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The Man Who Shot Liberty Valance (1962)

Not Rated | | Drama, Western | 22 April 1962 (USA)
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A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed.

Director:

John Ford

Writers:

James Warner Bellah (screenplay), Willis Goldbeck (screenplay) | 1 more credit »
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Popularity
3,284 ( 56)
Nominated for 1 Oscar. Another 4 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Wayne ... Tom Doniphon
James Stewart ... Ransom Stoddard
Vera Miles ... Hallie Stoddard
Lee Marvin ... Liberty Valance
Edmond O'Brien ... Dutton Peabody
Andy Devine ... Link Appleyard
Ken Murray ... Doc Willoughby
John Carradine ... Maj. Cassius Starbuckle
Jeanette Nolan ... Nora Ericson
John Qualen ... Peter Ericson
Willis Bouchey ... Jason Tully - Conductor
Carleton Young ... Maxwell Scott
Woody Strode ... Pompey
Denver Pyle ... Amos Carruthers
Strother Martin ... Floyd
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Storyline

When Senator Ransom Stoddard returns home to Shinbone for the funeral of Tom Doniphon, he recounts to a local newspaper editor the story behind it all. He had come to town many years before, a lawyer by profession. The stage was robbed on its way in by the local ruffian, Liberty Valance, and Stoddard has nothing to his name left save a few law books. He gets a job in the kitchen at the Ericson's restaurant and there meets his future wife, Hallie. The territory is vying for Statehood and Stoddard is selected as a representative over Valance, who continues terrorizing the town. When he destroys the local newspaper office and attacks the editor, Stoddard calls him out, though the conclusion is not quite as straightforward as legend would have it. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Together For The First Time - James Stewart - John Wayne - in the masterpiece of four-time Academy Award winner John Ford See more »

Genres:

Drama | Western

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 April 1962 (USA) See more »

Also Known As:

Un tiro en la noche See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$3,200,000 (estimated)

Gross USA:

$7,891,143, 31 December 1963
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The stagecoach which delivers Stoddard and Peabody to the political convention has a very faint legend on it which reads BUTTERFIELD STAGE LINES. It is very likely the same stagecoach used in 3:10 to Yuma (1957), loaned to Paramount by Columbia. See more »

Goofs

After Doniphan shoots the paint cans, the amount and patterns of the paint on Ranse's jacket changes. See more »

Quotes

[first lines]
Ransom Stoddard: [descending from railway carriage and consulting pocket watch] Thanks, Jason. On time.
See more »

Connections

Featured in The John Wayne Anthology (1991) See more »

Soundtracks

The Alphabet Song (A-B-C)
(uncredited)
Traditional
Sung a cappella by children in Ransom's class
See more »

Frequently Asked Questions

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User Reviews

The passing of the old ways
30 August 2004 | by evilsnackSee all my reviews

Other reviewers, aside from seeing this as the end of the classic western, saw the plot as myth granting to one man that which was rightfully another's. I disagree. I see TMWSLV as a tale of a man stepping aside for the sake of a better man and a better world, at great personal cost.

I view Tom as someone who has lived a cynical life--kill it before it kills you. With the advent of Ransom he recognizes that there is a better way, and that Ransom, by defying evil from a position of weakness, is far braver than Tom, who has merely defied evil from a position of strength. Additionally, Ransom brings about an answer to the question "must the sword rule forever?" with a resounding "no," a denial that at first seems foolish to Tom, but who then realizes that things really should be Ransom's way.

And so Tom, knowing that one of them is the better man, allows that better man to receive the fame attendant to heroism; and in fact Ransom, for daring what Tom never did dare, is the true hero of the tale. Like all honest men must, Tom steps aside for the better man, knowing what it will cost him to do what is right.

An earlier reviewer said that the depiction of the politics was a parody; in fact, the politics of the early portion of the republics was even more lively (read: pugnacious) than is depicted in the film.


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