A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two ... See full summary »
Valentine "Snakeskin" Xavier, a trouble-prone drifter trying to go straight, wanders into a small Mississippi town looking for a simple and honest life but finds himself embroiled with problem-filled women.
Over the course of one day in August 1912, the family of retired actor James Tyrone grapples with the morphine addiction of his wife Mary, the illness of their youngest son Edmund and the alcoholism and debauchery of their older son Jamie. As day turns into night, guilt, anger, despair, and regret threaten to destroy the family.Written by
Marc Andreu <email@example.com>
Sir Ralph Richardson and Jason Robards, Jr. played the same role in "A Doll's House", Dr. Rank. See more »
A shadow of the boom microphone can be seen moving on the wall and picture behind Mary as she sits in the rocking chair after getting back from her trip to the drug store. See more »
[Edmund has just recited a piece of poetry]
You recite it well... Who wrote it?
Never heard of him. Where you get your taste in authors...
[Motioning to Edmund's bookshelves]
This damned library of yours: Voltaire and Rousseau and Schopenhauer. And Ibsen... Atheists, fools and madmen! And your poet, this... "Baudelaire." And Swinburne, and Oscar Wilde. Whitman and Poe... Whoremongers and degenerates! When I've got three good sets of Shakespeare there you can read...
[...] See more »
Some prints of "Long Day's Journey Into Night" run 136 minutes, and are missing a number of scenes in the first 1/3 of the film, including the original opening scene, and a long exterior scene between Ralph Richardson and Jason Robards, containing dialogue crucial to the understanding of Katharine Hepburn's character. See more »
Although this film retains the feel of a stage production, this seems to heighten the tension and emphasize how amazing these performances really are.
I've always felt that the play is well-suited to being filmed in black and white. The lack of color seems to bring out even more of the dreary agony that the characters are going through, as well as making the fog seem even more dismal and real.
Because O'Neill's play is apparently autobiographical, the suffering is amplified intensely. This film is a fantastic drama--but because of the length (around 3 hours) and the anguish that the characters go through, you need to be sure you're in the right mood before you sit down to watch it.
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