Having renounced her ignominious past, a former streetwalker reunites with her son. However, an extortion scheme endangers her aspirations for a decent bourgeois life. Can she protect him from the same snares that wounded her youth?
This consists of four short films by different directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged ... See full summary »
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is ... See full summary »
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son... See full summary »
Pier Paolo Pasolini
After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her furious revenge. Can they escape her wrath?
Pier Paolo Pasolini
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from, young and old women if they are men's equals, men and women if a woman's ... See full summary »
Pier Paolo Pasolini
Ancient Arabia. A youth is chosen by a beautiful slave girl to be her new master; she is kidnapped and they must search for each other. Stories are told within stories; love, travel and the whims of destiny.
With a fervent yearning for respectability and enough money to buy herself a brand-new life in Rome, the uninhibited, fearless, and determined former streetwalker, Mamma Roma, renounces her ignominious past to reunite with her loafing sixteen-year-old son, Ettore. Free at last from her disgusting pimp and ex-lover, Carmine, Roma is bent on making an honest living running a humble vegetable stall; however, a malicious extortion scheme and the equally insidious menace of exposure threaten to put an end to her zealous aspirations for a decent bourgeois existence. For his own sake, Ettore must be spared the violence of the grown-up world; nevertheless, can a single mother alone protect her only son from the same snares that wounded her youth?Written by
At the films premiere in the Quattro Fontane Cinema (Rome, 22nd September 1962), Mr. Pier Paolo Pasolini was attacked by fascists who protested against the film. See more »
When Mamma Roma removes Clementina's veil and puts it on her own head, the camera cuts to Carmine's reaction. Next to him, we can see the sides of the veil still on Clementina's head. See more »
There was a neighbor of ours, a rich old man with loads of money. He dressed like Robespierre. He had a mustache and cane, like he was a king. You know how he made his money? Under fascism. Mussolini told him, "Build a district for the working class."
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"Mamma Roma"(1962) the second film directed by Pier Paolo Pasolini, is the brutally realistic in its depiction of life in the slums of Rome yet lyrical ode to mother's love. Mamma Roma (Anna Magnani), a middle-aged prostitute is ready to quit her profession and to start a new life with her teenage son who had spent his childhood in the country and does not know her well. She wants a better life for herself and a meaningful future for her son, and there is not much her Mamma Roma would not do for her son. Things don't go as planned, though...
Anna Magnani was renowned for her earthy, passionate, "woman-of-the-soil" roles and she is one of the main reasons to see the film. She is Rome's flesh and soul, its spirit and symbol, its loud laugh and bitter tears.
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