At a Mexican ranch, fugitive O'Malley and pursuing Sheriff Stribling agree to help rancher Breckenridge drive his herd into Texas where Stribling could legally arrest O'Malley, but Breckenridge's wife complicates things.
In order to free his best friend Paul Bondi from jail, cowboy Jack Burns gets himself imprisoned only to find out that Bondi does not want to escape. Thus Burns breaks out on his own and is afterwards being chased in the mountains by sheriff Johnson with a helicopter and jeeps.Written by
After Kirk Douglas read "The Brave Cowboy" by Edward Abbey, he purchased the rights to it and gave the project to his friend Dalton Trumbo. Douglas said Trumbo's screenplay was perfect, the best he had ever read, and he didn't change one word of it. See more »
At the end of the movie, while the camera is focused on Kirk Douglas' face, he is making significant starting actions with his eyes, conveying the character's thoughts. It happens to be raining very hard through this scene, yet his expressions are unimpeded, revealing that the rain is being simulated between the camera and him. See more »
[to his horse, as he watches jets leave contrails across the sky]
Time we took off, too.
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the credits at the beginning of the film use a font with uppercase consonants and lower case vowels (of various sizes) , but for the names only. See more »
a powerful portrayal of a man left behind and way out of step with the times
I pity those who cannot, even in a small way, identify with Douglas' character, Jack Burns in this ageless work of art. This is a self described 'lonely man,' of no use to his true love( who has married his old friend) because he cannot share his life with anyone. He acknowledges that he is of no use to anyone. Rather he is a constant threat to whatever social order he encounters. The one time he makes a commitment, to his horse no less, he loses his edge. And probably his freedom. What a wonderful movie this is.It steeps itself in the fading of the West. While much of it is seemingly allegorical, there is also a truthfulness, and a tenderness in Burns search for escape over the mountains. Someone else has commented on the similarities between Burns and Bogart's rendition of Roy Earle in HIGH SIERRA. Surely any thoughtful movie goer has experienced that rush to the mountains, that sense that time has passed you by and you are not of this place.
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