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The Man Who Shot Liberty Valance (1962)

Not Rated | | Drama , Western | 22 April 1962 (USA)
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A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed.

Director:

John Ford

Writers:

James Warner Bellah (screenplay), Willis Goldbeck (screenplay) | 1 more credit »
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Popularity
4,488 ( 319)
Nominated for 1 Oscar. Another 4 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Wayne ... Tom Doniphon
James Stewart ... Ransom Stoddard
Vera Miles ... Hallie Stoddard
Lee Marvin ... Liberty Valance
Edmond O'Brien ... Dutton Peabody
Andy Devine ... Link Appleyard
Ken Murray ... Doc Willoughby
John Carradine ... Maj. Cassius Starbuckle
Jeanette Nolan ... Nora Ericson
John Qualen ... Peter Ericson
Willis Bouchey ... Jason Tully - Conductor
Carleton Young ... Maxwell Scott
Woody Strode ... Pompey
Denver Pyle ... Amos Carruthers
Strother Martin ... Floyd
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Storyline

When Senator Ransom Stoddard returns home to Shinbone for the funeral of Tom Doniphon, he recounts to a local newspaper editor the story behind it all. He had come to town many years before, a lawyer by profession. The stage was robbed on its way in by the local ruffian, Liberty Valance, and Stoddard has nothing to his name left save a few law books. He gets a job in the kitchen at the Ericson's restaurant and there meets his future wife, Hallie. The territory is vying for Statehood and Stoddard is selected as a representative over Valance, who continues terrorizing the town. When he destroys the local newspaper office and attacks the editor, Stoddard calls him out, though the conclusion is not quite as straightforward as legend would have it. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Two Great Stars Appear Together For the First Time! See more »

Genres:

Drama | Western

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 April 1962 (USA) See more »

Also Known As:

Un tiro en la noche See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$3,200,000 (estimated)

Gross USA:

$7,891,143, 31 December 1963
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

At one point, hard-drinking newspaper editor Dutton Peabody refers to the bad guys as "Liberty Valance and his Myrmidons." The Myrmidons were figures of ancient Greek mythology, skilled warriors in Homer's Iliad commanded by Achilles. Because they were known for their fierce loyalty to their leader, the term came to be used in pre-industrial Europe almost as "robots" would be today. According to the Oxford English Dictionary, the term has since come to mean "hired ruffian" or "a loyal follower, especially one who executes orders without question, protest, or pity--unquestioning followers." See more »

Goofs

Out on the plains, all the cactus plants look the same (props). See more »

Quotes

[first lines]
Ransom Stoddard: [descending from railway carriage and consulting pocket watch] Thanks, Jason. On time.
See more »

Connections

Referenced in Mad Men: Maidenform (2008) See more »

Soundtracks

Camptown Races
(uncredited)
Written by Stephen Foster
See more »

Frequently Asked Questions

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User Reviews

 
Who's The Better Man Here? Answer: Neither.
22 June 2007 | by jvincent1See all my reviews

I just read the comments of someone from August 30, 2004, who had reached the conclusion that John Wayne's character had stepped aside "for the better man," played by Jimmy Stewart. From my view, nothing could be farther from the truth. For all Ransom Stoddard's disdain for frontier violence, in the end, he was left with no choice but to pick-up a gun to finally silence Liberty Valance, something Valance knew better than to do with Wayne's Tom Doniphon. Call Stoddard the idealist and Doniphon the realist, but don't call him the better man. In 1946, John Ford directed My Darling Clementine, perfectly blending Wayne and Henry Fonda with his usual cast of characters to create a masterwork. Sixteen years later, he put Wayne together with Stewart (plus all the ol' gang) and made another peerless film. There was a time I didn't really "get" John Ford and John Wayne. One day, I awoke and now, the greatness of these two giants of the cinema is undeniable.


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