoddard has nothing to his name left save a few law books. He gets a job in the kitchen at the Ericson's restaurant and there meets his future wife, Hallie. The territory is vying for Statehood and Stoddard is selected as a representative over Valance, who continues terrorizing the town. When he destroys the local newspaper office and attacks the editor, Stoddard calls him out, though the conclusion is not quite as straightforward as legend would have it.Written by
At one point, hard-drinking newspaper editor Dutton Peabody refers to the bad guys as "Liberty Valance and his Myrmidons." The Myrmidons were figures of ancient Greek mythology, skilled warriors in Homer's Iliad commanded by Achilles. Because they were known for their fierce loyalty to their leader, the term came to be used in pre-industrial Europe almost as "robots" would be today. According to the Oxford English Dictionary, the term has since come to mean "hired ruffian" or "a loyal follower, especially one who executes orders without question, protest, or pity--unquestioning followers." See more »
In the famous scene where Liberty trips Ransom carrying a patter of food, Tom (John Wayne) intervenes. One of Liberty's men Floyd (Strother Martin) tries to attack Tom., but Tom kicks him in the face /head and knocks him out on the floor. After a few minutes of contentious dialogue, Liberty starts to storm out of the restaurant door and who opens the door from the outside but the same guy Floyd, with the remarkable ability to be in two places at one time. See more »
[descending from railway carriage and consulting pocket watch]
Thanks, Jason. On time.
See more »
"This is the west, sir. When the legend becomes fact, print the legend".
"This is the west, sir. When the legend becomes fact, print the legend". - Maxwell Scott, The Man Who Shot Liberty Valance In John Ford's most mournful tale, the legendary director asks the question "How did this present come to be? Just how did an inferior race of men whose only weapon was that of law and books defeat the old gunslingers of the great West? Just what exactly happened to the Western heroes portrayed by John Wayne when law and order came to town? How did the wilderness turn into a garden? In The Man Who Shot Liberty Valance, John Ford depicts a world where everyone has got everything they wanted, but nobody seems happy with it sound familiar to anyone? Senator Ransom Stoddard (James Stewart) arrives to Shinbone on a train with his wife Hallie (Vera Miles) to visit the funeral of an old friend named Tom Doniphon (John Wayne, remarkably the film opens where this iconic star is dead). The newspaper men have never heard of him, so why would such a powerful political figure visit the town to attend this funeral of a "nobody"? Through the use of a flashback, Stoddard tells us the tale of how he came to the town as a young lawyer but was immediately attacked by the psychotic villain Liberty Valance (terrifyingly played by Lee Marvin) who teaches him "Western law". The rest of the film tells the tale of how the man of books eventually defeated the race of the gunslinger and what sacrifices had to be made for that to happen.
In truth, The Man Who Shot Liberty Valance is more of a melodrama than a Western. Gone are the vibrant landscapes of Ford's landmark movie The Searchers six years earlier, which was so proudly promoted as being in VISTAVISION WIDESCREEN COLOR and instead the film has given way to a bleak, claustrophobic black and white tale, with so many enclosed sets and not one shot of Monument Valley.
There's a lack of a real bar scene, lack of shots of the landscape, lack of horses, lack of gunfights. It's a psychological Western, probably unlike anything ever filmed until maybe Clint Eastwood's Unforgiven.
Why is this movie so good then? In basic terms, it's about the sadness of progression and without giving way too much away the film tells a remarkable tale which truly does examine what Ford's view of the West as promoted in his earlier work truly meant. It's a tragic and pessimistic movie but it's a rewarding one, with huge replay value and one that leaves you with so many more questions than it does answers.
Do we prefer the legendary tale of our heroes or the truth? Are tales of people such as 'The Man With No Name' just more interesting than Wyatt Earp? Is living a lie as a successful guy better or worse than quietly dying as a hero? The Man Who Shot Liberty Valance is one of the most complex Westerns that has ever been put on film and is a remarkable film when you consider it was directed by a guy who made his living telling grandeur tales of the American West. Well acted, very well written and is one of the most rewarding Westerns for replay value in the history of the genre.
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