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Mamma Roma (1962)

Not Rated | | Drama | 18 January 1965 (USA)
Having renounced her ignominious past, a former streetwalker reunites with her son. However, an extortion scheme endangers her aspirations for a decent bourgeois life. Can she protect him from the same snares that wounded her youth?
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Cast

Cast overview, first billed only:
Anna Magnani ... Mamma Roma
Ettore Garofolo ... Ettore
Franco Citti ... Carmine
Silvana Corsini Silvana Corsini ... Bruna
Luisa Loiano Luisa Loiano ... Biancofiore
Paolo Volponi ... Il Prete (Priest)
Luciano Gonini Luciano Gonini ... Zacaria
Vittorio La Paglia Vittorio La Paglia ... Il sig. Pellissier
Piero Morgia Piero Morgia ... Piero
Franco Ceccarelli Franco Ceccarelli ... Carletto
Marcello Sorrentino Marcello Sorrentino ... Tonino
Sandro Meschino Sandro Meschino ... Pasquale
Franco Tovo Franco Tovo ... Augusto
Pasquale Ferrarese Pasquale Ferrarese ... Lino
Leandro Santarelli Leandro Santarelli ... Begalo
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Storyline

With a fervent yearning for respectability and enough money to buy herself a brand-new life in Rome, the uninhibited, fearless, and determined former streetwalker, Mamma Roma, renounces her ignominious past to reunite with her loafing sixteen-year-old son, Ettore. Free at last from her disgusting pimp and ex-lover, Carmine, Roma is bent on making an honest living running a humble vegetable stall; however, a malicious extortion scheme and the equally insidious menace of exposure threaten to put an end to her zealous aspirations for a decent bourgeois existence. For his own sake, Ettore must be spared the violence of the grown-up world; nevertheless, can a single mother alone protect her only son from the same snares that wounded her youth? Written by Nick Riganas

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy

Language:

Italian

Release Date:

18 January 1965 (USA) See more »

Also Known As:

Мама Рома See more »

Filming Locations:

Rome, Lazio, Italy

Company Credits

Production Co:

Arco Film See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (original)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

At the films premiere in the Quattro Fontane Cinema (Rome, 22nd September 1962), Mr. Pier Paolo Pasolini was attacked by fascists who protested against the film. See more »

Goofs

In the opening titles, the music that is playing over the titles is noted as "Concerto in Do maggiore di Vivaldi," which translates in English as "Concerto in C major by Vivaldi." The music actually playing is the Largo (slow) movement from Vivaldi's Concerto in D minor (catalog number RV 540) See more »

Quotes

Tonino: Are you leaving us high and dry? Just like the Germans, you come and take over.
See more »

Connections

Featured in Cinema forever - Capolavori salvati (2001) See more »

Soundtracks

Concerto for Piccolo, Strings & Continuo in C Major (RV443)
(second movement - largo)
Written by Antonio Vivaldi
Heard as a theme when Carmine appears
See more »

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User Reviews

 
The shame and grace of a struggling mother and her son...
7 September 2001 | by enicholsonSee all my reviews

Mama Roma, played by an amazing Anna Magnani, desperately wants a good, respectable life for her 17 year old son, played by Ettore Garafalo. She would do anything for him. If at one time she sold her body on the streets of Rome partly as an act of rebellion against a failed marriage of convenience, she now must resume the work to raise funds to pay off a threatening former pimp (played by the cool, charismatic Franco Citti), while raising a few extra lira to get her son a few nice things on the side. She implores a priest to help her son find a decent job and does a host of other things to try and get Ettore away from the life of a hood.

The problem is that her son is like she presumably was (and is still capable of being) -- a rebellious, angry child drawn to the street life. He also, almost instinctively, falls for a young whore who may or may not resemble his young mother.

This is a great film. Pasolini cares deeply for these characters. Are Ettore and his mother a Madonna and Christ as sometime prostitute and would be criminal? Perhaps. Though their sins are not necessary for their survival, their hardships and sufferings take on a religious, martyred quality. Mamma Roma is the lost, heroic sinner of the Italian lower classes who can sometimes struggle to better themselves through respectable work, faith and redemption. But she can't do enough for herself and her son by being virtuous, so she must turn to the street on occasion. And either due to his environment or his temperament, both products of his mother, Ettore, in all his youthful impatience and vigor, can't resist the effortless ennui and easy thrills of hanging out with petty hoods, stealing from whoever they can, and dallying around with a young whore.

Rome looks and feels like a prison in this film. The city feels walled off by apartment buildings, the entrance into which feels like the entrance into an ancient city -- perhaps ancient Jerusalem. Outside the modern buildings stand patches of ancient ruins. Ettore lives his life among these overlooked, neglected ruins, which perhaps foreshadow his own future. If this is to be his future it won't be because of a lack of love and effort on the part of Mama Roma; instead it will be because of the neglect of the prison of Rome, and because of his own wild, bitter heart; the heart of a boy for which Mama Roma would devote her life.


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