Operation Market Garden, September 1944: The Allies attempt to capture several strategically important bridges in the Netherlands in the hope of breaking the German lines. However, mismanagement and poor planning result in its failure.
Tells the story of the D-Day invasion of Normandy in WWII. There are dozens of characters, some seen only briefly, who together weave the story of five separate invasion points that made up the operation.Written by
John Vogel <firstname.lastname@example.org>
In the scene where Brig. Gen. Teddy Roosevelt, Jr. (Henry Fonda) lands at Utah Beach he can be clearly seen completely falling in the water as he steps of the landing craft (look for Fonda holding the walking stick), and with clothes completely soaked running up the beach. As the scene continues he crouches behind a beach obstacle with other officers. As the scene cuts to a closeup, his clothing is suddenly dry. See more »
Brigadier General Norman Cota:
I don't have to tell you the story. You all know it. Only two kinds of people are gonna stay on this beach: those that are already dead and those that are gonna die. Now get off your butts. You guys are the Fighting 29th.
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There is a 20-second overture on a black screen, no 20th Century Fox logo (in spite of this being one of their most expensive productions), and a six-minute cold open before the title is displayed. Apart from the title, there are no credits at the beginning of the film. All cast and crew credits are at the end of the film. See more »
There are two distinct versions of this film: in one, all the characters speak English; in the other, the French and German characters speak their own respective languages, with subtitles. In the latter version the theme played over the end titles is an instrumental, while the former has lyrics written by Paul Anka (the latest DVD version contains both the German/French speaking and the vocal version of the film's musical theme). See more »
True, the first half an hour of Spielberg's "Saving Private Ryan" is truly mesmerizing but then it degenerates into a soap opera of sorts and all the angst and horror of war evaporates until the truly sentimental finale. "The Longest Day" doesn't depend on special effects but on the minute by minute horror of its moment. It's also, if I'm permitted to say it, a lot of fun to watch. Strangely enough the all star cast is not distracting at all. It was much more in "Saving Private Ryan" with a cast of up and comings headed by Tom Hanks himself. In "The Longest Day" there are real moments, film, cinematic moments that are intimately connected with the profoundest sense of drama: The clicking of the rifle. Richard Burton, Richard Beymer and the boots of the dead German. Red Buttons hanging from the Cathedral. Paul Anka, Fabian, Robert Wagner, the landing in Normandy. This film remains one of the best, from every angle, films of its kind.
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